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A list of films released in Japan in 1976 (see 1976 in film).
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A list of films released in Japan in 1976 (see 1976 in film).
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Godzilla vs. Megalon is a 1973 Japanese kaiju film directed by Jun Fukuda, written by Fukuda and Shinichi Sekizawa, and produced by Tomoyuki Tanaka, with special effects by Teruyoshi Nakano. Distributed by Toho and produced under their effects subsidiary Toho–Eizo, it is the 13th film in the Godzilla franchise, and features the fictional monster characters Godzilla, Megalon, and Gigan, along with the mecha character Jet Jaguar. The film stars Katsuhiko Sasaki, Hiroyuki Kawase, Yutaka Hayashi, and Robert Dunham, alongside Shinji Takagi as Godzilla, Hideto Date as Megalon, Kenpachiro Satsuma as Gigan, and Tsugutoshi Komada as Jet Jaguar.
Toho Co., Ltd. is a Japanese entertainment company primarily engaged in the production and distribution of films and the production and exhibition of stage plays. It has its headquarters in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Toho is best known for producing and distributing many of Ishirō Honda and Eiji Tsuburaya's kaiju and tokusatsu films as well as the films of Akira Kurosawa and the anime films of Studio Ghibli, CoMix Wave Films, TMS Entertainment, and OLM, Inc. The company has released the majority of the highest-grossing Japanese films, and through its subsidiaries, the company is the largest film importer in Japan.
Kaiju is a Japanese term that is commonly associated with media involving giant monsters. A subgenre of science fiction, it was created by Eiji Tsuburaya and Ishirō Honda. The term can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters.
The year 1976 in film involved some significant events.
Kinji Fukasaku was a Japanese film director and screenwriter. Known for his "broad range and innovative filmmaking", Fukasaku worked in many different genres and styles, but was best known for his gritty yakuza films, typified by the Battles Without Honor and Humanity series (1973–1976). According to the Berkeley Art Museum and Pacific Film Archive, "his turbulent energy and at times extreme violence express a cynical critique of social conditions and genuine sympathy for those left out of Japan's postwar prosperity." He used a cinema verite-inspired shaky camera technique in many of his films from the early 1970s.
Nagisa Ōshima was a Japanese film director and screenwriter. One of the foremost directors within the Japanese New Wave, his films include In the Realm of the Senses (1976), a sexually explicit film set in 1930s Japan, and Merry Christmas, Mr. Lawrence (1983), about World War II prisoners of war held by the Japanese.
Tetsurō Tamba was a Japanese actor with a career spanning five decades. He appeared in nearly 300 film and television productions, both in leading and supporting roles, and was the winner of two Japan Academy Film Prizes.
Midway, released in the United Kingdom as Battle of Midway, is a 1976 American war film that chronicles the Battle of Midway, a turning point in the Pacific Theater of Operations of World War II. Directed by Jack Smight and produced by Walter Mirisch from a screenplay by Donald S. Sanford, the film starred Charlton Heston and Henry Fonda, supported by a large international cast of guest stars including James Coburn, Glenn Ford, Ed Nelson, Hal Holbrook, Robert Webber, Toshiro Mifune, Robert Mitchum, Cliff Robertson, Robert Wagner, Pat Morita, Dabney Coleman, Erik Estrada and Tom Selleck.
In the Realm of the Senses is a 1976 erotic art film written and directed by Nagisa Ōshima. It is a fictionalised and sexually explicit treatment of a 1936 murder committed by Sada Abe. An international coproduction of France and Japan, the film generated great controversy at the time of its release. The film had the involvement of pink film luminary Kōji Wakamatsu as co-screenwriter and assistant producer. While intended for mainstream wide release, the film contains scenes of unsimulated sexual activity between the actors.
Dersu Uzala is a 1975 Soviet-Japanese biographical adventure drama film directed and co-written by Akira Kurosawa, his only non-Japanese-language film and his only 70mm film.
Toei Company, Ltd. is a Japanese entertainment company. Headquartered in Ginza, Chūō, Tokyo, it is involved in film and television production, distribution, video game development, publishing, and ownership of 34 movie theaters. Toei also owns and operates studios in Tokyo and Kyoto and holds shares in several television companies. The company is renowned for its production of anime and live-action dramas known as tokusatsu, which incorporate special visual effects. It is also known for producing period dramas. Internationally, Toei is the majority shareholder of Toei Animation and is recognized for its franchises such as Kamen Rider and Super Sentai.
Kadokawa Daiei Studio, formerly Kadokawa Pictures Inc. is the film division of the Japanese company the Kadokawa Corporation. It is one of the four members of the Motion Picture Producers Association of Japan (MPPAJ), and is therefore one of Japan's Big Four film studios.
Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages.
Yoshio Harada was a Japanese actor best known for playing rebels in a career that spanned six decades.
Kei Kumai was a Japanese film director from Azumino, Nagano prefecture. After his studies in literature at Shinshu University, he began work as a director's assistant.
The following are lists of films produced in Japan in the 1970s:
Tora-san's Sunrise and Sunset a.k.a. Torasan and the Painter and Tora-san's Sunset Glow is a 1976 Japanese comedy film directed by Yoji Yamada. It stars Kiyoshi Atsumi as Torajirō Kuruma (Tora-san), and Kiwako Taichi as his love interest or "Madonna". Tora-san's Sunrise and Sunset is the seventeenth entry in the popular, long-running Otoko wa Tsurai yo series.
The Barren Zone is a novel by Toyoko Yamasaki. It was serialized in the weekly magazine Sunday Manichi from 1973 to 1978.
