Ann Hornaday | |
---|---|
Alma mater | Smith College |
Occupation(s) | Film journalist, critic |
Employer | The Washington Post |
Title | Chief film critic |
Awards | Finalist, Pulitzer Prize for Criticism |
Ann Hornaday is an American film critic. She has been film critic at The Washington Post since 2002 and is the author of Talking Pictures: How to Watch Movies (2017). In 2008, she was a finalist for the Pulitzer Prize for Criticism.
Hornaday grew up in Des Moines, Iowa. [1] She attended Smith College, majoring in government; [1] she graduated in 1982. [2]
After graduating from college, Hornaday moved to New York to become a freelance writer, contributing to Premiere, Us and Ms. magazines; [1] at the latter, she also worked as a researcher and assistant to Gloria Steinem, [3] a role she held from 1983 to 1985. [4] Hornaday began contributing to the "Arts & Leisure" section of The New York Times , eventually going on to become film critic at the Austin American-Statesman in 1995. [5] In 1997 she moved to The Baltimore Sun , then to The Washington Post in 2002, following the retirement of the Post's previous critic Rita Kempley. [1] She has also written features for Working Woman and Self magazine. [6]
In 2008, Hornaday was a finalist for the Pulitzer Prize for Criticism, [7] with the prize committee citing "her perceptive movie reviews and essays, reflecting solid research and an easy, engaging style." [8]
In 2017, Hornaday published Talking Pictures: How to Watch Movies. [9] [10] [11] [12] The book, a 304-page text published with Basic Books, [13] draws on a series Hornaday began writing in 2009 for the Post, aimed at explaining the various specialized crafts in filmmaking – like sound, editing, cinematography – to a general audience. [3] Hornaday approached it as a journalistic project, interviewing people working in a variety of roles in film to ask them to describe what they do as well as "what they wished audiences appreciated more about their work". [3] In a review for The New York Times, Lisa Schwarzbaum described the book as "a pleasantly calm, eminently sensible, down-the-middle primer for the movie lover — amateur, professional or Twitter-centric orator — who would like to acquire and sharpen basic viewing skills." [7]
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