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Marina Vlady | |
|---|---|
 Vlady in 2009 | |
| Born | Marina Catherine de Poliakoff-Baydaroff 10 May 1938 Clichy, Hauts-de-Seine, France |
| Occupation | Actress |
| Years active | 1949–present |
| Spouses | Jean-Claude Brouillet (m. 1963;div. 1966) |
| Partner(s) | Léon Schwartzenberg (esp. 1981; d. 2003) |
| Children | 3 |
| Awards |  |
Marina Vlady (born 10 May 1938) is a French actress.
Vlady was born in Clichy, Hauts-de-Seine to White Russian immigrant parents. Her father was an opera singer and her mother was a dancer. Her sisters, now all deceased, were the actresses Odile Versois, Hélène Vallier and Olga Baïdar-Poliakoff. The sisters began acting as children and, for a while, pursued a ballet career.
From 1955 to 1959, she was married to actor/director Robert Hossein. From 1963 to 1966, she was married to Jean-Claude Brouillet, a French entrepreneur, owner of two airlines and member of French Resistance. Vlady was married to Soviet poet/songwriter Vladimir Vysotsky from 1969 until his death in 1980. [1] She lived with French oncologist Léon Schwartzenberg from the 1980s until his death in 2003.[ citation needed ]
Vlady won the Best Actress Award at the 1963 Cannes Film Festival for The Conjugal Bed . [2] In 1965, she was a member of the jury at the 4th Moscow International Film Festival. [3]
Vlady starred in Jean-Luc Godard's 2 ou 3 choses que je sais d'elle (1967), and later portrayed the insightful and protective stepmother in the Italian film Il sapore del grano (aka: The Flavor of Corn) (1986). A rare English language role was as Kate Percy in Orson Welles' Chimes at Midnight (1966). Her television credits include the 1983 mini-series La Chambre des Dames. [4]
She wrote Vladimir, or the Aborted Flight, a memoir of her relationship with Vladimir Vysotsky.
For a decade, the couple maintained a long-distance relationship as Vlady compromised her career in France in order to spend more time in Moscow, and his friends pulled strings for him to travel abroad. She eventually joined the Communist Party of France, which essentially gave her an unlimited-entry visa into the Soviet Union, and provided Vysotsky with some immunity against prosecution by the government. The problems of his long-distance relationship with Vlady inspired several of Vysotsky's songs.[ citation needed ]
In 1971, Vlady signed the Manifesto of the 343, which publicly declared she had an abortion as a way to advocate for reproductive rights, even though the procedure was illegal in France at the time. [5]
Vlady and partner Léon Schwartzenberg participated in the protests against deportations of Arab workers from France. [6] She accepted a role in a film about a gay couple from Iran. [7]
Catherine Breillat is a French filmmaker, novelist and professor of auteur cinema at the European Graduate School. In the film business for over 40 years, Breillat chooses to normalize previously taboo subjects in cinema. Taking advantage of the medium of cinema, Breillat juxtaposes different perspectives to highlight irony found in society.
Vladimir Semyonovich Vysotsky was a Soviet singer-songwriter, poet, and actor who had an immense and enduring effect on Soviet culture. He became widely known for his unique singing style and for his lyrics, which featured social and political commentary in often-humorous street jargon. He was also a prominent stage- and screen-actor. Though the official Soviet cultural establishment largely ignored his work, he was remarkably popular during his lifetime and has exerted significant influence on many of Russia's musicians and actors.
Le Nouvel Obs, previously known as L'Obs (2014–2024), Le Nouvel Observateur (1964–2014), France-Observateur (1954–1964), L'Observateur aujourd'hui (1953–1954), and L'Observateur politique, économique et littéraire (1950–1953), is a weekly French news magazine. Based in the 2nd arrondissement of Paris, Le Nouvel Obs is one of the three most prominent French news magazines alongside Le Point and L'Express. Its current editor is Cécile Prieur.
The Meeting Place Cannot Be Changed is a 1979 Soviet five-part television film directed by Stanislav Govorukhin and starring singer-songwriter Vladimir Vysotsky in one of his final screen appearances alongside actor Vladimir Konkin. The script, written by Arkady and Georgy Vayner, is based on the plot of their novel The Era of Mercy.
Marina Vyacheslavovna Anissina is a Franco-Russian ice dancer. Competing with Gwendal Peizerat for France, she is the 2002 Olympic champion, the 1998 Olympic bronze medalist, the 2000 World champion, and a six-time French national champion.
Nadine Trintignant is a French filmmaker and novelist. She is known for making films that surround the topic of family and relationships, such as Ça n'arrive qu'aux autres and L'été prochain. Her film Mon amour, mon amour was nominated for the Palme d'Or at the 1967 Cannes Film Festival.
Robert Hossein was a French film actor, director, and writer. He directed the 1982 adaptation of Les Misérables and appeared in Vice and Virtue, Le Casse, Les Uns et les Autres and Venus Beauty Institute. His other roles include Michèle Mercier's husband in the Angélique series, a gunfighter in the Spaghetti Western Cemetery Without Crosses, and a Catholic priest who falls in love with Claude Jade and becomes a communist in Forbidden Priests.
Splendor is a 1989 Italian-French drama film directed by Ettore Scola.
The 16th Cannes Film Festival was held from 9 to 23 May 1963. The Palme d'Or went to the Il Gattopardo by Luchino Visconti. The festival opened with The Birds, directed by Alfred Hitchcock.
The Manifesto of the 343 Women is a French petition penned by Simone de Beauvoir, and signed by 343 women, all publicly declaring that they had had an illegal abortion. The manifesto was published under the title, "Un appel de 343 femmes", on 5 April 1971, in issue 334 of Le Nouvel Observateur, a social democratic French weekly magazine. The piece was the sole topic on the magazine cover. At the time, abortion was illegal in France, and by admitting publicly to having aborted, women exposed themselves to criminal prosecution.
Aleksej Vladimirovich Vysotsky was a Soviet Union journalist and author, as well as a hero of World War II who attained the rank of Colonel.
The Conjugal Bed is a 1963 Italian comedy film directed by Marco Ferreri. It was entered into the 1963 Cannes Film Festival where Marina Vlady won the award for Best Actress.
Marina de Van is a French film director, screenwriter and actress. Her film, Don't Look Back, was screened out of competition at the 2009 Cannes Film Festival.
The Wedding is a 2000 French-Russian comedy film directed by Pavel Lungin. It was entered into the 2000 Cannes Film Festival. The film was the Aurora Award winner at the Tromsø International Film Festival in 2001.
Sweet and Sour is a 1963 French-Italian comedy film directed by Jacques Baratier and starring Guy Bedos. The film was selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival.
Vysotsky. Thank You for Being Alive is a 2011 Russian drama film about Vladimir Vysotsky based on a screenplay by his son Nikita and directed by Pyotr Buslov. The primary actor, who played the role of Vysotsky, went uncredited and remained unknown to public. Later, it was revealed that CGI and heavy makeup disguised Sergey Bezrukov. The film premiered on December 1, 2011.
Vysotsky is the name of a skyscraper in Yekaterinburg. It is the third-tallest building in Russia outside of Moscow.
Lada Negrul, is a Russian actress. She works in Moscow's "Russian House" theater and played main roles in ten Russian movies, including a TV serial "Dirty Work". She is the author and producer of documentaries about Irina Skobtseva, Sergei Bondarchuk, and Vladislav Galkin.
Subject for a Short Story is a 1969 Soviet-French biographical drama film directed by Sergei Yutkevich.
Marina Vladimirovna Ovsyannikova is a Russian journalist who was employed on the Channel One Russia television channel. She worked for Russia's main evening newscast Vremya on Channel One since the beginning of the 2000s, later describing her role as "producing Kremlin propaganda".
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