The Cinema of Namibia refers to cinema in the country of Namibia, which claimed its independence from South Africa in 1990.
Before independence, American anthropologist John Marshall made ethnographic films of the Ju/'hoansi for over four decades from 1950 onwards, resulting in documentary films such as The Hunters (1957) and Nǃai, the Story of a ǃKung Woman (1980). [1]
In 2000, the Namibian government passed the Namibian Film Commission Act to promote filmmaking in the country. [2]
After independence, Namibian filmmakers have started to assert their own identity.
Here are several notable Namibian filmmakers that have added to Namibia's cinema history:
They have been joined by a younger generation including:
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
Women's cinema primarily describes cinematic works directed by women filmmakers. The works themselves do not have to be stories specifically about women, and the target audience can be varied.
Bridget Pickering is a film maker and producer from Namibia. Among other projects, she was an executive producer on the 2004 film Hotel Rwanda. She is the daughter of Namibian diplomat and trade unionist Advocate Arthur Pickering.
White Namibians are people of European descent settled in Namibia. The majority of White Namibians are Dutch-descended Afrikaners, with many of the White minority being German Namibians. Many are also Portuguese or English immigrants. Estimates published in 2016 suggest that the White Namibian population run between 75,000 and 150,000. This imprecision in data is because the Namibian government no longer collects data based on race.
Tim Huebschle is a Namibian film director and screenwriter.
Tom Stempel is an American film scholar and critic. He is a Professor Emeritus in Film at Los Angeles City College, where he taught from 1971 to 2011.
Hala Khalil is an Egyptian film director, producer, and screenwriter. Her work includes short films, documentaries, TV series, and feature films. Her films The Kite (1997) and The Best of Times (2004), have received awards from the Arab Film Festival, Rotterdam Arab Camera Festival, and the Rabat Film Festival.
Kalthoum Bornaz was a Tunisian screenwriter, film editor, and director who belonged to the first generation of women filmmakers in Tunisia. She was born in Tunisia on 24 August 1945 and moved to France in order to continue her education abroad. She worked both in Tunisia and overseas on the development of many feature-length films as an editor and director.
Jule Britt Selbo is an American screenwriter, playwright, author, producer and professor. She was born in Fargo, North Dakota. She is currently a professor in the Cinema and Television Arts Department at California State University, Fullerton and is a member of the WGA.
Bahiga Hafez was an Egyptian screenwriter, composer, director, editor, producer and actress.
Nadia Hamza is an Egyptian film director, producer and screenwriter. Before directing, Hamza worked as a scriptwriter, assistant and producer. She became a successful director and screenwriter known for making films with female leads discussing women aspirations and experiences. In 1994 she founded her own production company, Seven Stars Studio and began collaborating with other Egyptian filmmakers. Nadia believes that women director's differ from their male counterpart in regards to the subject of a film and how they handle and use the camera. She was known for portraying women and challenges societal views on working women. She has her female character's be portrayed as winners and concentrates on women's issues, especially working women.
Tjiraa is a 2012 Namibian short drama film, directed by Krischka Stoffels. The screenplay was written by Toucy Tjijambo. The movie is almost entirely in Otjiherero, one of the indigenous Namibian languages.
Joel Haikali is a Namibian director, film producer and writer. Haikali released his first feature film My Father's Son in 2011. He has also produced several short films, including Differences (2008), African Cowboy (2011) and Try (2012). The aforementioned shorts films were screened at the Alliance Française in Swakopmund. Haikali was a former Chairperson of the Namibia Film Commission.
Helena Nogueira is a South African film director, "the first woman to direct a feature film in South Africa".
Oshosheni Hiveluah was a Namibian writer, producer, and director. She is best known for the films Tjitji the Himba Girl and 100 Bucks.
Culture in Namibia is a blend of many different people and its culture and customs have absorbed both African and European elements and fused them into a blend of the two. Although the country is urbanising rapidly, a majority of Namibians still live in rural areas and lead largely impoverished lives. It is among these people, however, that cultural tradition survive most strongly.
Cecil Moller is a Namibian film director and producer.
Perivi John Katjavivi is a Namibian-Britishfilmmaker. He has made several critically acclaimed films including Eembwiti, The Unseen, and Film Festival Film. Apart from direction, he is also a producer, writer, camera operator, actor, cinematographer and editor. Perivi holds a BA in Cinema from Columbia College, Hollywood in Los Angeles, and an MA in African Cinema from UCT.
Namibia Film Commission (NFC) is a Namibia government agency formed to support, encourage and promote the development of the film industry in Namibia. It was established by Act No.6 of Parliament in 2000 under the Ministry of Information, Communication and Technology.