The history of cinema in Eritrea dates back to the country's colonial rule under the Kingdom of Italy. [1] [2]
A small theater, Cinema Dante, set up shop in Asmara in 1910, making it one of the first "movie theaters" in Africa. [3]
The Italian missionary film was first introduced in a 1922 work produced in the country by Capuchin monks collaborating with the colonial government. [4] In connection with the growth of Italian cinema in the 1930s, so too did the rise of cinema occur in Asmara, Eritrea. [1] In 1937, Asmara's Opera was converted into a dual-use theatre and cinema. By the following year, Asmara had a total of nine movie theatres, all Art Deco. [1] [5]
Cinema Roma was for whites-only until 1941 when the Italians were ousted. After 1941, the theater mainly played Indian movies. [5] Many Eritrean actors moved to Italy, contributing to Italy’s post-war "Movie Boom for Negro Actors". [6]
Atfer cable TV and movie streaming was deployed, the interest to view foreign movies lowered. Many cinemas reconverted in showing domestic productions only, and European soccer games. [5]
Despite the country's independence, film screenings in Eritrea are mostly still confined to English and Italian language movies. [2]
During the armed conflicts of the 1990s, a community of amateur movie makers was created around the socio-drama the events. The first Eritrean movie subtitled in English was Minister (written by Efrem Kahsay), but Barud 77 (1996, dir. Bereket Yohannes) is considered Eritrea's first feature film. [7]
Films like Eva Nera were produced in Eritrea and shown the culture and differences between the Eritrean people. Directed by Giuliano Tomei, it was told through a viewpoint of Domenico Meccoli. [8] [9]
European influence continues to this day, such as "European Film Weeks", which have been held annually for the last 15 years. [10] Almost 100% of the films produced in Eritrea fall under the "Fiction" category. [11]
The National Union of Eritrean Youth and Students owns three cinemas, including The Impero cinema, [5] but there is no film school per say in the country. The government gets involved in financing film projects, but only those that demonstrate a moral stance. [12]