Lists of Italian films |
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1910s |
1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 |
1920s |
1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 |
1930s |
1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 |
1940s |
1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 |
1950s |
1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 |
1960s |
1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 |
1970s |
1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 |
1980s |
1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 |
1990s |
1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 |
2000s |
2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 |
2010s |
2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 |
2020s |
2020 2021 2022 |
A list of films produced in Italy in 1918 (see 1918 in film):
Title | Director | Cast | Genre | Notes | ||
---|---|---|---|---|---|---|
1918 | ||||||
...E dopo? | ||||||
A peso d'oro | ||||||
Ah, quella Dory!... | ||||||
Fabiola | Enrico Guazzoni | Augusto Mastripietri, Amleto Novelli | Historical | |||
Goodbye Youth | Augusto Genina | Maria Jacobini, Helena Makowska | Drama | |||
La storia di un peccato | Carmine Gallone | Soava Gallone | ||||
It or IT may refer to:
Italian futurist cinema was the oldest movement of European avant-garde cinema. Italian futurism, an artistic and social movement, impacted the Italian film industry from 1916 to 1919. It influenced Russian Futurist cinema and German Expressionist cinema. Its cultural importance was considerable and influenced all subsequent avant-gardes, as well as some authors of narrative cinema; its echo expands to the dreamlike visions of some films by Alfred Hitchcock.
The Second Battle of the Piave River, fought between 15 and 23 June 1918, was a decisive victory for the Italian Army against the Austro-Hungarian Empire during World War I, as Italy was part of the Allied Forces, while Austria-Hungary was part of the Central Powers. Though the battle proved to be a decisive blow to the Austro-Hungarian Empire and by extension the Central Powers, its full significance was not initially appreciated in Italy. Yet Erich Ludendorff, on hearing the news, is reported to have said he 'had the sensation of defeat for the first time'. It would later become clear that the battle was in fact the beginning of the end of the Austro-Hungarian Empire.
The Allies, the Entente or the Triple Entente was an international military coalition of countries led by France, the United Kingdom, Russia, the United States, Italy, and Japan against the Central Powers of Germany, Austria-Hungary, the Ottoman Empire, and Bulgaria in World War I (1914–1918).
Montague (Monty) Banks was a 20th century Italian-born American comedian, film actor, director and producer who achieved success in the United States and United Kingdom.
Robert G. Vignola was an Italian-American actor, screenwriter, and film director. A former stage actor, he appeared in many motion pictures produced by Kalem Company and later moved to directing, becoming one of the silent screen's most prolific directors. He directed a handful of films in the early years of sound films, but his career essentially ended in the silent era.
Reginald C. Barker was a pioneer film director.
The Battle of Vittorio Veneto was fought from 24 October to 3 November 1918 near Vittorio Veneto on the Italian Front during World War I. After having thoroughly defeated Austro-Hungarian troops during the defensive Battle of the Piave River, the Italian army launched a great counter-offensive: the Italian victory marked the end of the war on the Italian Front, secured the dissolution of the Austro-Hungarian Empire and contributed to the end of the First World War just one week later. On 1 November, the new Hungarian government of Count Mihály Károlyi decided to recall all of the troops, who were conscripted from the territory of Kingdom of Hungary, which was a major blow for the Habsburgs' armies. The battle led to the capture of over 5,000 artillery pieces and over 350,000 Austro-Hungarian troops, including 120,000 Germans, 83,000 Czechs and Slovaks, 60,000 South Slavs, 40,000 Poles, several tens of thousands of Romanians and Ukrainians, and 7,000 Austro-Hungarian loyalist Italians and Friulians.
Cinema of Europe refers to the film industries and films produced in the continent of Europe.
The Balkans theatre or Balkan campaign was a theatre of World War I fought between the Central Powers and the Allies.
World War I or the First World War was a global conflict between two coalitions: the Allies and the Central Powers. Fighting took place mainly in Europe and the Middle East, as well as parts of Africa and the Asia-Pacific, and was characterised by trench warfare and the use of artillery, machine guns, and chemical weapons (gas). World War I was one of the deadliest conflicts in history, resulting in an estimated 9 million military dead and 23 million wounded, plus up to 8 million civilian deaths from causes including genocide. The movement of large numbers of troops and civilians was a major factor in spreading the Spanish flu pandemic.
Titanus is an Italian film production company, founded in 1904 by Gustavo Lombardo (1885–1951). The company's headquarters are located at 28 Via Sommacampagna, Rome and its studios on the Via Tiburtina, 13 km from the centre of Rome.
A list of some notable films produced in the Cinema of Italy ordered by year and decade of release For an alphabetical list of articles on Italian films see Category:Italian films.
The decade of the 1910s in film involved some significant films.
Augusto Genina was an Italian film pioneer. He was a movie producer and director.
Carmine Gallone was an early Italian film director, screenwriter, and film producer, who was also controversial for his works of pro-Fascist propaganda and historical revisionism. Considered one of Italian cinema's leading early directors, he directed over 120 films in his fifty-year career between 1913 and 1963.
Anton Giulio Bragaglia was a pioneer in Italian Futurist photography and Futurist cinema. A versatile and intellectual artist with wide interests, he wrote about film, theatre, and dance.
Via Vittorio Veneto, colloquially called Via Veneto, is one of the most famous, elegant, and expensive streets of Rome, Italy. The street is named after the Battle of Vittorio Veneto (1918), a decisive Italian victory of World War I. Federico Fellini's classic 1960 film La Dolce Vita was mostly centered on the Via Veneto area.
A devil is the personification of evil as it is conceived in many and various cultures and religious traditions.
Giovacchino Forzano was an Italian playwright, librettist, stage and film director. A resourceful writer, he authored numerous popular plays and produced opera librettos for most of the major Italian composers of the early twentieth century, including the librettos for Giacomo Puccini's Suor Angelica and Gianni Schicchi.