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A list of the films produced in Mexico in 1950 (see 1950 in film):
| | This article needs additional citations for verification .(June 2019) |
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A list of the films produced in Mexico in 1950 (see 1950 in film):
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Mexican cinema dates to the late nineteenth century during the rule of President Porfirio Díaz. Seeing a demonstration of short films in 1896, Díaz immediately saw the importance of documenting his presidency in order to present an ideal image of it. With the outbreak of the Mexican Revolution in 1910, Mexican and foreign makers of silent films seized the opportunity to document its leaders and events. From 1915 onward, Mexican cinema focused on narrative film.
Maria Antonieta Pons was a Cuban-born Mexican film actress and dancer. She was the first actress in the Rumberas films in the 1940s and 1950s, in the Golden Age of Mexican cinema. The Rumberas film genre offered a societal perspective on Mexico during the 40s-50s. It delved into the lives of women deemed as sinners or prostitutes, challenging the prevailing moral and social norms of their era.
Germán Genaro Cipriano Teodoro Gómez Valdés y Castillo, known professionally as Tin-Tan, was a Mexican actor, singer and comedian who was born in Mexico City but was raised and began his career in Ciudad Juarez, Chihuahua. He often displayed the pachuco dress and employed pachuco slang in many of his movies, some with his brothers Manuel "El Loco" Valdés and Ramón Valdés. He made the language of the border Mexican, known in Spanish as fronterizos pachucos, famous in Mexico. A "caló" based in Spanglish, it was a mixture of Spanish and English in speech based on that of Mexicans on the Mexican side of the border, specifically Ciudad Juarez.
José Pascual Antonio Aguilar Márquez Barraza, known as Antonio Aguilar, was a Mexican singer and actor. He recorded over 150 albums, which sold 25 million copies, and acted in more than 120 films. He was given the honorific nickname "El Charro de México" because he is credited with popularizing the Mexican equestrian sport la charrería to international audiences.
Paul Sawtell was a film score composer active in the United States.
Luis Alcoriza de la Vega was a respected Mexican screenwriter, film director, and actor.
Roberto Gavaldón was a Mexican film director.
Estudios Churubusco is one of the oldest and largest movie studios in Mexico. It is located in the Churubusco neighborhood of Mexico City.
The Golden Age of Mexican Cinema is a period in the history of Mexican cinema, between 1932 and 1969. It was characterized by the production of high-quality films that contributed to shaping the Mexican national identity and culture. Films such as Luis Buñuel's Los Olvidados represented the social realities of Mexico, leaving a profound impact on audiences both within the country and abroad.
Manuel Esperón González was a Mexican songwriter and composer. Along with the famous Mexican author Ernesto Cortazar, Esperón cowrote many songs for Mexican films, including "¡Ay, Jalisco, no te rajes!" for the 1941 film of the same name, "Cocula" for El Peñón de las Ánimas (1943), and "Amor con amor se paga" for Hay un niño en su futuro (1952). Other Esperón compositions have become Latin standards such as "Yo soy mexicano", "Noche plateada" and "No volveré", which was used in the first episode of the 2001 soap opera El juego de la vida. Among other performers, Pedro Infante, Los Panchos, and Jorge Negrete have made his songs well-known. His fame in the US derives from when his song The Three Caballeros was used in the Disney film The Three Caballeros (1945).
Irasema Dilián was an actress. Born in Brazil to Polish parents, she began her film career in Italy, and appeared in Italian, Spanish and Mexican films.
Guadalupe Bracho Pérez-Gavilán, known professionally as Andrea Palma, was a Mexican actress. She was considered the first major female star of the Mexican cinema after her role in the Mexican film La Mujer del Puerto (1934).
Fernando de Fuentes Carrau was a Mexican film director, considered a pioneer in the film industry worldwide. He is perhaps best known for directing the films El prisionero trece, El compadre Mendoza, and Vámonos con Pancho Villa, all part of his Revolution Trilogy on the Mexican Revolution.
Borderline is a 1950 American crime film noir directed by William A. Seiter and starring Fred MacMurray and Claire Trevor. It was filmed from late May to early July 1949 at Republic Studios.
The Rumberas film was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called rumberas, dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema.
Guillermina Jiménez Chabolla known professionally as Flor Silvestre, was a Mexican singer and actress. She was one of the most prominent and successful performers of Mexican and Latin American music, and was a star of classic Mexican films during the Golden Age of Mexican cinema. Her more than 70-year career included stage productions, radio programs, records, films, television programs, comics and rodeo shows.
María Guadalupe Carriles, known as Lupe Carriles, was a Mexican character actress.
Mario Gilberto Agustin Martinez Solares was a Mexican director, cinematographer, screenwriter, and actor who is considered one of the most prolific filmmakers in Mexican cinema having directed more than 160 films, most of them written by him during the Golden Age of Mexican cinema. He is also recognized as the most important comedy director in Mexico.
The Eagle and the Hawk is a 1950 American Western film directed by Lewis R. Foster and written by Lewis R. Foster and Daniel Mainwaring. The film stars John Payne, Rhonda Fleming, Dennis O'Keefe, Thomas Gomez, Fred Clark and Frank Faylen. The film was released on May 30, 1950, by Paramount Pictures.
