Fernanda Torres | |
---|---|
![]() Torres in 2024 | |
Born | Fernanda Pinheiro Monteiro Torres 15 September 1965 [1] Rio de Janeiro, Brazil |
Years active | 1981—present |
Spouse | |
Children | 2 |
Parents |
|
Fernanda Pinheiro Monteiro Torres (born 15 September 1965) is a Brazilian actress and writer, known for both her comedic and dramatic roles. Born in Rio de Janeiro to actors Fernando Torres and Fernanda Montenegro, she has received numerous awards, including the Cannes Film Festival Award for Best Actress for Love Me Forever or Never (1986). [2]
For her critically acclaimed performance as Eunice Paiva in the drama film I'm Still Here (2024), Torres became the first Brazilian, Latin American, and Portuguese-speaking actor to win the Golden Globe Award for Best Actress in a Motion Picture – Drama, [3] [4] and also received a nomination for the Academy Award for Best Actress, making her the second Brazilian actress, after her mother, to be nominated in this category.
As a writer, her debut novel, The End, sold over 200,000 copies in Brazil, was translated into 7 other languages and was adapted into a miniseries. [5] [6]
Debuting as an actress at thirteen, Torres' career spans more than four decades in theater, television, literature and cinema. [7]
Her film debut was at the age of 17, in 1983, with the film Innocência, based on the work of Viscount of Taunay and directed by Walter Lima Jr. Her next movie A Marvada Carne (1985), by André Klotzel, which won her the award for Best Actress at the Gramado Festival. For Love Me Forever or Never (1986) by Arnaldo Jabor, Torres' won the Best Actress at the Cannes Film Festival and at the Cuba Film Festival.
Among her 24 films credits, the most notable are: Excuse Me, I'm Going to Fight (1986), Best Actress at the Nantes Film Festival and a special nomination at the Locarno Festival; [8] One Man's War (1991) by Sergio Toledo, alongside Anthony Hopkins and Norma Aleandro; [9] Foreign Land (1996) by Walter Salles and Daniela Thomas; Four Days in September (1997) by Bruno Barreto, nominated as Best Foreign Language Film at the 70th Academy Awards; [8] Gêmeas (1999); Redentor (2004), a short film directed by her brother, Cláudio Torres; and The House of Sand (2005), directed by her husband Andrucha Waddington.
In 2024, she played Eunice Paiva in the biographical film I'm Still Here , working again with director Walter Salles. For her performance, Torres become the second Brazilian to be nominated for a Golden Globe Award for Best Actress in a Motion Picture – Drama, the first one was her mother Fernanda Montenegro 26 years before her, and became the first Brazilian to win the award. [10] [3] They also became the first mother-daughter duo to be nominated for the Best Actress category since Judy Garland and Liza Minnelli. [11] [12]
At thirteen, Torres attended Teatro O Tablado. [8] Her first performance on stage was in 1978, in the play Um Tango Argentino, by Maria Clara Machado. [13] Torres acted in more than a dozen plays, having received praise for works such as Orlando (1989), by Bia Lessa; Da Gaivota (1998), by Daniela Thomas; [14] Two Women and a Corpse (2000), by Aderbal Freire Filho. She was the first actress of the Companhia de Ópera Seca, founded by Gerald Thomas, having starred in three plays, including The Flash and Crash Days (1991) - sharing the stage with her mother - which was presented on tour in the United States and European. [15] The monologue A Casa dos Budas Ditosos, based on the novel of the same name by João Ubaldo Ribeiro, debuted in 2003 reaching more than one million spectators. [16]
On television, she acted in numerous popular comedy series and soap operas in Brazil. [17] From 2001 to 2003, Torres starred with Luiz Fernando Guimarães in the series Os Normais , which showed with humor and innovative language the everyday situations experienced by the couple Rui and Vani. [18] Os Normais became a cult favorite and led many fans to not leave the house on Friday nights before the program ended. [19] Not only the characters' scenes and dialogues, but also the panties and bras worn by Torres won over the public. [20] [21] The success of the series also led to the feature film Os Normais - O Filme , a Globo Filmes production made in HDTV, which was practically all filmed at Central Globo de Produção (Projac). [22]
From 2003 to 2008, Torres met success with the monologue A Casa dos Budas Ditosos, text by João Ubaldo Ribeiro and directed by Domingos Oliveira. [23] For her performance, she received the Qualidade Brasil Awards and the Shell Award for Best Actress. [24] From 2011 to 2015, Torres starred, alongside Andréa Beltrão, in the comedy series Tapas & Beijos , for which she received sereval awards nominations and wins, such as the Best of the Year Award for Best Actress. [25]
In 2016, she wrote the script for the feature film O Juízo, with her mother in the cast. In 2018, Torres was confirmed in the second season of the series Sob Pressão , as Renata, the new hospital administrator. [26]
As a presenter, she developed the project Minha Estupidez and Bicho Homem for television, and the podcast The Playlist of My Life, as an interviewer on Deezer. [27]
In 2007, she began writing for newspapers and magazines as a columnist, publishing a weekly column in the newspaper Folha de S.Paulo since 2010.
In 2014, Torres released her first novel, The End (Fim), which sold more than 200,000 copies in Brazil and was translated into seven languages. In 2023, Torres created, wrote and adapted the novel into a 10-episode miniseries for the Brazilian streaming service Globoplay. [28] [29]
In 2017, Torres' published her second novel, Glory and Its Litany of Horrors (A Glória e Seu Cortejo de Horrores). [6]
Torres is of Portuguese and Italian descent. [30] [31] She is married to movie producer and director Andrucha Waddington. The couple has two sons, Joaquim (b. 2000) and Antônio (b. 2008). She is also stepmother of João (b. 1993) and Pedro (b. 1995), from Andrucha's first marriage. [32] [33]
Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
1983 | Inocência | Inocência | [34] | |
1984 | Amenic - Entre o Discurso e a Prática | Extra | [34] | |
1985 | A Marvada Carne | Carula | [34] | |
Madame Cartô | Voice | [34] | ||
Sonho sem Fim | Cigana | [34] | ||
1986 | Love Me Forever or Never | The Woman | [34] [35] | |
Com Licença, Eu Vou à Luta | Eliane Maciel | [34] | ||
1988 | A Mulher do Próximo | Isabel | [34] | |
Fogo e Paixão | Woman Eating an Apple | Cameo | [34] | |
1989 | Kuarup | Francisca | [34] | |
1990 | Beijo 2348/72 | Claudete | [34] | |
1991 | One Man's War | Dolly | [34] | |
1993 | Capitalismo Selvagem | Elisa Medeiros | [34] | |
1996 | The Jew | Brites Cardoso | [34] | |
Foreign Land | Alex | [34] | ||
1997 | Miramar | The Producer | [34] | |
Four Days in September | Maria Augusta Carneiro / Andréia | [34] | ||
1998 | Midnight | Maria | [34] | |
Traição | Irene | [34] | ||
1999 | Gêmeas | Iara / Marilena | [34] | |
2003 | So Normal | Vani | [34] | |
2004 | Redeemer | Young Isaura | Also screenwriter | [34] |
2005 | The House of Sand | Áurea / Maria | [34] | |
2007 | Saneamento Básico | Marina | [34] | |
Playing | Herself | Documentary | [34] | |
2009 | A Mulher Invisível | Lúcia | [34] | |
Os Normais 2: A Noite Mais Maluca de Todas | Vani | [34] | ||
2017 | Os 8 Magníficos | Herself | Documentary | [34] |
2018 | O Juízo | — | Only screenwriter | [36] |
2019 | Babenco: Tell Me When I Die | Herself | Documentary | [34] |
Lina Bo Bardi: A Marvelous Entanglement | Young Lina Bo Bardi | [37] | ||
2024 | I'm Still Here | Eunice Paiva | [34] |
Year | Title | Role | Nota |
---|---|---|---|
1979 | Aplauso | Soraia | |
1981 | Baila Comigo | Fauna Rosa França | Telenovela |
Brilhante | Marília Newman Carvalho | ||
1983 | Parabéns pra Você | Irene | |
Caso Especial | Clara | Episode: "O Fantasma de Canterville" | |
Maria Alice | Episode: "Todas as Mulheres do Mundo" | ||
Eu Prometo | Dayse Ribeiro Cantomaia | Telenovela | |
1986 | Selva de Pedra | Simone Marques / Rosana Reis | |
1994 | Terça Nobre | Diana | Episode: "Comédia da Vida Privada" |
Dorinha | Episode: "O Homem que Sabia Javanês" | ||
Lúcia McCartney | Episode: "Lúcia McCartney" | ||
1995–97 | A Comédia da Vida Privada | ||
1999 | Luna Caliente | Dora | |
2001 | As Filhas da Mãe | Lulu de Luxemburgo | Telenovela |
2001–03 | Os Normais | Vanilce Alencar (Vani) | |
2002 | Brava Gente | Jaci | Episode: "Lira Paulistana" |
2004 | Um Só Coração | Fernanda Montenegro | Episode: "8 de abril" |
Sitcom.br | Nana | Episode: "Dia das Mães" | |
2006 | Os Amadores | Alice | Episode: "22 de dezembro" |
2008 | Sexo Oposto | ||
2009 | Bicho Homem | ||
2010 | Programa Piloto | Renata | |
As Cariocas | Cris [38] | Episode: "A Invejosa de Ipanema" | |
Amoral da História | [39] | ||
2011–15 | Tapas & Beijos | Fátima de Souza | |
2016 | Mister Brau | Bárbara [40] | Episode: "19 de julho" |
2016–17 | Minha Estupidez | ||
2017–19 | Filhos da Pátria | Maria Teresa Bulhosa | |
2018 | Sob Pressão | Drª. Renata Gomes | Second Season |
2019 | Mulheres Fantásticas | Narradora [41] | Episódio: "Hedy Lamarr" |
2020 | Todas as Mulheres do Mundo | Estela [42] | |
Diário de Um Confinado | Leonor [43] | ||
Amor e Sorte | Lúcia Bóis [44] | ||
Gilda, Lúcia e o Bode | Holiday special | ||
2023 | Fim | Celeste | Also creator and writer [45] |
This section needs additional citations for verification .(January 2025) |
{{cite web}}
: Unknown parameter |url-statu=
ignored (help){{cite web}}
: CS1 maint: unrecognized language (link)