The "Top 100 Greatest Films of All Time" is a list published every ten years by Sight and Sound according to worldwide opinion polls they conduct. They published the critics' list, based on 1,639 participating critics, programmers, curators, archivists and academics, and the directors' list, based on 480 directors and filmmakers. Sight and Sound, published by the British Film Institute, has conducted a poll of the greatest films every 10 years since 1952. [1]
In the 2022 critics' poll, Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles was ranked first, [2] [3] [4] replacing Vertigo from 2012, and Citizen Kane , which held the top spot in the five critics' polls before that. [5] The film magazine described Jeanne Dielman as a "landmark feminist film", and stated that the 2022 list "shakes a fist at the established order". [6] Jeanne Dielman is the first film directed by a woman to top the list and, together with Beau Travail , one of the first two such films to appear in the top 10. [7] [8]
Besides Jeanne Dielman and Beau Travail, two other films had never appeared in the top 10 previously: In the Mood for Love (2000); and Mulholland Drive (2001). Nine of the 100 films on the 2022 list were released in the 21st century, [9] [10] [11] up from two in the 2012 list. [12]
The top 10 from the critics' list are:
In the 2022 directors' poll, 2001: A Space Odyssey was ranked first, [14] replacing Tokyo Story from 2012 and Citizen Kane , which held the top spot in both of the directors' polls previous to that.
The top 10 from the directors' list are:
The critic's poll selection of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles as the greatest film of all time drew strong reactions from journalists, critics, and filmmakers. [15] [4]
Peter Bradshaw of The Guardian praised the selection, writing that it is "high time a woman won Sight and Sound's all-time vote." [16]
Armond White of conservative magazine National Review criticized the choice, describing the film as "a dull Marxist-feminist token" and alleging it was chosen for political reasons. [17] Filmmaker Paul Schrader also attacked the list, writing that "The sudden appearance of Jeanne Dielman in the number one slot undermines the S&S poll's credibility ... this year's S&S poll reflects not a historical continuum but a politically correct rejiggering. Akerman's film is a favorite of mine ... but its unexpected number one rating does it no favors. Jeanne Dielman will from this time forward be remembered not only as an important film in cinema history but also as a landmark of distorted woke reappraisal." [18]
Richard Panek of Observer questioned the very usefulness of the S&S poll itself, noting that "expressions of personal opinions, even in the aggregate, are by definition subjective". [19]
Victoria Oliver Farner, on her video essay Sound & Sight & Time for MUBI, stated that: [20]
In the eagerness to classify cinema, lists of the greatest films of all time have been created, which perhaps tell much more about the society that compiles them than about cinema itself. In the same way, Sound & Sight & Time perhaps speaks more about me than about Citizen Kane, Vertigo, or Jeanne Dielman.
Vertigo is a 1958 American psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D'entre les morts by Boileau-Narcejac, with a screenplay by Alec Coppel and Samuel A. Taylor. The film stars James Stewart as a former San Francisco police detective who has retired after an incident in the line of duty caused him to develop an extreme fear of heights accompanied by vertigo. He is hired as a private investigator to report on the strange behavior of an acquaintance's wife.
Chantal Anne Akerman was a Belgian film director, screenwriter, artist, and film professor at the City College of New York.
Delphine Claire Beltiane Seyrig was a Lebanese-born French actress and film director. She came to prominence in Alain Resnais's 1961 film Last Year at Marienbad, and later acted in films by Chantal Akerman, Luis Buñuel, Marguerite Duras, Ulrike Ottinger, Francois Truffaut, and Fred Zinneman. She directed three films, including the documentary Sois belle et tais-toi (1981).
Sight and Sound is a monthly film magazine published by the British Film Institute (BFI). Since 1952, it has conducted the well-known decennial Sight and Sound Poll of the Greatest Films of All Time.
Cléo from 5 to 7 is a 1962 French New Wave drama film written and directed by Agnès Varda.
Cinema of Belgium refers to the film industry based in Belgium. Belgium is essentially a bi-lingual country divided into the Flemish (Dutch-speaking) north and the French-speaking south. There is also a small community of German speakers in the border region with Germany. Belgium is further a federal country made up of three regions and three language communities . Due to these linguistic and political divisions it is difficult to speak of a national, unified Cinema of Belgium. It would be more appropriate to talk about Flemish or Dutch-language cinema of Belgium and Walloon or French-language cinema of Belgium.
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles is a 1975 film written and directed by Belgian filmmaker Chantal Akerman. It was filmed over five weeks on location in Brussels, and financed through a $120,000 grant awarded by the Belgian government. Distinguished by its restrained pace, long takes, and static camerawork, the film is a slice-of-life depiction of a widowed housewife over the course of three days.
Je Tu Il Elle is a 1974 French-Belgian film by the Belgian film director Chantal Akerman. To celebrate the 30th anniversary of the Teddy Awards, the film was selected to be shown at the 66th Berlin International Film Festival in February 2016.
News from Home is a 1976 avant-garde documentary film directed by Chantal Akerman. The film consists of long takes of locations in New York City set to Akerman's voice-over as she reads letters that her mother sent her between 1971 and 1973 when Akerman lived in the city.
Dielman may refer to:
Slow cinema is a genre of art cinema characterised by a style that is minimalist, observational, and with little or no narrative, and which typically emphasizes long takes. It is sometimes called "contemplative cinema".
The Sight & Sound Greatest Films of All Time 2012 was a worldwide opinion poll conducted by Sight & Sound and published in the magazine's September 2012 issue. Sight & Sound, published by the British Film Institute, has conducted a poll of the greatest films every 10 years since 1952.
Richard Brody is an American film critic who has written for The New Yorker since 1999.
Les Rendez-vous d'Anna is a 1978 drama film written and directed by Chantal Akerman.
No Home Movie is a French-Belgian 2015 documentary film directed by Chantal Akerman, focusing on conversations between the filmmaker and her mother just months before her mother's death. The film premiered at the Locarno Film Festival on 10 August 2015. It is Akerman's last film before she died by suicide.
Laura Schroeder is a Luxembourg writer and film director. She is best known for her 2017 drama film Barrage which was Luxembourg's entry for the Best Foreign Language Film at the 90th Academy Awards.
Sofia Bohdanowicz is a Canadian filmmaker. She is known for her collaborations with Deragh Campbell and made her feature film directorial debut in 2016 with Never Eat Alone. Her second feature film, Maison du Bonheur, was a finalist for the Rogers Best Canadian Film Award at the 2018 Toronto Film Critics Association Awards. That year, she won the Jay Scott Prize from the Toronto Film Critics Association. Her third feature film, MS Slavic 7, which she co-directed with Campbell, had its world premiere at the 69th Berlin International Film Festival in 2019. She has also directed several short films, such as Veslemøy's Song (2018) and Point and Line to Plane (2020).
Modernist film is related to the art and philosophy of modernism.
Catherine Fowler is a New Zealand academic, and is a full professor at the University of Otago, specialising in historical and contemporary film studies.