The Basement is a television play (later a stage play) by Harold Pinter. It was written first as a screenplay for a film, then revised for television and broadcast on 20 February 1967.
The Basement is based on "The Compartment" (1965), an unpublished 27-page screenplay (circulated only in typescript) that Pinter wrote in 1963–65 "for a film never made, planned as part of a triple-bill, Project I promoted by Grove Press, New York, with Samuel Beckett's Film [1965] and Eugène Ionesco's The Hard-Boiled Egg " (Baker and Ross 112). Of the three works planned for this trilogy of films, "only Film would be produced, being released in 1965" (112).
According to Pinter's official authorised biographer Michael Billington, also cited by Baker and Ross (112), "Pinter's contribution The Compartment lay dormant until he rewrote it for television as The Basement" (Billington 191).
The "exterior" and "interior" of "a basement flat" in various seasons and at various times of day and night (Two Plays and a Film Script 91–112).
Two men, (Tim) Law and (Charles) Stott, compete for possession of and dominance over a "basement flat" and their at-times mutual girlfriend, Jane. During the course of the play, they reverse roles with relation to each other, to the ownership or possession of the flat, and to their relationship with or possession of Jane. The changing furnishings of the room reflect their changing roles and who is in power over whom at various points in time. At first Jane appears to be submissive in relation to the men; but as the action develops, at times she appears to dominate each man and both of them. The character relationships between Stott and Law and the basic plot resemble Pinter's prose fiction works "Kullus" and "The Examination".
First transmitted on 20 February 1967, [1] it formed part of BBC 2's Theatre 625 series.
The Basement was first produced on stage at the Eastside Playhouse, in New York City, in October 1968, as part of a double bill with Pinter's play Tea Party , directed by James Hammerstein.
Hammerstein also directed another stage production at the Duchess Theatre, in London, on 17 September 1970 (The Basement, HaroldPinter.org) with a new cast. [1]
Baker, William, and John C. Ross, comps. Harold Pinter: A Bibliographical History. London: The British Library (BL); New Castle, DE: Oak Knoll Press (OKP), 2005. ISBN 0-7123-4885-9 (BL). ISBN 1-58456-156-4 (OKP).
Billington, Michael. Harold Pinter. 1996. London: Faber and Faber, 2007.
Pinter, Harold. The Basement. In Plays: Three. London: Eyre Methuen, 1978. ISBN 0-413-38480-2.
–––. The Lover, Tea Party, The Basement: Two Plays and a Film Script. New York: Grove Press, 1967. (An Evergreen Book E-432).
–––. Tea Party and Other Plays. London: Methuen, 1967. British first ed.; published 15 June 1967. (Baker and Ross 54–55).
Harold Pinter was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works.
Ada Brand Thomson, known professionally as Vivien Merchant, was an English actress. She began her career in 1942, and became known for dramatic roles on stage and in films. In 1956 she married the playwright Harold Pinter and performed in many of his plays.
The Dumb Waiter is a one-act play by Harold Pinter written in 1957.
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The Birthday Party (1957) is the first full-length play by Harold Pinter, first published in London by Encore Publishing in 1959. It is one of his best-known and most frequently performed plays.
Betrayal is a play written by Harold Pinter in 1978. Critically regarded as one of the English playwright's major dramatic works, it features his characteristically economical dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-)deceptions.
One for the Road is an overtly-political one-act play by Harold Pinter, which premiered at Lyric Studio, Hammersmith, in London, on 13 March 1984, and was first published by Methuen in 1984. Pinter's One for the Road is not to be confused with the Willy Russell play of the same name.
Family Voices is a radio play by Harold Pinter written in 1980 and first broadcast on BBC Radio 3 on 22 January 1981.
The Caretaker is a play in three acts by Harold Pinter. Although it was the sixth of his major works for stage and television, this psychological study of the confluence of power, allegiance, innocence, and corruption among two brothers and a tramp, became Pinter's first significant commercial success. It premiered at the Arts Theatre Club in London's West End on 27 April 1960 and transferred to the Duchess Theatre the following month, where it ran for 444 performances before departing London for Broadway. In 1963, a film version of the play based on Pinter's unpublished screenplay was directed by Clive Donner. The movie starred Alan Bates as Mick and Donald Pleasence as Davies in their original stage roles, while Robert Shaw replaced Peter Woodthorpe as Aston. First published by both Encore Publishing and Eyre Methuen in 1960, The Caretaker remains one of Pinter's most celebrated and oft-performed plays.
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Michael Keith Billington OBE is a British author and arts critic. He writes for The Guardian, and was the paper's chief drama critic from 1971 to 2019. Billington is "Britain's longest-serving theatre critic" and the author of biographical and critical studies relating to British theatre and the arts. He is the authorised biographer of the playwright Harold Pinter (1930–2008).
Applicant is a dramatic sketch written by Harold Pinter. Originally written in 1959 and first published by Eyre Methuen in 1961, it was first broadcast on BBC Radio on the Third Programme "between February and March 1964," along with Pinter's other revue sketches, That's Your Trouble, That's All, Interview, and Dialogue for Three.
Tea Party is a play written by Harold Pinter, which Pinter adapted from his own 1963 short story of the same title. As a screenplay, it was commissioned by the European Broadcasting Union, directed by Charles Jarrott, and first transmitted on BBC Television in the programme The Largest Theatre in the World on 25 March 1965. It was first produced on stage in October 1968 as part of a double bill with Pinter's play The Basement.
The Hothouse (1958/1980) is a full-length tragicomedy written by Harold Pinter in the winter of 1958 between The Birthday Party (1957) and The Caretaker (1959). After writing The Hothouse in the winter of 1958 and following the initial commercial failure of The Birthday Party, Pinter put the play aside; in 1979 he re-read it and directed its first production, at Hampstead Theatre, where it opened on 24 April 1980, transferring to the Ambassadors Theatre on 25 June 1980, and it was first published, also in 1980, by Eyre Methuen. The play received its American premiere at the Trinity Repertory Company in 1982. Pinter himself played Roote in a subsequent production staged at the Minerva Theatre, in Chichester, in 1995, later transferring to the Comedy Theatre, in London.
A Night Out is a play written by Harold Pinter in 1959.
Harold Pinter and academia concerns academic recognition of and scholarship pertaining to Harold Pinter, CH, CBE (1930–2008), English playwright, screenwriter, actor, director, poet, author, political activist, and the 2005 Nobel Laureate in Literature, at the time of his death considered by many "the most influential and imitated dramatist of his generation."
Remembrance of Things Past is the 2000 collaborative stage adaptation by Harold Pinter and director Di Trevis of Harold Pinter's as-yet unproduced The Proust Screenplay (1977), a screen adaptation of À la recherche du temps perdu, the seven-volume novel by Marcel Proust.
Strawberry Fields is a theatre play written by Stephen Poliakoff and staged at the Cottesloe, National Theatre in March 1977. Strawberry Fields was the first ever National Theatre production at the Cottesloe, the NT’s ‘black box’ studio theatre.
