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Mexican cinema dates to the late nineteenth century during the rule of President Porfirio Díaz. Seeing a demonstration of short films in 1896, Díaz immediately saw the importance of documenting his presidency in order to present an ideal image of it. With the outbreak of the Mexican Revolution in 1910, Mexican and foreign makers of silent films seized the opportunity to document its leaders and events. From 1915 onward, Mexican cinema focused on narrative film.
Alejandro González Iñárritu is a Mexican filmmaker. He is primarily known for making modern psychological drama films about the human condition. His projects have garnered critical acclaim and numerous accolades including four Academy Awards with a Special Achievement Award, three Golden Globe Awards, three BAFTA Awards, two Directors Guild of America Awards. His most notable films include Amores perros (2000), 21 Grams (2003), Babel (2006), Biutiful (2010), Birdman (2014), The Revenant (2015), and Bardo (2022).
Latin American cinema refers collectively to the film output and film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Argentina, Brazil and Mexico. Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border.
From Mao to Mozart: Isaac Stern in China is a 1979 documentary film about Western culture breaking into China produced and directed by Murray Lerner. It portrays the famous violinist and music teacher Isaac Stern as the first American musician to collaborate with the China Central Symphony Society.
Carlos Reygadas Castillo is a Mexican filmmaker. Influenced by existentialist art and philosophy, Reygadas' movies feature spiritual journeys into the inner worlds of his main characters, through which themes of love, suffering, death, and life's meaning are explored.
The Memory of Justice is a 1976 documentary film directed by Marcel Ophuls. It explores the subject of atrocities committed in wartime and features Joan Baez, Karl Dönitz, Hermann Göring, Hans-Joachim Kulenkampff, Yehudi Menuhin, Albert Speer and Telford Taylor.
Letters from Marusia is a 1975 Mexican film directed by Chilean filmmaker Miguel Littín. It was nominated for the Academy Award for Best Foreign Language Film. It was also entered into the 1976 Cannes Film Festival. The film is based on a Patricio Manns novel (1974) inspired by the Marusia massacre of 1925.
Ver Llover is a multi-award-winning short film by Elisa Miller.
No One Writes to the Colonel is a 1999 Spanish-language film directed by Arturo Ripstein. It was an international co-production between France, Spain and Mexico. It is based on the eponymous novella by Colombian author and Nobel Prize winner Gabriel García Márquez.
The 7th Cannes Film Festival was held from 25 March to 9 April 1954. With Jean Cocteau as President of the Jury, the Grand Prix went to the Gate of Hell by Teinosuke Kinugasa. The festival opened with Le Grand Jeu by Robert Siodmak. This was the last festival with a predominantly French jury.
Always Further On is a 1965 Mexican drama film directed by Luis Alcoriza. It won the FIPRESCI Prize at the 1965 Cannes Film Festival. The film was also selected as the Mexican entry for the Best Foreign Language Film at the 38th Academy Awards, but was not accepted as a nominee.
The Recourse to the Method is a Mexican-Cuban drama film directed by Chilean filmmaker Miguel Littín. It is based on the 1974 novel of the same name written by Alejo Carpentier. It was entered into the 1978 Cannes Film Festival. The film was also selected as the Cuban entry for the Best Foreign Language Film at the 51st Academy Awards, but was not accepted as a nominee.
The Survivors is a 1979 Cuban drama film directed by Tomás Gutiérrez Alea. It was entered into the 1979 Cannes Film Festival. Los Sobrevivientes was preserved by the Academy Film Archive, in conjunction with the Instituto Cubano de Arte e Industria Cinematográfica, in 2017.
The Pool Hustlers is a 1982 Italian comedy-drama film directed by Maurizio Ponzi. It was screened in the Un Certain Regard section at the 1983 Cannes Film Festival. It was co-written by Ponzi, male lead Francesco Nuti and established screenwriters Franco Ferrini and Enrico Oldoini. The symbolic names of the characters mentioned in the Italian title, "Chiara" and "lo Scuro", mean "Bright" or "Clear", and "the Dark One" or "the Darkness", respectively.
The Queen of the Night is a 1994 Mexican drama film directed by Arturo Ripstein. It was entered into the 1994 Cannes Film Festival.
The Violin is a 2005 Mexican drama film directed by Francisco Vargas. It was screened in the Un Certain Regard section at the 2006 Cannes Film Festival.
Enamorada ("Enamoured") is a 1946 Mexican drama film directed by Emilio Fernández and starring María Félix and Pedro Armendáriz. It was shot at the Churubusco Studios in Mexico City and on location in Puebla. The sets were designed by the art director Manuel Fontanals
After Lucia is a 2012 Mexican drama film directed by Michel Franco. The film competed in the Un Certain Regard section at the 2012 Cannes Film Festival where it won the top prize. The film was also selected as the Mexican entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist. The style of the film has been described as being influenced by Austrian director Michael Haneke.
Memories of My Father, also known as Forgotten We'll Be, is a 2020 Colombian drama film directed by Fernando Trueba from a screenplay by David Trueba based on the book by Héctor Abad Faciolince. It stars Javier Cámara as Héctor Abad Gómez.
References
- ↑ "Festival de Cannes: Memories of a Mexican". festival-cannes.com. Retrieved 26 January 2009.
- ↑ "Preserved Projects". Academy Film Archive.
