Eurimages

Last updated
Logo LogoEurimages.jpg
Logo

Eurimages is a cultural support fund of the Council of Europe, established in 1989. Eurimages promotes independent filmmaking by providing financial support to feature-length fiction, animation, and documentary films. In doing so, it encourages co-operation between professionals across Europe. Eurimages is headquartered in Strasbourg, France in the Agora building of the Council of Europe. The current Chairperson is Catherine Trautmann.

Contents

Purpose

The fund was created in 1988 within the framework of the Council of Europe, as a Partial Agreement, under Committee of Ministers Resolution (88) 15, [1] with an independent budget of 21M €. It currently includes 38 of the 47 member states of the Council of Europe, plus Argentina [2] and Canada as associate members.

Eurimages aims to promote the European film industry by encouraging the production and distribution of films and fostering co-operation between professionals. Eurimages has a clear cultural aim and is complementary to the Media programme of the European Union, which has an industrial goal. Eurimages has four support schemes: feature film co-production, the promotion of co-production, theatrical distribution (to be suspended as from the 2020 cycle in its current form) and exhibition. Eurimages promotes independent filmmaking through a number of collaboration agreements with various festivals and film markets and has also adopted a strategy to promote gender equality in the film industry.

Member states

Member states include:

Associate members include:

On 26 February 2022, in the wake of the 2022 Russian invasion of Ukraine, the Ukrainian Film Academy demanded that Russia, which joined Eurimages in 2011, be removed from the fund. [4]

Eligibility

The fund supports feature-length fiction, animation and documentary films of a minimum length of 70 minutes, intended for cinema release. A main condition of obtaining Eurimages support is that the project is an international co-production between at least two independent producers, established in different member states of the Fund, of which at least one is a member state of the Council of Europe. Co-producers from non-member states of the Fund may participate in the project provided that their combined co-production percentage does not exceed 30% of the total co-production budget. Other conditions of eligibility for projects applying for Eurimages support are:

In order to receive Eurimages support, projects must comply with the legislation if the countries concerned, the bilateral treaties in force between the co-producing countries or, where applicable, with the European Convention on Cinematographic Coproduction or Council of Europe Convention on Cinematographic Co-production (revised). Eurimages provides a conditionally reimbursable interest-free loan. Financial support shall not exceed 17% (25% for documentaries) of the total production cost of the film and shall in no event be superior to €500,000. The loan is reimbursed from the first € of each co-producer’s net receipts - at the rate of the percentage of Eurimages support.

See also

Related Research Articles

<span class="mw-page-title-main">National Film Board of Canada</span> Canadas public film and digital media producer and distributor

The National Film Board of Canada is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.

<span class="mw-page-title-main">British Independent Film Awards</span> British film award

The British Independent Film Awards (BIFA) is an organisation that celebrates, supports and promotes British independent cinema and filmmaking talent in United Kingdom. Nominations for the annual awards ceremony are announced in early November, with the ceremony itself taking place in early December.

<span class="mw-page-title-main">Cinema of Colombia</span> Filmmaking in Colombia

Cinema of Colombia refers to the film industry based in Colombia. Colombian cinema began in 1897 and has included silent films, animated films and internationally acclaimed films. Government support included an effort in the 1970s to develop the state-owned Cinematographic Development Company which helped produce some films yet struggled to stay financially viable. FOCINE went defunct in 1993. In 1997 the Colombian congress approved Law 397 of Article 46 or the General Law of Culture with the purpose of supporting the development of the Colombian film industry by creating a film promotion mixed fund called Corporación PROIMAGENES en Movimiento. In 2003 Congress also approved the Law of Cinema which helped to restart the cinematographic industry in Colombia.

<span class="mw-page-title-main">Cinema of Armenia</span> Filmmaking in Armenia

The cinema of Armenia was established on 16 April 1923, when the Armenian State Committee of Cinema was established by government decree. The National Cinema Center of Armenia (NCAA), founded in 2006, is the governing body of film and cinema in Armenia. The NCAA preserves, promotes and develops Armenian cinematography and provides state financial support to full-length feature, short and animation projects. The Director of the NCCA is Shushanik Mirzakhanyan, and the headquarters are located in Yerevan.

<span class="mw-page-title-main">Martín Rejtman</span> Argentine film director

Martín Rejtman is an Argentine writer and film director. He is considered to be a key figure in the New Argentine Cinema, making films such as Silvia Prieto and The Magic Gloves. His documentary Riders won the Eurimages Co-Production Development Award at the San Sebastián International Film Festival in 2020.

International Documentary Association (IDA), founded in 1982, is a non-profit 501(c)(3) that promotes nonfiction filmmakers, and is dedicated to increasing public awareness for the documentary genre. Their major program areas are: Advocacy, Filmmaker Services, Education, and Public Programs and Events.

Film and TV financing in Australia refers to government assistance to TV and cinema in Australia. Over the past 30 years, government assistance has involved a mixture of government support, distributor/ broadcaster involvement and private investment. To a significant extent, government policies have shaped the form and scale of financing.

<span class="mw-page-title-main">Cinema of Cyprus</span> Filmmaking in Cyprus

Cypriot cinema refers to the cinema of Cyprus, which was born much later than the cinema of most other countries.

<span class="mw-page-title-main">Screen Ireland</span> Irish state development body for film, TV and animation

Fís Éireann / Screen Ireland, formerly known as Bord Scannán na hÉireann / the Irish Film Board, is the Republic of Ireland's state development agency for the Irish film, television and animation industry. It provides funds for the development, production and distribution of feature films, feature documentaries, short films, TV animation series and TV drama series.

An international film or television co-production is a production made by production companies in different countries. This note focuses on ‘official’ Australian co-productions, that is, co-productions that meet the requirements for benefits under the Australian Official Co-Production Program. It looks at trends in production, the potential impact of recent changes to film funding, and what lies ahead for Australia's involvement in co-production.

The Council of Europe Film Award (FACE) is presented at the Istanbul International Film Festival by the Council of Europe to the director whose entry to the festival raises public awareness and interest in human rights issues and promotes a better understanding of their significance.

<span class="mw-page-title-main">Estonian Film Foundation</span> Organization based in Estonia

The Estonian Film Foundation is Estonia's public film funding organization financed from the state budget of the Republic of Estonia. Founded in 1997 by the Estonian Ministry of Culture, the foundation finances and promotes film productions where at least one of the participating producers is an independent Estonian production company. It establishes and develops international film contacts and supports the training of Estonian filmmakers and maintains the Estonian film database EFIS.

<i>Surviving Life</i> 2010 Czech film

Surviving Life is a 2010 Czech comedy film by Jan Švankmajer, starring Václav Helšus, Klára Issová and Zuzana Kronerová. The film uses a mix of cutout animation from photographs and live-action segments, and tells the story of a married man who lives a double life in his dreams, where he meets another woman. It premiered out of competition at the 67th Venice International Film Festival.

Brendan McCarthy is an Irish film producer and screenwriter based in Dublin, Ireland. Together with John McDonnell, McCarthy runs the Oscar-winning production company Fantastic Films (Ireland).

The Medienboard Berlin-Brandenburg is the body responsible for Film Funding and Media Business Development in the states of Berlin and Brandenburg. It is also the first point of contact for international and German professionals active in the film and media industries.

<span class="mw-page-title-main">Tel Aviv International Student Film Festival</span>

The Tel Aviv International Student Film Festival is the largest of its kind in the world and is considered one of the most important in its field. The film festival hosts hundreds of students, lecturers and guests of honor from the world's leading film industry in Tel Aviv, for a week of screenings and cultural events. Hundreds of films, premieres, cinematic events, workshops, conferences and special projects are held, inviting thousands of visitors to the Tel Aviv Cinematheque halls every day. Since 2013, it has been held once a year, in June, in Tel Aviv.

Rhino is a Ukrainian feature film by director Oleg Sentsov, created as a co-production of Ukraine, Poland and Germany.

<span class="mw-page-title-main">Polish Film Institute</span> State legal entity

Polish Film Institute is a state legal entity established in 2005 to support the development of cinematography. The Institute operates on the basis of the Act of 30 June 2005 on cinematography, the Act of 9 November 2018 on financial support for audiovisual production and its statute.

The National Cinematography Law is a law ratified in 1993 by the Venezuelan National Assembly, seeking to protect the rights of the Venezuelan filmmaking community and to promote the work of its producers at national and international levels. On 2 June 2015, a reform committee met to discuss possible reforms to the law, wanting to promote national cinema and reduce the showings of foreign films in the country.

The Ukrainian Film Academy is a Ukrainian association of experts and professionals in the field of cinema and film production. It was founded in 2017 to support and develop modern Ukrainian cinema. Since 2017, the Ukrainian Film Academy has been holding the prestigious "Golden Dzyga Film Awards" annual event.

References

  1. "Home". Treaty Office. Retrieved 1 August 2018.
  2. Emilio Mayorga (May 20, 2019). "Argentina Joins European Co-Production Fund Eurimages". Variety . Retrieved March 1, 2022.
  3. "Ukraine joins Eurimages".
  4. 1 2 Martin Blaney (26 February 2022). "Ukrainian Film Academy calls for Russia to be expelled from Eurimages, all co-productions". ScreenDaily . Retrieved 1 March 2022.