The history of cinema in Poland is almost as long as the history of cinematography, and it has universally recognized achievements, even though Polish films tend to be less commercially available than films from several other European nations.
Swedish cinema is known for including many acclaimed films; during the 20th century the industry was the most prominent of Scandinavia. This is largely due to the popularity and prominence of directors Victor Sjöström and especially Ingmar Bergman; and more recently Roy Andersson, Lasse Hallström, Lukas Moodysson and Ruben Östlund.
Despite having a flourishing Chinese and Malay film industry in the 1950s and 1960s, Singapore's film industry declined after independence in 1965. Film production increased in the 1990s, which saw the first locally-produced feature-length films. There were a few films that featured Singaporean actors and were set in Singapore, including Saint Jack, They Call Her Cleopatra Wong and Crazy Rich Asians.
The cinema of Greece has a long and rich history. Though hampered at times by war or political instability, the Greek film industry dominates the domestic market and has experienced international success. Characteristics of Greek cinema include a dynamic plot, strong character development and erotic themes. Two Greek films, Missing (1982) and Eternity and a Day (1998), have won the Palme d'Or at the Cannes Film Festival. Five Greek films have received nominations for the Academy Award for Best Foreign Language Film.
The cinema of Burkina Faso is one of the more significant in Africa, with a history that spans several decades and includes the production of many award-winning films.
Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film Institute. Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation.
Cinema of the Netherlands refers to the film industry based in the Netherlands. Because the Dutch film industry is relatively small, and there is little or no international market for Dutch films, almost all films rely on state funding. This funding can be achieved through several sources, for instance through the Netherlands Film Fund or the public broadcast networks. In recent years the Dutch Government has established several tax shelters for private investments in Dutch films.
Brazilian cinema was introduced early in the 20th century but took some time to consolidate itself as a popular form of entertainment. The film industry of Brazil has gone through periods of ups and downs, a reflection of its dependency on state funding and incentives.
Eurimages is a cultural support fund of the Council of Europe, established in 1989. Eurimages promotes independent filmmaking by providing financial support to feature-length fiction, animation, and documentary films. In doing so, it encourages co-operation between professionals across Europe. Eurimages is headquartered in Strasbourg, France in the Agora building of the Council of Europe. The current Chairperson is Catherine Trautmann.
Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger.
The cinema of Armenia was established on 16 April 1923, when the Armenian State Committee of Cinema was established by government decree. The National Cinema Center of Armenia (NCAA), founded in 2006, is the governing body of film and cinema in Armenia. The NCAA preserves, promotes and develops Armenian cinematography and provides state financial support to full-length feature, short and animation projects. The Director of the NCCA is Shushanik Mirzakhanyan, and the headquarters are located in Yerevan.
Films have been made in Lithuania since the early twentieth century.
Cinema of Latvia dates back to 1910 when the first short films were made. The first cinematic screening in Riga took place on May 28, 1896. By 1914 all major cities in Latvia had cinemas where newsreels, documentaries and mostly foreign-made short films were screened.
The mass media in Cyprus refers to mass media outlets based on the island of Cyprus, including both the Republic of Cyprus (RoC) and the Turkish Republic of Northern Cyprus (TRNC). Television, magazines, and newspapers are all operated by both state-owned and for-profit corporations which depend on advertising, subscription, and other sales-related revenues.
The cinema of Moldova developed in the early 1960s during the Soviet period, experiencing a flowering of about a decade and a half. Stagnation followed, and after the Moldavian SSR became independent in 1991, the industry almost completely disappeared.
Jordan has quickly developed in the past few decades and ascertained itself as an attractive filming country, due to a large number of combined factors: variety of locations, advanced infrastructure, moderate and sunny weather, governmental support for the film industry, easy administrative procedures and financial incentives. The cash rebate varies between 10% and 25%, depending on the spending, while productions are exempt from Jordanian taxes. Combined with the cash rebate, they can get as much as 56% back.
Dimitri Logothetis is a Greek-American filmmaker and actor.
5050x2020 is a hashtag used to campaign for gender parity in the film industry. The campaign was launched by the Swedish Film Institute at the Cannes Film Festival in 2016.
Jiu Jitsu is a 2020 American science fiction martial arts film directed and co-written by Dimitri Logothetis and starring Alain Moussi, Frank Grillo, JuJu Chan, Tony Jaa and Nicolas Cage. The film is based on the 2017 comic book of the same name by Dimitri Logothetis and Jim McGrath. The film was a box office bomb, grossing less than $100,000 against a budget of over $25 million, and was critically panned.
