Eternal Sunshine of the Spotless Mind

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Eternal Sunshine of the Spotless Mind
Eternal Sunshine of the Spotless Mind.png
Theatrical release poster
Directed by Michel Gondry
Screenplay by Charlie Kaufman
Story by
Produced by
Starring
Cinematography Ellen Kuras
Edited by Valdís Óskarsdóttir
Music by Jon Brion
Production
companies
Distributed by Focus Features
Release date
  • March 19, 2004 (2004-03-19)(United States)
Running time
108 minutes
CountryUnited States
LanguageEnglish
Budget$20 million
Box office$74 million

Eternal Sunshine of the Spotless Mind is a 2004 American science fiction romantic drama film directed by Michel Gondry based on Charlie Kaufman's screenplay, and a story by Gondry, Kaufman, and Pierre Bismuth. The film stars Jim Carrey and Kate Winslet, with Kirsten Dunst, Mark Ruffalo, Elijah Wood, and Tom Wilkinson in supporting roles. The film follows two individuals who undergo a procedure to erase one another from their memories following the dissolution of their romantic relationship. The title of the film is a quotation from the 1717 poem Eloisa to Abelard by Alexander Pope. It uses elements of psychological drama, science fiction, and a nonlinear narrative to explore the nature of memory and love. [1]

Contents

Eternal Sunshine of the Spotless Mind opened in theaters in the United States on March 19, 2004, to widespread acclaim from critics and audiences, who hailed the visual style, editing, writing, score, themes, Gondry’s direction, and the performances of the cast, especially Carrey and Winslet. The film was a box office success, grossing $74 million on a $20 million budget, and was named by the American Film Institute one of the Top 10 Films of 2004. [2] At the 77th Academy Awards, Bismuth, Gondry and Kaufman won the Academy Award for Best Original Screenplay, and Winslet received a nomination for the Academy Award for Best Actress. The film became a cult classic in the years since its release and is considered by many critics as one of the best films of the 2000s, and one of the greatest films of all time. [3] [4]

Plot

Joel Barish discovers that his estranged girlfriend, Clementine Kruczynski, has undergone a procedure to have her memories of him erased by the New York City firm Lacuna. Heartbroken, he decides to undergo the same procedure. In preparation, he records a tape recounting his memories of their volatile relationship.

The Lacuna employees work on Joel's brain as he sleeps in his apartment so that he will wake up with no memory of the procedure. One employee, Patrick, leaves to see Clementine. Since her procedure, he has been using Joel's and Clementine's memories as a guide for seducing her. While the procedure runs on Joel's brain, the technician, Stan, and the secretary, Mary, take drugs, party and have sex.

Joel re-experiences his memories of Clementine as they are erased, starting with their last fight. As he reaches earlier, happier memories, he realizes that he does not want to forget her. His mental projection of Clementine suggests that Joel hides her in memories that do not involve her. This halts the procedure, but Stan calls his boss, Howard, who arrives and restarts it. Joel comes to his last remaining memory of Clementine: the day they first met, on a beach in Montauk. As the memory crumbles around them, Clementine tells Joel to meet her in Montauk.

In Joel's apartment, while Stan is outside, Mary tells Howard she is in love with him and they kiss. Howard's wife arrives and sees them through the window. Furious, she tells Howard to tell Mary the truth: that Mary and Howard previously had an affair, and that Mary had her memories erased. Disgusted, Mary steals the Lacuna records and mails them to the patients, including Joel and Clementine.

Joel wakes up, his memories of Clementine erased. He impulsively goes to Montauk and accidentally meets Clementine on the train ride home. They are drawn to one another, and go on a date to the frozen Charles River in Boston. Joel drives Clementine home and Patrick sees the two of them, realizing they have found each other again. Joel and Clementine receive their Lacuna records and listen to their tapes. They are shocked by the bitter memories they had of each other and almost separate again, but agree to try again.

Cast

Jim Carrey 2008.jpg
Sergeant interviews Kate Winslet on the red carpet at the Kodak Theatre in 2007 (cropped).jpg
Jim Carrey (top) in 2008, and Kate Winslet in 2007

Production

Development

The concept of Eternal Sunshine of the Spotless Mind came from conversations between director Michel Gondry and co-writer Pierre Bismuth in 1998. [20] The pair had met and become friends in the early 1980s during Gondry's drumming career in the French pop group Oui Oui. [21] Bismuth had conceived of the idea of erasing certain people from people's minds in response to a friend complaining about her boyfriend; when he asked her if she would erase that boyfriend from her memory, she said yes. [21] [22] Bismuth originally planned to conduct an art experiment involving sending cards to people saying someone they knew had erased the card's recipient from their memory. [23] When he mentioned this to Gondry, they developed it into a story based on the situations that would arise if it were scientifically possible. [21] [23] Bismuth never carried out his experiment idea. [23]

Gondry approached writer Charlie Kaufman with this concept, [22] [23] and they developed it into a short pitch. [24] While the writers did not believe the concept was marketable, a small bidding war began over the idea. [20] [24] [25] Steve Golin of Propaganda Films purchased it on June 12, 1998, for a low seven-figure sum. [5] [26] Kaufman, who was responsible for writing the screenplay, did not begin immediately, instead opting to suspend writing while he was working on Adaptation , Confessions of a Dangerous Mind , and Human Nature , the last of which Gondry directed as his directorial debut. [20]

During this time, filmmaker Christopher Nolan released his film Memento (2000), which similarly deals with memory. Due to the similarities, Kaufman became worried and tried to pull out of the project, but Golin made him complete it. [5] During writing, the pitch's ownership changed several times resulting in Kaufman not having to deal with the studios until the end of the scriptwriting process. [20] The final script made the studios nervous. [20]

How happy is the blameless vestal's lot!
The world forgetting, by the world forgot:
Eternal sunshine of the spotless mind!
Each prayer accepted, and each wish resigned;

Alexander Pope, Eloisa to Abelard , lines 207–210

Kaufman did not want to make the film a thriller and wanted to downplay the science fiction aspects of memory erasure, focusing on the relationship. [20] [23] [25] He had an "enormous struggle" while writing the script, particularly encountering two problems: showing "the memories, Joel's reactions to the memories, and Joel interacting with Clementine outside of the memories in the memories," and the fact that characters could refer in later scenes to already erased memories. [20]

Kaufman resolved the first problem by making Joel lucid and able to comment on his memories and solved the second by making the memories degrade instead of immediately erasing, with complete erasure occurring at awakening. [20] Kaufman's original name for the screenplay was 18 words long, as he had wanted a title that "you couldn't possibly fit on a marquee." [27] He eventually decided on Eternal Sunshine of the Spotless Mind, a title originating from the 1717 poem Eloisa to Abelard by Alexander Pope. [28]

1968 French film Je t'aime, je t'aime directed by Alain Resnais it has been cited as an influence on the film. [29] [30]

Filming and post-production

Montauk station, where Joel and Clementine meet each other again after the erasing of their memories. Montauk LIRR train station.jpg
Montauk station, where Joel and Clementine meet each other again after the erasing of their memories.

The shooting of Eternal Sunshine of the Spotless Mind began in mid-January 2003 after six weeks of preparation, [31] [32] [33] lasting for three months on a budget of $20 million mostly in and around New York City. [7] [33] The film was shot on Fuji Reala 500D. [33] The production crew recreated some key scenes, such as Joel's Rockville Centre apartment and the 1950s-style kitchen, in a New Jersey former U.S. Navy base. [33] The shoot was difficult, sometimes shooting for 17 hours per day in harsh environments. [34]

The shoot was challenging for cinematographer Ellen Kuras, due to the difficulty of filming Gondry's vision for the film, which aimed to "blend location-shoot authenticity with unpredictable flashes of whimsy". According to this vision, Gondry wanted available light used exclusively for the shoot. Kuras disagreed and worked around this idea by lighting the room instead of the actors and by hiding light bulbs around the set to increase light levels. [33] Another issue the cinematographers encountered was that due to the frequent improvisation, the lack of marks and the few rehearsals completed, the cinematographers often did not know where the actors would be. Two handheld cameras filmed near 360-degree footage at all times, shooting 36,000 feet of film a day to deal with this. [19] [33] Gondry called back to the work of French New Wave director Jean-Luc Godard by filming using wheelchairs as well as using sled and chariot dollies instead of traditional dollies. When using wheelchairs, the shot was not consistently smooth; however, as Kuras liked the aesthetic of the low-angle, wobbly movement, the final film contains the footage. [33]

A beach in East Hampton, near where the film's beach scenes were filmed. Beach in East Hampton.jpg
A beach in East Hampton, near where the film's beach scenes were filmed.

The film used minimal CGI, with many effects accomplished in-camera, through forced perspectives, hidden space, spotlighting, unsynchronized sound, split focus and continuity editing. [23] A notable example is the ocean washing away the house in Montauk; the production team accomplished this by building the corner of a house on the beach and allowing the tide to rise. [7] Executing this effect was difficult, as the special team hired to place the set in the water refused due to perceived dangers. In response, Gondry fired the team and had the production team, including the actors and producers, place the set in the water. In retaliation for Gondry's actions, the chief of the union reprimanded Gondry in front of the crew. [35]

Kaufman rewrote some of the script during production; thus, several discrepancies exist between the production script and the final film. [24] A fundamental difference is that in the production script, with the erasure of each memory, Clementine's behavior is increasingly robotic. [20] In the final film, Winslet plays Clementine straight, and degradation of settings and the intrusion of settings upon each other establish memory degradation visually. Another script component that did not make it into the final film was the appearance of Naomi, Joel's girlfriend, played by Ellen Pompeo. Against Kaufman's insistence on Naomi's inclusion, the production team cut her already filmed scenes. [20] Tracy Morgan was also cut from the film. [36]

Icelandic editor Valdís Óskarsdóttir edited the film, and she reportedly clashed with Gondry during editing. [37] Kaufman was also very involved in the editing of the film. Editing was a long process as there was no requirement to rush it. [5] [24] There were a few test screenings of the film, which elicited positive reactions. [24]

Music

The soundtrack album for Eternal Sunshine of the Spotless Mind was composed by American musician Jon Brion, also featuring songs from artists including The Polyphonic Spree, The Willowz, and Don Nelson. Hollywood Records released the soundtrack in March of 2004. [38] A cover version of The Korgis' "Everybody's Got to Learn Sometime" with instrumentation by Brion and vocals by Beck operates as the soundtrack's centerpiece, setting the film's tone in the opening credits, and closing the film. [38] [39]

Eternal Sunshine of the Spotless Mind's soundtrack received generally positive reviews. AllMusic described it as "nearly as deft", and described Brion's score as "intimate" and "evocative of love and memories". [40] Other positive reviews noted the ambient nature of the music and lauded Beck's cover of "Everybody's Got to Learn Sometime". [41] The soundtrack's detractors criticized the album's lack of identity and its depressive atmosphere. [42] Even among the detractors, the score's ability to mesh with the plot was lauded, an appraisal common to many reviews. [40] [41] [42] [43]

Analysis

Author Carol Vernallis, writing in Screen, argued that Gondry's experience in directing music videos contributed to the film's mise-en-scène and sound design. Vernallis describes some threads of the visual, aural, and musical motifs throughout the film, and how some motifs can work in counterpoint. [44]

Philosopher Christopher Grau, in The Journal of Aesthetics and Art Criticism , discussed how he perceived the film to have its own defined philosophy, beyond addressing ideas of a philosophical nature. [45]

Eternal Sunshine of the Spotless Mind has been aligned with a greater inspection, distinctly related to the 21st century, of memory, longing and nostalgia in science fiction films like Code 46 and 2046 . The film showcases memory as fragmented and unreliable, evident by its non-linear structure. [46]

Release

Box office

Produced on a budget of $20 million, Eternal Sunshine of the Spotless Mind opened on March 19, 2004, in the United States, earning $8.2 million in its opening weekend from 1,353 theaters. The film placed seventh in the weekend's box office, and remained in theaters for 19 weeks, earning $34.4 million in the United States and Canada, and $39.6 million in international markets, for a total of $74 million worldwide. [47]

Critical response

Kate Winslet's performance garnered widespread critical acclaim, earning her a nomination for the Academy Award for Best Actress. Kate Winslet 2006 Toronto.jpg
Kate Winslet's performance garnered widespread critical acclaim, earning her a nomination for the Academy Award for Best Actress.

On Rotten Tomatoes, the film has an approval rating 92% based on 256 reviews, with an average score of 8.50/10. The site's critical consensus reads, "Propelled by Charlie Kaufman's smart, imaginative script and Michel Gondry's equally daring directorial touch, Eternal Sunshine is a twisty yet heartfelt look at relationships and heartache." [48] On Metacritic, the film has a score of 89 out of 100, based on 41 reviews. [49] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale. [50]

Roger Ebert of Chicago Sun-Times in his initial 2004 review gave the film three and a half out of four. [51] He revisited the film in 2010 when he referred to Kaufman as "the most gifted screenwriter of the 2000s" and revised the rating to a full four out of four, adding it to his "Great Movies" list. [52] A. O. Scott of The New York Times praised the film for being "cerebral, formally and conceptually complicated, dense with literary allusions and as unabashedly romantic as any movie you'll ever see". [53] Time Out summed up their review by saying, "the formidable Gondry/Kaufman/Carrey/Winslet axis works marvel after marvel in expressing the bewildering beauty and existential horror of being trapped inside one's own addled mind, and in allegorising the self-preserving amnesia of a broken but hopeful heart". [54] In 2017, The New York Times ranked the film as the 24th best film of the 21st Century so far. [55]

Winslet and Carrey received widespread praise for their performances. Winslet's as Clementine received multiple award nominations, including an Academy Award nomination for Best Actress, [56] a BAFTA nomination for Best Actress in a Leading Role [57] and a Golden Globe Award nomination. [58] Premiere magazine placed her performance 81st in their 2008 list of the 100 Greatest Performances of All Time. [59] Claudia Puig in a review for USA Today said of her performance "Winslet is wonderful as a free spirit whose hair color changes along with her moods. She hasn't had such a meaty role in a while, and she plays it just right". [60]

Ann Hornaday in a review for The Washington Post said "Even when forced to wear costumes and wigs that make her look like Pippi Longstocking after an acid-fueled trip to the thrift market, Winslet maintains a reassuring equilibrium. It takes an actor of her steadiness to play someone this unhinged." [61]

Carrey's performance as Joel also received multiple award nominations, including a BAFTA nomination for Best Actor in a Leading Role [57] and a Golden Globe Award nomination. [58] Many reviewers noted his casting against type. Jason Killingsworth in a review for Paste magazine said of his performance "Carrey nails the part, winning audience sympathy from the opening moments of the film". [62]

Moira MacDonald in a review for The Seattle Times stated "[Jim Carrey is] not bad at all — in fact, it's the most honest, vulnerable work he's ever done", [63] while David Edelstein of Slate said "It's rarely a compliment when I refer to an actor as "straitjacketed", but the straitjacketing of Jim Carrey is fiercely poignant. You see all that manic comic energy imprisoned in this ordinary man, with the anarchism peeking out and trying to find a way to express itself." [64] The supporting cast also received acclaim, with several reviews, such as Ann Hornaday of the Washington Post and Rick Groen of The Globe and Mail singling out Ruffalo's performance for praise. [61] [65]

Critics praised Kaufman and his ambition, and he won numerous awards, including an Academy Award and a BAFTA for Best Original Screenplay. [56] [66] In Slate, David Edelstein claimed Kaufman had "move[d] the boundary posts of romantic comedy," [64] and Moira MacDonald of The Seattle Times called Kaufman "one of the few creative screenwriters working today." [63] Kaufman's writing also was the recipient of criticism, with some, including from John Powers of the LA Weekly , claiming it lacked passion [67] and Andrew Sarris of Observer criticizing the film's "nonexistent character development." [68]

Gondry, like Kaufman, also received praise, with The Washington Post acclaiming "the results [of Gondry using primarily live-action effects], in their intricate detail and execution" as "nothing short of brilliant". [61] The Seattle Times in their review stated "Gondry ... makes it all a melancholy fun house, with camera work and visual tricks that rival the screenplay in invention". [63] Cinematographer Ellen Kuras received praise for her work on the film, such as in a Salon magazine, where, in an overall negative review, reviewer Stephanie Zacharek praised Kuras for her giving "the movie a look of dreamy urgency that's perfect for the story". [69]

Accolades

AwardAward categoryRecipientsResult
Academy Awards [56] Best Actress Kate Winslet Nominated
Best Original Screenplay Pierre Bismuth, Michel Gondry and Charlie Kaufman Won
British Academy Film Awards [57] [66] Best Film Steve Golin and Anthony BregmanNominated
Best Director Michel GondryNominated
Best Original Screenplay Charlie KaufmanWon
Best Actor in a Leading Role Jim Carrey Nominated
Best Actress in a Leading Role Kate WinsletNominated
Best Editing Valdís Óskarsdóttir Won
Golden Globe Awards [58] Best Motion Picture – Musical or Comedy Steve Golin and Anthony BregmanNominated
Best Screenplay Charlie KaufmanNominated
Best Actor – Motion Picture Musical or Comedy Jim CarreyNominated
Best Actress – Motion Picture Comedy or Musical Kate WinsletNominated
Hugo Awards [70] Best Dramatic Presentation Pierre Bismuth, Michel Gondry and Charlie KaufmanNominated
National Board of Review [71] Best Original Screenplay Charlie KaufmanWon
Writers Guild of America [72] Best Original Screenplay Pierre Bismuth, Michel Gondry and Charlie KaufmanWon

Home media

Universal Home Entertainment release Formats and Dates
FormatLocationRelease Date
VHS U.S.September 28, 2004 [73]
DVD U.S.September 28, 2004 [73]
HD DVD U.S.April 24, 2007 [74]
Blu-ray U.S.January 25, 2011 [75]

Eternal Sunshine of the Spotless Mind was released on VHS and DVD by Universal Studios on September 28, 2004, [76] [77] with the two-disc Collector's Edition being released on January 4, 2005. [78] It was later released on HD DVD on April 24, 2007, [79] and on Blu-ray on January 25, 2011. [80] [81] On July 26, 2022, Kino Lorber Studio Classics released Eternal Sunshine of the Spotless Mind on 4K Ultra HD Blu-Ray. [82] This release included a new color grading supervised by cinematographer Ellen Kuras. [83]

Legacy

Music

American singer-songwriter Halsey sampled dialogue from the film for her song "Ashley", the opening track on her 2020 album, Manic, [84] as well as the following track "Clementine" being titled after and lyrically inspired by Winslet's character. [85]

American rapper and record producer Jay Electronica sampled five different tracks of Jon Brion's film score for his 2007 debut mixtape Act1:EternalSunshine(ThePledge). [86]

American rapper and record producer Mac Miller sampled a track of Jon Brion's film score for his 2013 song "The Quest". [87]

American singer-songwriter Jhené Aiko said the film inspired the songs "Eternal Sunshine" and "Spotless Mind" on her 2014 debut album, SouledOut. [88]

South Korean singer-songwriter Taeyeon took inspiration from the film in the music video for her song "What Do I Call You", the title track on her 2020 EP with the same name. [89]

South Korean rapper and singer-songwriter B.I said that the film inspired his song "Tangerine", the fourth track on his 2022 release Love or Loved Part.1 . [90]

American singer-songwriter Ariana Grande named her 2024 concept album Eternal Sunshine after the film. Her music videos for the songs "Yes, And?" and "We Can't Be Friends (Wait for Your Love)", as the rest of the album, contain references to the movie. [91]

Video games

Kan Gao, founder of Freebird Games, said his video game To the Moon , which is about two doctors traversing through the memory of an old man to fulfill his last wish, was inspired by the film. [92]

Media recognition

YearPresenterTitleRankNotes
2005 Writers Guild of America 101 Greatest Screenplays24 [93] [94]
2008 Empire The 500 Greatest Movies of All Time 73 [95]
2009 Time Out New York The TONY Top 50 Movies of the Decade3 [96]
Slant Magazine The 100 Best Films of the Aughts86 [97]
Paste The 50 Best Movies of the Decade (2000-2009)5 [98]
The A.V. Club The Best Films of the '00s1 [99]
Metacritic Film Critics Pick the Best Movies of the Decade2 [100]
2016 BBC The 21st Century's 100 Greatest Films 6 [101]
2018 Empire The 100 Greatest Movies 41 [102]
They Shoot Pictures Don't TheyThe 21st Century's Most Acclaimed Films13 [103]
2022 Sight and Sound Directors’ 100 Greatest Films of All Time99 [104]

See also

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References

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