Cinema of Palestine

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Cinema of Palestine
Palestine film clapperboard.svg
No. of screens 2 (2007) [1]
 • Per capita0.1 per 100,000 (2007) [1]
Number of admissions (2007) [2]
Total64,026

Cinema of Palestine refers to films made in Palestine and/or by Palestinian filmmakers. Palestinian films are not exclusively produced in Arabic and some are produced in English and French. [3] [4]

Contents

History

The first period: The beginning, 1935–1948

Villagers of Halhul waiting for an open-air film show, around 1940 Halhul, 1940.jpg
Villagers of Halhul waiting for an open-air film show, around 1940

The first Palestinian film to be made is generally believed to be a documentary on King Ibn Saud of Saudi Arabia's visit in 1935 to Mandatory Palestine, made by Ibrahim Hassan Sirhan (or Serhan), based in Jaffa. [5] [6] Sirhan followed the King and around Mandatory Palestine, "from Lod to Jaffa and from Jaffa to Tel Aviv". The result was a silent movie that was presented at the Nabi Rubin festivals. Following this documentary, Sirhan joined Jamal al-Asphar to produce a 45-minute film called The Realized Dreams, aiming to "promote the orphans' cause". Sirhan and al-Asphar also produced a documentary about Ahmad Hilmi Pasha, a member of the Higher Arab Commission. [5] [7] In 1945 Sirhan established the Arab Film Company with Ahmad Hilmi al-Kilani. The company launched the feature film Holiday Eve, which was followed by preparations for the next film A Storm at Home. The films themselves were lost in 1948, when Sirhan had to flee Jaffa after the town was bombarded. [8]

The second period: The epoch of silence, 1948–1967

In the 1960s, there was a small group of people that started filming the Palestinian Revolution. The PLO (Palestinian Liberation Organization) helped tremendously with allowing people such as Arab filmmakers start up their films. In the late 60s, these films that were being made, around 100 or more, focused mostly on themes such as collective resistance, exile, and refugees with Palestinians being displaced by Israel at this time. These films were being screened in refugee camps, military bases, villages and towns, and sometimes even gained international recognition. The distribution of these films was not controlled by the filmmakers but regardless, cinema allowed them to tell their own stories. The Alhambra Cinema in Jaffa, 1937, bombed December 1947 Jaffa Alhambra Cinema03562ucroped.jpg
In the 1960s, there was a small group of people that started filming the Palestinian Revolution. The PLO (Palestinian Liberation Organization) helped tremendously with allowing people such as Arab filmmakers start up their films. In the late 60s, these films that were being made, around 100 or more, focused mostly on themes such as collective resistance, exile, and refugees with Palestinians being displaced by Israel at this time. These films were being screened in refugee camps, military bases, villages and towns, and sometimes even gained international recognition. The distribution of these films was not controlled by the filmmakers but regardless, cinema allowed them to tell their own stories. The Alhambra Cinema in Jaffa, 1937, bombed December 1947

The 1948 Palestinian expulsion and flight (known in Arabic as the Nakba) had a devastating effect on Palestinian society, including its nascent film industry. Cinematic endeavours, requiring infrastructure, professional crews, and finance, nearly ceased for two decades. [11] Individual Palestinian participated in the film-production of neighbouring countries. It is reported that Sirhan was involved with the production of the first Jordanian feature film, The Struggle in Jarash (1957), and another Palestinian, Abdallah Ka'wash, directed the second Jordanian feature film, My Homeland, My Love, in 1964. [12]

The third period: Cinema in exile, 1968–1982

After 1967, Palestinian cinema found itself under the auspices of the PLO, funded by Fatah and other Palestinian organisations like PFLP and DFLP. More than 60 films were made in this period, mostly documentaries. The first film festival dedicated to Palestinian films was held in Baghdad in 1973, and Baghdad also hosted the next two Palestinian film festivals, in 1976 and 1980. [13] Mustafa Abu Ali was one of the early Palestinian film directors, and he helped found the Palestinian Cinema Association in Beirut in 1973. Only one dramatic movie was made during the period, namely Return to Haifa in 1982, an adaptation of a short novel by Ghassan Kanafani. [14]

The film archives disappearance, 1982

Different organisations set up archives for Palestinian films. The largest such archive was run by PLO's Film Foundation/Palestinian Film Unit. In 1982, when the PLO was forced out of Beirut, the archive was put into storage (in the Red Crescenty Hospital), from where it "disappeared" under circumstances which are still unclear. [15] Recently, several films from the archive were located in the Israel Defense Forces Archive in Tel HaShomer by scholar and curator Rona Sela. [16] Sela has called for the release of these films, and for the declassification of other Palestinian films that remain closed in the IDF Archive. [17]

The fourth period: The return home, from 1980 to the present

In 1987, there was the first Intifada, [9] and this led to an increase in news coverage in Palestine, showcasing their occupation. This is when filmmakers started getting back up to make more films, in documentarian style, as they were given the understanding of film techniques through these news reporters. This is when a new era of Palestinian cinema emerged. Focusing on Israeli occupation and Palestinian experiences, it differed from their previous focus on exile during the PLO days. There were also “emergency films” and “roadblock films” [9] which called spectators to action on behalf of Palestinians’ struggles and the other genre categorized for its use of checkpoints in its films. Now in the 2000s, Palestinian cinema is re focused on collective resistance from Israeli forces.

The 1996 drama/comedy Chronicle of a Disappearance, from Palestinian filmmaker Elia Suleiman, received international critical acclaim, [18] and it became the first Palestinian movie to receive national release in the United States. [19] A break-out film for its genre, it won a New Director's Prize at the Seattle International Film Festival and a Luigi De Laurentiis Award at the Venice Film Festival. [20] Notable film directors of this period include [21] Michel Khleifi, Rashid Masharawi, Ali Nassar and Elia Suleiman.

An international effort was launched in 2008 to reopen Cinema Jenin, a cinema located in the Jenin Refugee Camp.

In 2008, three Palestinian feature films and an estimated eight shorts were completed, more than ever before. [22]

In 2010, Hamas, the governing authority in the Gaza Strip, announced the completion of a new film. Titled The Great Liberation, the film depicts the destruction of Israel by Palestinians. [23]

Currently in the Gaza Strip, all film projects must be approved by Hamas' Culture Ministry before they can be screened in public. Independent filmmakers have claimed that the Culture Ministry cracks down on content not conforming to Hamas edicts. In a notable 2010 case, Hamas banned the short film Something Sweet, directed by Khalil al-Muzzayen, which was submitted at the Cannes Film Festival. Hamas banned it from being shown locally due to a four-second scene where a woman is shown with her hair uncovered. In 2011, a film festival hosted by the Gaza Women's Affairs Center included documentaries and fictional pieces on women's issues, but the Culture Ministry censored numerous scenes. One film had to remove a scene where a woman lowered one shoulder of her dress, and another had to remove a scene of a man swearing. [24]

Films from Palestine have been broadcast internationally through services such as Netflix. [25]

Name

In contrast to the way some other locations with associations to film industry are named in casual parlance, the term Pallywood has only derogatory acceptions.

Notable directors

Emad Burnat is a Palestinian farmer and filmmaker. Emad Burnat 7830 c.JPG
Emad Burnat is a Palestinian farmer and filmmaker.

Notable films

Notable film festivals

The DC Palestinian Film and Arts Festival (DCPFAF) logo DC-PFAF Logo.jpg
The DC Palestinian Film and Arts Festival (DCPFAF) logo

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See also

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References

  1. 1 2 "Table 8: Cinema Infrastructure - Capacity". UNESCO Institute for Statistics. Archived from the original on 24 December 2018. Retrieved 5 November 2013.
  2. ↑ "Table 11: Exhibition - Admissions & Gross Box Office (GBO)". UNESCO Institute for Statistics. Archived from the original on 25 December 2018. Retrieved 5 November 2013.
  3. ↑ "Palestine Film Foundation". palestinefilm.org. Archived from the original on June 12, 2008.
  4. ↑ Brooks, Xan (12 April 2006). "Xan Brooks on Palestinian directors". the Guardian. Retrieved 9 July 2018.
  5. 1 2 Gertz and Khleifi, p. 13
  6. ↑ Dabashi (2006), p. 9
  7. ↑ Khaled Elayya: A Brief History of Palestinian Cinema Archived 2014-02-21 at the Wayback Machine , This week in Palestine
  8. ↑ Gertz and Khleifi, p. 13-14
  9. 1 2 3 4 Sheetrit, Ariel M. (2020-09-01). "Nadia Yaqub. Palestinian Cinema in the Days of Revolution. Austin, Tex.: University of Texas Press, 2018. 265 pp". Critical Inquiry. 47 (1): 184–185. doi:10.1086/710913. ISSN   0093-1896.
  10. ↑ List of Irgun attacks
  11. ↑ Gertz and Khleifi, p. 19
  12. ↑ Gertz and Khleifi, p. 20
  13. ↑ Joseph Massad: The weapon of Culture: Cinema in the Palestinian liberation struggle. Ch . 2 in Dabashi (2006), p. 33, 36
  14. ↑ Gertz and Khleifi, p. 20-30
  15. ↑ Gertz and Khleifi, p. 28-30
  16. ↑ Sela, Rona (2017-06-01). "Seized in Beirut: The Plundered Archives of the Palestinian Cinema Institution and Cultural Arts Section". Anthropology of the Middle East. 12 (1): 83–114. doi:10.3167/ame.2017.120107. ISSN   1746-0727. S2CID   149169819.
  17. ↑ Sela, Rona (3 March 2017). "The Genealogy of Colonial Plunder and Erasure – Israel's Control over Palestinian Archives". Social Semiotics. 28 (2): 201–229. doi:10.1080/10350330.2017.1291140. S2CID   149369385.
  18. ↑ Chronicle of a Disappearance. All Movie Guide. Accessed June 7, 2009.
  19. ↑ Chronicle of a Disappearance. Artforum . Summer, 1997.
  20. ↑ Awards for Chronicle of a Disappearance. Imdb.com Accessed June 7, 2009.
  21. ↑ Gertz and Khleifi, p. 30-34
  22. ↑ "Palestinian filmmakers beat the odds to hit silver screen". Edition.cnn.com. Retrieved 9 July 2018.
  23. ↑ "Gaza-made film shows Israel's destruction by Palestinians". The Jerusalem Post | JPost.com. 2010-09-14. Retrieved 2023-11-28.
  24. ↑ "Gaza filmmakers decry Hamas censorship". Ynetnews. 19 August 2011. Retrieved 9 July 2018.
  25. ↑ "Watch Salt of This Sea | Netflix". www.netflix.com. Retrieved 2024-03-27.
  26. ↑ "200 Meters". Doha Film Institute. Retrieved 2024-08-18.
  27. ↑ Wiseman, Andreas (July 15, 2024). "'Kneecap' Wins Big At Galway Film Fleadh, Full List Of Winners". Deadline. Retrieved 3 August 2024.
  28. ↑ Johnson, G. Allen (April 30, 2024). "Palestinian film 'The Teacher' captures SFFilm's top audience award". San Francisco Chronicle. Retrieved 7 July 2024.
  29. ↑ "Past Festivals Audience Award Winners". Filmfest DC. Retrieved 7 July 2024.
  30. ↑ "Festival Winners @ Brooklyn Film Festival". Brooklyn FIlm Festival. Retrieved 7 July 2024.
  31. ↑ "The winners of the new directors award and audience award 2024". Kosmorama. Retrieved 7 July 2024.
  32. ↑ Economou, Vassilis (23 April 2024). "78 Days and Embryo Larva Butterfly win big at the 22nd Cyprus Film Days". Cineuropa. Retrieved 7 July 2024.
  33. ↑ "Berlinale Documentary Award and Jury". www.berlinale.de. Retrieved 2024-03-16.
  34. ↑ Goodfellow, Melanie (2024-01-17). "Berlinale Unveils Full Panorama, Forum & Generation Line-Ups With New Films By Nathan Silver, Levan Akin, André Téchiné & Bruce LaBruce". Deadline. Retrieved 2024-03-16.
  35. ↑ "Poppies of Palestine Film Festival - Kuwait". 248am. Retrieved 21 May 2021.

Further reading

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