Articles related to Cambodia and Cambodian culture include:
Ros Serey Sothea was a Cambodian singer. She was active during the final years of the First Kingdom of Cambodia and into the Khmer Republic period. She sang in a variety of genres; romantic ballads emerged as her most popular works. Despite a relatively brief career she is credited with singing hundreds of songs. She also ventured into acting, starring in a few films. Details of her life are relatively scarce. She disappeared during the Khmer Rouge regime of the late 1970s but the circumstances of her fate remain a mystery. Norodom Sihanouk granted Sothea the honorary title "Queen with the Golden Voice."
Pen Ran, also commonly known as Pan Ron in some Romanized sources intended for English-speaking audiences, was a Cambodian singer and songwriter who was at the height of her popularity in the 1960s and early 1970s. Known particularly for her western rock and soul influences, flirtatious dancing, and risque lyrics, Pen Ran has been described by the New York Times as a "worldly, wise-cracking foil" to the more restrained Cambodian pop singers of her era. She disappeared during the Khmer Rouge genocide and her fate is unknown.
Cinema in Cambodia began in the 1950s, and many films were being screened in theaters throughout the country by the 1960s, which are regarded as the "golden age". After a near-disappearance during the Khmer Rouge regime, competition from video and television has meant that the Cambodian film industry is a small one.
Tith Vichara Dany(Khmer: ទិត្យ វិជ្ជរ៉ាដានី) was a popular Cambodian actress who most likely made her debut in 1967. She starred in a majority of films, which include Thavory Meas Bong, Tep Sodachan, and Sovann Pancha, during the nation's golden age of cinema. She is often paired on screen with fellow actor Kong Sam-Oeurn. Other notable actors she started with are Chea Yuthorn and Vann Vannak. In only a span of at least seven years, she is credited with having starred in over one hundred films. Details of her life are relatively unknown, and she is believed to have perished shortly after the rise of the Khmer Rouge regime.
Dy Saveth is a Cambodian actress and first Miss Cambodia (1959) often referred to as the "actress of tears". She is "one of the most beloved actresses from the 1960s era of Cambodian film".
The Snake King's Child is a 2001 Cambodian-Thai horror film directed by Fai Sam Ang, based on a Cambodian myth about the half-human daughter of a snake god. It was produced as a sequel to the 1970 movie The Snake King's Wife. It is the first full-length feature film for cinema to be produced in Cambodia since before the Khmer Rouge era. The special effect of the lead character's head being full of writhing snakes was achieved by gluing live snakes to a cap worn by the actress.
Tep Rindaro is a Cambodian actor and singer. He started acting in 1987. With his career spanning more over 30 years, he is one of the longest starring actors in Cambodia since the fall of the Khmer Rouge in 1979.
The Snake Man, also known as The Snake King's Wife is a 1970 Cambodian drama horror film based on a Cambodian myth about a snake goddess, starring the most well-known Khmer actress of the era, Dy Saveth and Chea Yuthorn, who became popular in Thailand after the film's release. The film was directed by Chinese Cambodian director Tea Lim Koun who experienced unprecedented success as a result of the film and is known today as one of the fathers of Khmer Cinema.
The Snake King's Wife Part 2 is a 1973 Cambodian-Thai horror film directed by Tea Lim Koun. It is a sequel to the 1970 film The Snake King's Wife. The plot is the continuation from the prequel.
Horror films in Cambodia, first popular in the 1970s, have received renewed attention in Cambodian film making since the resurgence of the local industry in 2003. Horror is one of three popular genres into which most Cambodian films can be loosely grouped, the other two being period pieces and melodrama/romantic drama. The fledgling Cambodian industry of the mid 2000s looked to capitalize on the world-wide popularity of Japanese horror films which have heavily influenced Cambodian horror films. Common themes are ghost or spirit hauntings, possession, folk mythology and revenge by supernatural means. The storytelling takes a slower pace than Western horror and relies on suspense, a pervasive sense of doom and dread, and psychologically disturbing events and situations. Unlike its Japanese counterparts however, many Cambodian horror films also feature over the top gore as seen in Western horror.
Pisith Pilika, was a Cambodian ballet dancer and actress. Born Oak Eap Pili, Pilika appeared in hundreds of films and thousands of karaoke videos from the 1980s through the 1990s. Her career was brought to a premature end when she was murdered in broad daylight at O'Russey Market in Phnom Penh. Though the crime amounted to one of the most high-profile killings in Cambodia's recent history, no suspects have ever been identified or arrested.
Saksi Sbong is a Cambodian actress who mainly played the role of villains in Cambodian pre-Khmer Rouge films.
Ampor Tevi is a Cambodian actress active in 1990s. Within the span of her career she has starred in numerous films, from movies to musical skits. Her career started in 1988 with her paired actor Sam Vityea. After Sam Vityea died that year, Ampor Tevi was often paired with fellow actor, also famous at the time, Tep Rindaro.
This is an incomplete, chronological list of films produced in the Khmer language in the 2000s.
Tida Sok Puos or Snake Hair is a 1973 Cambodian film directed by Hui Kung starring Kong Som Eun, Dy Saveth, and Mandoline.
Touch Sunnix or "Touch Sreynich, Touch Sunnich" is a singer from Phnom Penh, Cambodia. She began singing at an early age. Her work embodies key themes in Cambodian culture such as folk stories, traditional Cambodian dancing, freedom of expression and democracy in the lyrics of her songs.
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