A list of films produced in Japan in 1950 (see 1950 in film).
Title | Director | Cast | Genre | Notes |
---|---|---|---|---|
Battle of Roses | Mikio Naruse | Kuniko Miyaki, Setsuko Wakayama | Drama | [1] |
Conduct Report on Professor Ishinaka | Mikio Naruse | Shigeo Miyanta, Atsushi Watanabe | Comedy | [2] |
An Engagement Ring | Keisuke Kinoshita | Toshirō Mifune, Kinuyo Tanaka | Romance | [3] |
Escape at Dawn | Senkichi Taniguchi | Ryō Ikebe, Shirley Yamaguchi | Drama, War, Romance | |
The Munekata Sisters | Yasujirō Ozu | Choko Iida, Hideko Takamine | Drama | |
Portrait of Madame Yuki | Kenji Mizoguchi | Michiyo Kogure, Yoshiko Kuga | Drama | |
Rashomon | Akira Kurosawa | Toshirō Mifune | Crime, Drama, Mystery, Jidaigeki | Won the Golden Lion at the 1951 Venice Film Festival |
Scandal | Akira Kurosawa | Toshirō Mifune | Drama | |
Tokyo Kid | Torajiro Saito | Hibari Misora, Haruhisa Kawata, Shunji Sakai | Musical comedy | |
Until We Meet Again | Tadashi Imai | Eiji Okada, Yoshiko Kuga | Won Best Film at the 1st Blue Ribbon Awards and at the 5th Mainichi Film Awards | |
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The cinema of Japan, also known domestically as hōga, has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011, Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived.
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Rashomon is a 1950 Jidaigeki drama film directed and written by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura as various people who describe how a samurai was murdered in a forest, the plot and characters are based upon Ryunosuke Akutagawa's short story "In a Grove", with the title and framing story being based on "Rashōmon", another short story by Akutagawa. Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the assault of the wife and the dishonest retelling of the events in which everyone shows their ideal self by lying.
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Motoko Yano, better known as Machiko Kyō, was a Japanese actress who was active primarily in the 1950s. Considered one of Japan's early sex symbols, Kyō is best known for her critically acclaimed work with directors Akira Kurosawa, Yasujirō Ozu, Kenji Mizoguchi, Mikio Naruse, Kon Ichikawa, Teinosuke Kinugasa, Hiroshi Teshigahara, appearing in films such as Rashomon, Ugetsu, Gate of Hell, Street of Shame, Floating Weeds, Odd Obsession and The Face of Another.
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Escape at Dawn is a 1950 Japanese anti-war film directed by Senkichi Taniguchi. Co-written by Taniguchi and Akira Kurosawa, the film is based on Story of a Prostitute by Taijiro Tamura. The film revolves around a tragic affair between a soldier involved in the Manchurian campaign and a prostitute.
Three Came Home is a 1950 American World War II film directed by Jean Negulesco, based on the memoirs of the same name by writer Agnes Newton Keith. It depicts Keith's life in North Borneo in the period immediately before the Japanese invasion in 1942, and her subsequent internment and suffering, separated from her husband Harry, and with a young son to care for. Keith was initially interned at Berhala Island near Sandakan, North Borneo but spent most of her captivity at Batu Lintang camp at Kuching, Sarawak. The camp was liberated in September 1945.
Night and Fog in Japan is a 1960 Japanese drama film directed by Nagisa Ōshima. It deals with the contemporary Zengakuren opposition but also evokes the 1950 protests against the Anpo treaty; this political content is related to the particular approach of memory and interpersonal dynamics of social movements in the film.
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The following are lists of films produced in Japan in the 1950s:
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Tokyo File 212 is a 1951 spy film directed by Dorrell McGowan and Stuart E. McGowan. George Breakston wrote the film's script and co-produced it with Dorrell McGowan jointly under the banner of their newly formed Breakston–McGowan Productions and Japanese Tonichi Enterprises Company. Californian lawyer Melvin Belli executive-produced the feature while composer Albert Glasser provided the film's score.
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