This is a chronological list of films that make up the Cinema of Slovakia. There may be an early overlap especially between Slovak and Hungarian films when the two nations shared the Kingdom of Hungary, later between Slovak and Czech films when the two nations shared Czecho-Slovakia or Czechoslovakia. The list should attempt to document films that are either Slovak-produced or associated with Slovak culture. Please see the detailed A-Z of films currently covered on Wikipedia at Category:Slovak films, List of Czechoslovak films, and Category:Czech films.
Title | Director | Cast, notes | Genre | Year |
---|---|---|---|---|
A Camp of Zingari Gypsies | 1-minute British short, unknown location in the Kingdom of Hungary | Documentary | 1897 | |
Traveling through the Váh Valley | — the Váh River | Travel | ||
Testing the Police Dogs in Bratislava | — Prešporok, now Bratislava | Newsreel | ||
Skiing at Tatranská Lomnica | — Tatranská Lomnica | Newsreel | ||
The Košice Institute of Corrections for Children | — Košice | Documentary | ||
The Košice Promenade on the Screen | — Košice | Travel | ||
A Trip to the Tatras | Including: Arriving at Štrbské Pleso,A View of the Ridge,Farewell | Travel | 1918 | |
Unveiling a Patriot Statue in Nitra | — statue by Sándor Finta | Newsreel | 1918 | |
Palm Sunday in Vajnory | Visit by Governor Vavro Šrobár | Newsreel | 1919 | |
The Red Army Victory Celebration in Košice | Including: Béla Kún: "Proletariat of Košice!" − Hungarian communist takeover of Košice | Newsreel | 1919 | |
Snowdrop from the Tatras | Olaf Larus-Racek | Ema Švandová-Kadlecová, Rudolf Kadlec; Czech-made with Slovak lead character, partly on location in Slovakia | Drama | 1919 |
Title | Director | Cast, notes | Genre | Year |
---|---|---|---|---|
Jánošík | Jaroslav Jerry Siakeľ | Theodor Pištěk, Mária Fábryová | Drama | 1921 |
Siciliana − Princess Kanningsten's Necklace | Imrich Darányi | Július Oláh, Ada Vojtíšková | Adventure | 1921 |
Little Witch from the Grove | Ján Moncoľ | Zuzana Piaterová-Koniarová, Zuzana Bútorová | Drama | 1922 |
Nosferatu | Friedrich Wilhelm Murnau | On location at Orava Castle, the High Tatras, the Váh near Strečno; no Slovak content | Horror | 1922 |
Wallachian Year at Rožnov pod Radhoštěm | Cyril Kašpar | Produced by Tatrafilm Trenčín about Slovak-related Wallach culture in Moravia | Documentary | 1925 |
Štrbské Pleso | Czech-produced | Travel | 1925 | |
Tracing the Slovak Folk | Karol Plicka | Non-actors | Documentary | 1928 |
The High Tatras | Sponsored by the Masaryk Folk Educational Institute, Prague | Travel | 1929 | |
Through Mountains and Valleys | Karol Plicka | Non-actors | Documentary | 1929 |
Title | Director | Cast | Genre | Year |
---|---|---|---|---|
Storm over the Tatras | Ferdinand Pujman, Tomáš Trnka | Synchronization of nature shots and music by Vítězslav Novák | Experimental | 1932 |
Flowers in the Tatras | Nature | 1932 | ||
The Earth Sings | Karel Plicka | Non-actors | Documentary | 1933 |
The Tatras in the Sun, Fog, and Storm | Sponsored by the Masaryk Folk Educational Institute, Prague | Nature | 1933 | |
Jánošík | Martin Frič | Paľo Bielik, Zlata Hajdúková | Drama | 1935 |
Tracing Slovaks from New York to the Mississippi | Karel Plicka | Non-actors | Documentary | 1937 |
Title | Director | Cast, notes | Genre | Year |
---|---|---|---|---|
A Trip to the Tatras | Sponsored by Školfilm, Bratislava | Travel | 1942 | |
From the Tatras to the Sea of Azov | Július Kovačevič | Slovak Army progress on the Eastern Front | Documentary | 1942 |
Life Is Rising from the Ruins | Ján Kadár | Kadár's first film | Documentary | 1945 |
Diary from the Tatras | Travel | 1946 | ||
Up the North Face of Kriváň | Karol Skřipský | Sports | 1947 | |
Beware...! | Martin Frič | Paľo Bielik, Július Pántik | Drama | 1947 |
Wolves' Lairs | Paľo Bielik | Beta Poničanová, Jozef Budský | Drama | 1948 |
The Devil's Wall | Václav Wasserman | Andrej Bagar, František Zvarík | Drama | 1949 |
Road of Steel | Vladimír Bahna | Banská Štiavnica railroad | Documentary | 1949 |
Cathy | Ján Kadár | Božena Obrnová, František Dibarbora | Comedy | 1949 |
Title | Director | Cast | Genre | Year |
---|---|---|---|---|
Kathy | Ján Kadár | Božena Obrová, Július Pántik | Comedy | 1950 |
Dam | Paľo Bielik | Alexander Kautnik, Gustáv Valach | Drama | 1950 |
The Struggle Will End Tomorrow | Miroslav Cikán | Elo Romančík, Vladimír Petruška | Drama | 1951 |
Young Hearts | Václav Kubásek | Karol Machata, Hana Kavalírová | Drama | 1952 |
Rainbow Over Slovakia | Vladimír Bahna | feature-long | Documentary | 1952 |
The Mountains Are Stirring | Paľo Bielik | Anton Tihelka, Oľga Adamčíková | Drama | 1952 |
Hamlets Have Started Off | Anton Thielka, Oľga Adamčíková | Drama | 1952 | |
Friday the 13th | Ondrej Jariabek, Oľga Adamčíková | Comedy | 1953 | |
Unplowed Field | Vladimír Bahna | Samuel Adamčík, Frída Bachletová | Drama | 1954 |
Native Country | Josef Mach | Heda Melicherová, Martin Ťapák | Musical | 1954 |
Wooden Village | Andrej Lettrich | Samuel Adamčík, Andrej Bagar | Drama | 1955 |
The Last Witch | Vladimír Bahna | Oľga Zöllnerová, Mikuláš Huba | Drama | 1957 |
St. Peter's Umbrella | Vladislav Pavlovič, Frigyes Bán | Samuel Adamčík, Mari Töröcsik (co-production with Hungary) | Comedy | 1958 |
Captain Dabač | Paľo Bielik | Ladislav Chudík, Hilda Augustovičová | Drama | 1959 |
Title | Director | Cast | Genre | Year |
---|---|---|---|---|
The Sun in a Net | Štefan Uher | Marián Bielik, Jana Beláková | Drama | 1963 |
Let the One Who Is without Sin... | Dimitrij Plichta | Ján Mistrík, Marie Málková | Drama | 1963 |
The Case of Barnabáš Kos | Peter Solan | Josef Kemr, Jarmila Košťová | Drama | 1965 |
The Shop on Main Street | Ján Kadár, Elmar Klos | Jozef Kroner, Ida Kamińska | Drama | 1965 |
Sheriff Behind Bars | Dimitrij Plichta | Otakar Prajzner, Martin Štěpánek | Drama | 1965 |
Contract with the Devil | Jozef Zachar | Martin Gregor, František Dibarbora | Drama | 1967 |
Call of the Demons | Andrej Lettrich | Ladislav Chudík, Viliam Polónyi | Caper | 1967 |
The Man Who Lies | Alain Robbe-Grillet | Jean-Louis Trintignant, Zuzana Kocúriková (French co-production) | Drama | 1968 |
The Gala in the Botanical Garden | Elo Havetta | Slavoj Urban, Nina Divíšková | Comedy | 1969 |
322 | Dušan Hanák | Václav Lohinský, Lucyna Winnicka | Drama | 1969 |
Title | Director | Cast | Genre | Year |
---|---|---|---|---|
The Copper Tower | Martin Hollý Jr. | Štefan Kvietik, Ivan Rajniak | Drama | 1970 |
See You in Hell, Friends | Juraj Jakubisko | Olinka Bérová, Nino Besozzi (premiered, not released) | Drama | 1970 |
Eden and After | Alain Robbe-Grillet | Catherine Jourdan, Pierre Zimmer (French co-production) | Drama | 1970 |
If I Had a Rifle | Štefan Uher | Marián Bernát, Jozef Grát | Drama | 1971 |
Pictures of the Old World | Dušan Hanák | Non-actors | Documentary | 1972 |
Eagle Feather | Martin Hollý Jr. | Ivan Mistrík, Ivan Rajniak | Drama | 1972 |
Red Wine I, II | Andrej Lettrich | Štefan Kvietik, Emília Vašáryová (TV, theatrical release 1976) | Drama | 1972 |
Lilies of the Field | Elo Havetta | Lotar Radványi, Vladimír Kostovič | Drama | 1973 |
Fever | Martin Hollý Jr. | Michal Dočolomanský, Gustáv Valach | Drama | 1975 |
Pacho, the Highwayman of Hybe | Martin Ťapák | Jozef Kroner, Dušan Blaškovič | Comedy | 1976 |
Rosy Dreams | Dušan Hanák | Juraj Nvota, Iva Bittová | Drama | 1977 |
Winner | Dušan Trančík | Jaroslav Tomsa, Dagmar Kováčiková | Drama | 1979 |
And I'll Run to the End of the World | Peter Solan | Aneta Lakatošová, Ivan Mistrík | Drama | 1979 |
Title | Director | Cast | Genre | Year |
---|---|---|---|---|
Spadla z oblakov | Radim Cvrček | Zuzana Pravňanská | Fiction | 1981 |
Night Riders | Martin Hollý | Radoslav Brzobohatý, Michal Dočolomanský, Soňa Valentová, Leopold Haverl | Historical, drama | 1981 |
The Assistant | Zoro Záhon | Gábor Koncz | Drama | 1982 |
She Grazed Horses on Concrete | Štefan Uher | Milka Zimková, Veronika Jelínková | Comedy, drama | 1982 |
The Salt Prince | Martin Hollý | Libuše Šafránková, Karol Machata, Gábor Nagy, Jozef Kroner | Fairytale | 1983 |
A Thousand-year-old Bee | Juraj Jakubisko | Štefan Kvietik, Michal Dočolomanský | Historical | 1983 |
The Feather Fairy | Juraj Jakubisko | Giulietta Masina, Valerie Kaplanová, Soňa Valentová, Tobias Hoesl | Fairytale | 1985 |
The Fountain for Suzanne | Dušan Rapoš | Eva Vejmělková, Jiří Bábek | Musical | 1985 |
Freckled Max and the Spooks | Juraj Jakubisko | Comedy | 1987 |
Title | Director | Cast | Genre | Year |
---|---|---|---|---|
Island of Long Ears | Jozef Slovák, Jozef Heriban | Marian Zednikovič, Marian Labuda, Barbara Philine | Comedy | 1990 |
Private Lives | Dušan Hanák | Jana Šulcová, Magdaléna Vášáryová, Václav Helšus | Drama | 1991 |
All Together (the Slovak Way) | Eva Štefankovičová | Events in 1990 | Documentary | 1991 |
Tenderness | Martin Šulík | Maria Pakulnisová, Gejza Benkő, Iva Bittová, György Cserhalmi | Drama | 1992 |
It's Better to Be Rich and Healthy Than Poor and Sick | Juraj Jakubisko | Deana Horváthová, Dagmar Veškrnová, Juraj Kukura | Comedy | 1992 |
The Fountain for Suzanne 2 | Dušan Rapoš | Pavol Habera, Eva Vejmělková, Maroš Kramár | Musical | 1992 |
Rochade | Peter Patzak | Michael York | Spy thriller | 1992 |
Earthly Restlessness | Eduard Grečner | Marta Sládečková, Jana Nagyová, Michal Gučik | Drama | 1993 |
Angel of Mercy | Miloslav Luther | Ingrid Timková, Juraj Šimko | Drama | 1993 |
Everything I Like | Martin Šulík | Juraj Nvota, Gina Bellmanová, Zdena Studenková, Jiří Menzel | Drama | 1993 |
On the Beautiful Blue Danube | Štefan Semjan | Juraj Johanides, Vladimír Hajdu, Sylvia Šuvadová | Comedy | 1994 |
The Garden | Martin Šulík | Roman Luknár, Zuzana Šulajová | Drama | 1995 |
Jašek's Dream | Eduard Grečner | Emil Horváth Jr., Zuzana Kapráliková, Branislav Mišík | Drama | 1996 |
Suzanne | Dušan Rapoš | Eva Vejmělková, Maroš Kramár, Boleslav Polívka | Drama | 1996 |
Blue Sky | Eva Borušovičová | Zita Kabátová, Emília Vášáryová, Slávka Halčáková | Comedy | 1997 |
Orbis Pictus | Martin Šulík | Dorota Nvotová, Marián Zednikovič, Július Satinský | Drama | 1997 |
The Camp of Fallen Women | Laco Halama | Juraj Kukura, Dana Dinková, Hana Gregorová, Mahulena Bočanová | Drama | 1997 |
Nejasná správa o konci sveta | Juraj Jakubisko | Drama | 1997 | |
Rivers of Babylon | Vladimír Balco | Andrej Hryc, Diana Mórová, Vladimír Hajdu | Political satire | 1998 |
All My Loved Ones | Matej Mináč Czech Republic | Josef Abrahám, Jiří Bartoška, Libuše Šafránková | Drama | 1999 |
The Fountain for Suzanne 3 | Dušan Rapoš | Eva Vejmělková, Alessandro Coari, Marián Labuda | Musical | 1999 |
Minority co-production participation:
Country | Title | Director | Cast | Genre | Year |
---|---|---|---|---|---|
Ravenous | Antonia Bird | Guy Pearce, Robert Carlyle, David Arquette, Jeremy Davies | Comedy, horror | 1999 | |
Central Europe is a geographical region of Europe between Eastern, Southern, Western and Northern Europe. Central Europe is known for its cultural diversity; however, countries in this region also share historical and cultural similarities.
Czechoslovakia was a landlocked state in Central Europe, created in 1918, when it declared its independence from Austria-Hungary. In 1938, after the Munich Agreement, the Sudetenland became part of Nazi Germany, while the country lost further territories to Hungary and Poland. Between 1939 and 1945, the state ceased to exist, as Slovakia proclaimed its independence and Carpathian Ruthenia became part of Hungary, while the German Protectorate of Bohemia and Moravia was proclaimed in the remainder of the Czech Lands. In 1939, after the outbreak of World War II, former Czechoslovak President Edvard Beneš formed a government-in-exile and sought recognition from the Allies.
Pan-Slavism, a movement that took shape in the mid-19th century, is the political ideology concerned with promoting integrity and unity for the Slavic people. Its main impact occurred in the Balkans, where non-Slavic empires had ruled the South Slavs for centuries. These were mainly the Byzantine Empire, Austria-Hungary, the Ottoman Empire, and Venice.
Slovakia, officially the Slovak Republic, is a landlocked country in Central Europe. It is bordered by Poland to the north, Ukraine to the east, Hungary to the south, Austria to the west, and the Czech Republic to the northwest. Slovakia's mostly mountainous territory spans about 49,000 square kilometres (19,000 sq mi), hosting a population exceeding 5.4 million. The capital and largest city is Bratislava, while the second largest city is Košice.
The Slovaks are a West Slavic ethnic group and nation native to Slovakia who share a common ancestry, culture, history and speak the Slovak language.
Moravians are a West Slavic ethnographic group from the Moravia region of the Czech Republic, who speak the Moravian dialects of Czech or Common Czech or a mixed form of both. Along with the Silesians of the Czech Republic, a part of the population to identify ethnically as Moravian has registered in Czech censuses since 1991. The figure has fluctuated and in the 2011 census, 6.01% of the Czech population declared Moravian as their ethnicity. Smaller pockets of people declaring Moravian ethnicity are also native to neighboring Slovakia.
The creation of Czechoslovakia in 1918 was the culmination of the long struggle of the Czechs against their Austrian rulers and of the Slovaks against Magyarization and their Hungarian rulers.
The dissolution of Czechoslovakia, which took effect on December 31, 1992, was the self-determined secession of the federal republic of Czechoslovakia into the independent countries of the Czech Republic and Slovakia. Both mirrored the Czech Socialist Republic and the Slovak Socialist Republic, which had been created in 1969 as the constituent states of the Czechoslovak Socialist Republic until the end of 1989.
Football tennis, also known as futnet and soccer tennis, is a sport played with a football. The sport is played indoors or outdoors on a court divided by a low net with two opposing teams made up of one, two or three players, who try to score a point by hitting the ball with any part of their body except for the hands and making it bounce in the opponent's area in a way that makes it difficult or impossible for the other team to return it over the net.
The Beneš decrees were a series of laws drafted by the Czechoslovak government-in-exile in the absence of the Czechoslovak parliament during the German occupation of Czechoslovakia in World War II. They were issued by President Edvard Beneš from 21 July 1940 to 27 October 1945 and retroactively ratified by the Interim National Assembly of Czechoslovakia on 6 March 1946.
The Czechoslovak koruna was the currency of Czechoslovakia from 10 April 1919 to 14 March 1939, and from 1 November 1945 to 7 February 1993. For a brief time in 1939 and again in 1993, it was also the currency of both the separate Czech Republic and Slovakia.
The Kingdom of Bohemia, an autonomous part of Austria-Hungary until 1918, competed at some of the early modern Olympic Games. The team made its debut at the 1900 Summer Olympics. After World War I, Bohemia became part of the new Czechoslovakia, and Bohemian athletes competed for Czechoslovakia at the Olympics. After the 1992 Summer Olympics and the dissolution of Czechoslovakia into the Czech Republic and Slovakia in 1993, Bohemian athletes competed for the Czech Republic at the Olympics. If these post-war appearances are counted, Bohemia has missed only three Olympics: the inaugural 1896 Summer Olympics, the 1904 Summer Olympics and as Czechoslovakia, the 1984 Summer Olympics which were boycotted by the USSR and its satellites.
The First Czechoslovak Republic, often colloquially referred to as the First Republic, was the first Czechoslovak state that existed from 1918 to 1938, a union of ethnic Czechs and Slovaks. The country was commonly called Czechoslovakia, a compound of Czech and Slovak; which gradually became the most widely used name for its successor states. It was composed of former territories of Austria-Hungary, inheriting different systems of administration from the formerly Austrian and Hungarian territories.
The cinema of Slovakia encompasses a range of themes and styles typical of European cinema. Yet there are a certain number of recurring themes that are visible in the majority of the important works. These include rural settings, folk traditions, and carnival. Even in the field of experimental film-making, there is frequently a celebration of nature and tradition, as for example in Dušan Hanák's Pictures of the Old World. The same applies to blockbusters like Juraj Jakubisko's A Thousand-Year Old Bee. The percentage of comedies, adventures, musicals, sci-fi films and similar genres has been low by comparison to dramas and historical films that used to include a notable subset of social commentaries on events from the decade or two preceding the film. One of them, Ján Kadár's and Elmar Klos' The Shop on Main Street, gave Slovak filmmaking its first Oscar. Children's films were a perennial genre from the 1960s through the 1980s produced mainly as low-budget films by Slovak Television Bratislava. The themes of recent films have been mostly contemporary.
A landscape park is a type of protected area in Czech Republic, Poland, Slovakia, Ukraine, Hungary, and Slovenia. It is of lower status than a National Park and with less stringent restrictions on development and economic use.
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Czechoslovakism is a concept which underlines reciprocity of the Czechs and the Slovaks. It is best known as an ideology which holds that there is one Czechoslovak nation, though it might also appear as a political program of two nations living in one common state. The climax of Czechoslovakism fell on 1918-1938, when as a one-nation-theory it became the official political doctrine of Czechoslovakia; its best known representative was Tomáš Masaryk. Today Czechoslovakism as political concept or ideology is almost defunct; its remnant is a general sentiment of cultural affinity, present among many Czechs and Slovaks.
Czechoslovaks is a designation that was originally designed to refer to a united panethnicity of ethnic Czechs and Slovaks. It has later adopted two distinct connotations, the first being the aforementioned supra-ethnic meaning, and the second as a general term for all citizens of the former Czechoslovakia regardless of ethnicity. Cultural and political advocates of Czechoslovak identity have historically ascribed the identity to be applicable to all people of Czech and Slovak heritage both in the country and in the diaspora.
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