 | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(May 2017) |
 |
A list of films released in Japan in 1975 (see 1975 in film).
| This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(May 2017) |
|
A list of films released in Japan in 1975 (see 1975 in film).
| Awards |
|  | ||||
|---|---|---|---|---|---|---|
| Genres | ||||||
| Films |
| |||||
| Lists | ||||||
| Other | ||||||
Akira Kurosawa was a Japanese filmmaker and painter who directed 30 films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production.
The action film is a film genre which predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Goeff King stated they allow the scenes of spectacle to be attuned to story telling. Action films are often hybrid with other genres, mixing into various forms ranging to comedies, science fiction films, and horror films.
Kaiju is a Japanese term that is commonly associated with media involving giant monsters. A subgenre of science fiction, it was created by Eiji Tsuburaya and Ishirō Honda. The term can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters.
Kinji Fukasaku was a Japanese film director and screenwriter. Known for his "broad range and innovative filmmaking", Fukasaku worked in many different genres and styles, but was best known for his gritty yakuza films, typified by the Battles Without Honor and Humanity series (1973–1976). According to the Berkeley Art Museum and Pacific Film Archive, "his turbulent energy and at times extreme violence express a cynical critique of social conditions and genuine sympathy for those left out of Japan's postwar prosperity." He used a cinema verite-inspired shaky camera technique in many of his films from the early 1970s.
Tetsurō Tamba was a Japanese actor with a career spanning five decades. He appeared in nearly 300 film and television productions, both in leading and supporting roles, and was the winner of two Japan Academy Film Prizes.
Yoji Yamada is a Japanese film director best known for his Otoko wa Tsurai yo series of films and his Samurai Trilogy.
Tokusatsu is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, tokusatsu mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is also occasionally dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu or shortened Tokugi.
Dersu Uzala is a 1975 Soviet-Japanese biographical adventure drama film directed and co-written by Akira Kurosawa, his only non-Japanese-language film and his only 70mm film.
Colonial cinema refers to the cinema produced by the colonizing nation in and about their colonies. While typically seen as a Western phenomenon, non-Western cases, most notably that of Imperial Japan, also had colonial cinemas. Colonial films typically idealized life in the colonies by emphasizing the modernizing aspects of colonization. Feature films set in colonial settings typically represented these parts of empire as refuges for colonizers looking to escape life in the metropole. As a result, colonial films frequently did not attempt to reflect the social realities of life in colonized countries. Representations of local characters, places, and customs were regularly presented as escapist, apologetic or overtly racist. Today colonial cinema is an important source to understand the mentality of the colonizing societies.
The Blue Ribbon Awards are film-specific prizes awarded solely by movie critics and writers in Tokyo, Japan, established in 1950 by The Association of Tokyo Film Journalists, established under the name of the "Association of Tokyo Film Journalists Award", which was formed mainly by film reporters from the Yomiuri Shimbun, Asahi Shimbun, and Mainichi Shimbun. Currently The Association is made up of film reporters from seven sports newspapers in Tokyo: Sports Hochi, Sankei Sports, Sponichi, Daily Sports, Tokyo Sports, Tokyo Chunichi Sports, and Nikkan Sports.
Yoshio Harada was a Japanese actor best known for playing rebels in a career that spanned six decades.
Shunsuke Kikuchi was a Japanese composer who was active from the early 1960s until 2017. He specialized in incidental music for media such as television and film. Kikuchi was regarded as one of Japan's most highly demanded film and TV composers, working principally on tokusatsu and anime productions, as well as violent action films, jidaigeki, and television dramas.
CBS Children's Film Festival is a 1967–1984 television series of live action films from several countries that were made for children. Originally a sporadic series airing on Saturday mornings, Sunday afternoons, or weekday afternoons beginning in February 1967, it became a regularly scheduled program in 1971 on the CBS Saturday-morning lineup, running one hour with some films apparently edited down to fit the time slot. The program was hosted by 1950s television act Kukla, Fran and Ollie, a.k.a. puppeteer Burr Tillstrom and actress Fran Allison.
The following are lists of films produced in Japan in the 1970s:
Sandakan No. 8 is a 1974 Japanese drama film directed by Kei Kumai, starring Yoko Takahashi, Komaki Kurihara and Kinuyo Tanaka. It was nominated for the 1975 Academy Award for Best Foreign Language Film. It also became one of the highest-grossing Japanese films at the Chinese box office, where it generated box office admissions in the hundreds of millions.
Tora-san's Rise and FallakaTora-san Finds a Sweetheart, Tora-san Meets the Songstress Again and Torasan: Love Under the Umbrella is a 1975 Japanese comedy film directed by Yoji Yamada. It stars Kiyoshi Atsumi as Torajirō Kuruma (Tora-san), and Ruriko Asaoka as his love interest or "Madonna". Tora-san's Rise and Fall is the fifteenth entry in the popular, long-running Otoko wa Tsurai yo series.
Komaki Kurihara is a Japanese stage and film actress. She has appeared in 30 films since 1967. She starred in the 1974 film Sandakan No. 8, which was entered into the 25th Berlin International Film Festival. In 1975 she was a member of the jury at the 9th Moscow International Film Festival. In 1981 she was a member of the jury at the 12th Moscow International Film Festival.
Keiju Kobayashi was a Japanese actor who appeared in 253 films in a career spanning 67 years.
Phoenix Rising is a combo CD/DVD live album by the Mark IV line-up of Deep Purple, released in May 2011. It includes rare live tracks from Mk IV history, Rises Over Japan, a concert film directed by Tony Klinger, Gettin' Tighter, an 80-minute new music documentary about the band's 1975/1976 tour, and some extras.
