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Lollywood is Pakistan's film industry, which has served as the base for both Urdu- and Punjabi-language film production. [1] [2] [3] [4] [5] [6] [7] [8] [9] [10]
Lahore has been the center of Pakistani cinema since independence in 1947. However, with Urdu film hub largely shifting to Karachi by 2007, film industry in Lahore became synonymous with Pakistani Punjabi film Industry.[ citation needed ]
The word "Lollywood" is a portmanteau of "Lahore" and "Hollywood", coined in 1989 by Glamour magazine gossip columnist Saleem Nasir, and is usually used comparatively with respect to other film industries in South Asian cinema.
"Lollywood" is a portmanteau derived from Lahore and "Hollywood", a shorthand reference for the American film industry, Hollywood.
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Prior to the 1947 partition of India into the Republic of India and Pakistan, the Lahore film industry was initially part of the British Raj-era cinema of India. The Bombay cinema industry (now known as Hindi cinema or "Bollywood" in modern India) was closely linked to the Lahore film industry, as both produced films in the Hindustani language, also known as Hindi-Urdu, the lingua franca of northern and central British India. [11] Many actors, filmmakers and musicians from the Lahore industry migrated to the Bombay industry during the 1940s, including actors K. L. Saigal, Prithviraj Kapoor, Dilip Kumar and Dev Anand as well as playback singers Mohammed Rafi, Noorjahan and Shamshad Begum. [12] After the 1947 partition and the foundation of Pakistan, the Lahore film industry transitioned to becoming the centre of the new Pakistani cinema.
Lollywood films in Punjabi were most popular in the 1960s and are often referred to as the golden age of Pakistani Punjabi cinema. [13]
Sultan Rahi was a Pakistani actor, producer and screenwriter.
Gandasa is a Pakistani film in Punjabi language, released on 16 April 1991 by screenwriter Saleem Murad. The film was directed by Hasan Askari and produced by Jahangir Khan.
Syed Noor is a Pakistani film director based in Lahore.
The film industry of Pakistan, consisting of motion pictures, has had a large effect on Pakistani society and culture since the nation's independence. Pakistani cinema is made up of various sub-industries, including Lollywood, which makes motion pictures in Urdu and Punjabi. Lollywood is one of the biggest film industries in the country.
Maula Jatt, is a 1979 Pakistani Punjabi language action, musical film directed by Yunus Malik and produced by Sarwar Bhatti. The film is an unofficial sequel to 1975's Wehshi Jatt, starring Sultan Rahi as Maula Jatt and Mustafa Qureshi as his arch-rival Noori Natt.
Muzaffar Adeeb, known mononymously as Adeeb, was a Pakistani film actor. He appeared in 38 Indian films from 1940 to 1962, although he did not start performing in films very actively until the 1950s. In 1962, he shifted from Bombay, India, to Lahore, Pakistan and resumed his film career that lasted until his death with over 500 films to his credit.
Iman Ali is a Pakistani film actress who mostly appears in Urdu language films. Ali made her film debut with a leading role in the 2007 thriller film Khuda Kay Liye, for which she won a Lux Style Award for Best Actress. She has also starred as the main female lead in the 2016 film Mah e Mir, and had a supporting role in the 2011 social drama Bol.
Mahira Hafeez Khan is a Pakistani actress who primarily works in Urdu films and television. Khan is the recipient of several accolades, including six Lux Style Awards, and six Hum Awards, and was honoured with Contribution to Film and Activism by the UK Asian Film Festival.
Fawad Afzal Khan is a Pakistani actor, producer, screenwriter and singer known for his work in films and television. Having received several accolades, including a Filmfare Award, two Lux Style Awards and six Hum Awards, he is widely regarded one of the greatest contemporary artists hailing from Asia.
Aasia Begum, better known as simply Aasia, was a Pakistani film actress who was active in the 1970s, 1980s and 1990s.
Hamza Ali Abbasi is a Pakistani film and television actor and director.
The Legend of Maula Jatt is a 2022 Pakistani Punjabi-language action drama film directed and written by Bilal Lashari. The film is an adaptation and a soft reboot of the 1979 Lollywood film Maula Jatt. Produced by Ammara Hikmat and Asad Jamil Khan under the production banner of Lashari Films and Encyclomedia. It is based on the characters and stories by Nasir Adeeb. The film stars Fawad Khan as the titular character with Hamza Ali Abbasi, Humaima Malik, Faris Shafi and Mahira Khan. In the film, a local folk hero named Maula Jatt takes on his archnemesis and the leader of a brutal clan, Noori Natt.
Bahar Begum is an actress best known for many Pakistani movies since 1956. She was first introduced to the Pakistani film industry by the renowned film director Anwar Kamal Pasha in the film Chann Mahi (1956). Anwar Kamal Pasha is the one that gave her the professional film world name Bahar Begum. She later acted both in Punjabi, Pashto and Urdu language Pakistani films and had a very active career from 1956 through the 1980s. She has more than 600 films to her credit.
Sultan Rahi was a Pakistani actor, producer and screenwriter.
Ali Ejaz was a Pakistani film and television actor known for his film roles in FBI Operation Pakistan (1971), Sona Chandi (1983), and Chor Machaye Shor (1996). He was given the Pride of Performance Award in 1993 by the President of Pakistan.
Chakori a.k.a. Chakori Begum; was a film actress from Sindh, Pakistan. She worked in Sindhi, Punjabi and Urdu films till the 1990s.
Nasir Adeeb is a Pakistani scriptwriter, chiefly working in Punjabi language films of Lollywood.
Agha Hasan Askari was a Pakistani film director of the Lollywood industry. Before joining Tariq Masood Qureshi, he started his career as an assistant director on the Punjabi titles Chan Makhana and Sajan Pyaara by Keefi. His first film as a director was Khun Pasina starring Firdous, Sultan Rahi, Rukhsana and Agha Talish.
The real-life characters behind the goonda and gandasa era of Lollywood... The scene is from the 1979 Lollywood film Wehshi Gujjar. On the face of it, to any modern critic of the Punjabi film industry, the story follows the 'tried-and-tested' Punjabi film formula: honour, bharaks (grandiose boasting), machismo and violence.
Though from an Urdu-speaking Indian immigrant background, Rahi did most of his acting in Punjabi films. Indeed, the whole genre of so-called gandasa (long-handled axe) movies, which has dominated Punjabi filmdom since the late '70s, is built almost entirely upon the face and voice of Sultan Rahi.