Wish You Were Here | |
---|---|
Directed by | David Leland |
Written by | David Leland |
Produced by | Sarah Radclyffe |
Starring | |
Cinematography | Ian Wilson |
Edited by | George Akers |
Music by | Stanley Myers |
Production companies | |
Distributed by | Palace Pictures [1] |
Release dates |
|
Running time | 92 minutes |
Country | United Kingdom |
Language | English |
Budget | £1.2 million [3] [4] |
Box office | $12 million [5] |
Wish You Were Here is a 1987 British comedy-drama film written and directed by David Leland and starring Emily Lloyd, Tom Bell, Geoffrey Hutchings, and Jesse Birdsall. [6] The film follows a girl's coming-of-age in a small coastal town in postwar England. It is loosely based on the formative years of British madam Cynthia Payne. [7] The original music score was composed by Stanley Myers. [6]
The film received acclaim from critics, winning the International Federation of Film Critics prize at the 1987 Cannes Film Festival, a BAFTA award for Best Screenplay for director Leland, and the Best Actress Award for Lloyd from the National Society of Film Critics.
In the early 1950s, sixteen-year-old Lynda Mansell lives in a small English seaside town with her widowed father Hubert and younger sister, Margaret. Feisty, outspoken, and bawdy, Lynda likes to shock other people with her histrionic behaviour (bicycling on the promenade with her skirt hiked up, inviting young men to compare her legs to Betty Grable's) and vulgar speech (her favourite insults are "Up yer bum" and "Cock Off") which alienate her from her peers and her sister. Her father finds her employment at a variety of places, including a ladies' hair salon, a bus depot, and a fish and chip van, but her behaviour always loses her the job. Hubert, with whom Lynda has an adversarial relationship, unsuccessfully tries to correct Lynda's behaviour by taking her to a psychiatrist. Flashbacks reveal Lynda was close with her late mother.
Lynda returns the affections of a couple of male suitors: Brian, a boy she encounters on the promenade, and Dave, a young bus conductor to whom she loses her virginity, but the relationships fail due to the boys' immaturity, and her father warning off Dave, unbeknownst to Lynda. Meanwhile, Eric, a bookie and one of Hubert's middle-aged friends, takes an interest in Lynda. She initially refuses Eric's predatory advances, but as her relationship with her father grows increasingly strained, Lynda begins sleeping with Eric. When Hubert finds out, he tells Lynda how ashamed he is of her, and how her mother would be too if she were alive.
Lynda leaves her home to live with Eric, but instead of the affection and genuine love she craves, she is greeted with his callous behaviour. He ignores her tearful plea for comfort, seemingly only interested in having sex. Lynda eventually leaves him and gets a job as a waitress at a tea room. Eric appears and bothers Lynda, claiming he has missed her, but he stops pestering her when she reveals she is pregnant. Lynda considers an illegal abortion, but realises she cannot afford one.
Having learnt of his estranged daughter's pregnancy, Hubert arrives at the tea room demanding to speak to Lynda. Lynda denounces her father after he calls her a slut. Their argument escalates into a public spectacle, with Lynda climbing onto a table and shouting about British respectability and hypocrisy, while insulting customers. Lynda is fired, but a few customers applaud her rant, including the elderly woman who plays the tea room piano.
Desperate and down-on-her-luck, Lynda meets with her Aunt Millie, who tries to persuade Lynda to get an abortion or give the baby up for adoption, as women who have children out of wedlock are looked down upon in society, and no man will want her. Aunt Millie tells Lynda the choice is hers, but leaves her money for a termination. Lynda returns to an abortion place that she previously visited, but hesitates at the doorstep and imagines an old man and a little girl watching her.
Several months later, Lynda returns home, alighting at the bus garage where she previously worked—with a newborn baby. She passes by her former haunts, including the promenade where she used to flash her legs at the boys. Onlookers on a bowling green, Eric among them, are shocked to see Lynda defiantly pushing her baby in a pram. The film ends with Lynda ringing the doorbell to Hubert's home and embracing her baby.
Director David Leland loosely based the film on Cynthia Payne's adolescence growing up on the Sussex coast. [8] Personal Services , a film about Payne's experiences as an adult woman, was also written by Leland and released prior to Wish You Were Here. [7] Wish You Were Here was filmed in the Sussex towns of Brighton, Worthing, and Bognor Regis [9] over a period of six weeks. [7]
The first day of filming was on Emily Lloyd's 16th birthday. [7]
Wish You Were Here has an overall approval rating of 85% on Rotten Tomatoes based on 33 reviews. [10] Roger Ebert gave the film 3½ stars out of four, describing it as "a comedy with an angry undertone, a story of a free-spirited girl who holds a grudge against a time when such girls were a threat to society, to the interlocking forces of sexism and convention that conspired to break their spirits". [8] Ebert praised Lloyd's performance as "one of the great debut roles for a young actress". [8] Janet Maslin of The New York Times wrote, "Lynda's wild outbursts - toward the end of the film, she insults her lover and denounces her father in the genteel tea room where she works as a waitress - are as entertaining as they are cathartic, and Miss Lloyd delivers these strings of epithets as colorfully as Mr. Leland writes them. Miss Lloyd [manages] to seem both feisty and fragile...capturing the full emotional range of this complicated young girl". [6]
Sheila Benson of the Los Angeles Times complimented the film's attention to period detail, as well as Leland's direction, citing "[he] has a reason, a purpose, a history for every character—and for every claustrophobic brick row-house or damp, echoing picture palace". [11] She said the film manages to be funny and dark without becoming maudlin, becoming "something more than the words on a souvenir post card...a cry from the heart". [11]
The film grossed $12 million worldwide, including £3 million at the UK box office and $3.3 million in the United States and Canada. [5] [4] [12]
Award | Category | Name | Result | Ref. |
---|---|---|---|---|
Evening Standard British Film Awards | Best Actress | Emily Lloyd | Won | [13] |
National Society of Film Critics Awards | Won | [14] | ||
1987 Cannes Film Festival | International Federation of Film Critics prize | Won | [15] | |
BAFTA Awards | Best Screenplay | David Leland | Won | [16] |
Best Actress | Emily Lloyd | Nominated | [17] |
Hope and Glory is a 1987 comedy-drama war film written, produced, and directed by John Boorman based on his own experiences growing up in London during World War II. It was distributed by Columbia Pictures. The title is derived from the traditional British patriotic song "Land of Hope and Glory". The film tells the story of the Rowan family and their experiences, as seen through the eyes of the son, Billy.
Star 80 is a 1983 American biographical drama film written and directed by Bob Fosse. It was adapted from the Pulitzer Prize-winning Village Voice article "Death of a Playmate" by Teresa Carpenter and is based on Canadian Playboy model Dorothy Stratten, who was murdered by her husband Paul Snider in 1980. The film's title is taken from one of Snider's vanity license plates. The film was Fosse's final film before his death in 1987.
Cousins is a 1989 American romantic comedy film directed by Joel Schumacher and starring Ted Danson, Isabella Rossellini, Sean Young, William Petersen, Keith Coogan, Lloyd Bridges and Norma Aleandro. The film is an American remake of the 1975 French comedy Cousin Cousine, directed by Jean-Charles Tacchella. It is set in Seattle, Washington, but shot in Vancouver, British Columbia, Canada.
Say Anything... is a 1989 American teen romantic comedy drama film written and directed by Cameron Crowe. The film follows the romance between Lloyd Dobler, an average student, and Diane Court, the class valedictorian, immediately after their graduation from high school.
Thoroughly Modern Millie is a 1967 American musical-romantic comedy film directed by George Roy Hill and starring Julie Andrews. The screenplay, by Richard Morris based on the 1956 British musical Chrysanthemum, follows a naïve young woman who finds herself in a series of madcap adventures when she sets her sights on marrying her wealthy boss. The film also stars Mary Tyler Moore, James Fox, John Gavin, Carol Channing, and Beatrice Lillie.
Gregory's Girl is a 1980 Scottish coming-of-age romantic comedy film written and directed by Bill Forsyth and starring John Gordon Sinclair, Dee Hepburn and Clare Grogan. The film is set in and around a state secondary school in the Abronhill district of Cumbernauld.
Emily Alice Lloyd-Pack, known as Emily Lloyd, is a British actress. At the age of 16, she starred in her debut and breakthrough role in the 1987 film Wish You Were Here, for which she received critical acclaim and Best Actress awards from the National Society of Film Critics and the Evening Standard British Film Awards. She subsequently relocated to Manhattan at 17, received numerous film offers, and starred in the 1989 films Cookie and In Country.
David Leland was a British film director, screenwriter and actor who came to international fame with his directorial debut Wish You Were Here in 1987.
Patricia Heywood was a Scottish character actress who appeared in stage productions, films and television. She was married to Oliver Neville, the former principal of the Royal Academy of Dramatic Art.
In Country is a 1989 American drama film produced and directed by Norman Jewison, starring Bruce Willis and Emily Lloyd. The screenplay by Frank Pierson and Cynthia Cidre was based on the novel by Bobbie Ann Mason. The original music score was composed by James Horner. Willis earned a best supporting actor Golden Globe nomination for his role.
Geoffrey Hutchings was an English stage, film and television actor.
3 Women is a 1977 American psychological drama film written, produced and directed by Robert Altman and starring Shelley Duvall, Sissy Spacek and Janice Rule. Set in a dusty California desert town, it depicts the increasingly bizarre relationship between an adult woman (Duvall), her teenage roommate and co-worker (Spacek) and a middle-aged pregnant woman (Rule).
Damage is a 1992 romantic psychological drama film directed and produced by Louis Malle and starring Jeremy Irons, Juliette Binoche, Miranda Richardson, Rupert Graves, and Ian Bannen. Adapted by David Hare from the 1991 novel Damage by Josephine Hart, the film is about a British politician (Irons) who has a sexual relationship with his son's fiancée and becomes increasingly obsessed with her. Richardson was nominated for an Academy Award for Best Supporting Actress and won a BAFTA Award for Best Actress in a Supporting Role for her performance as the aggrieved wife of the film's main character.
The Color Purple is a 1985 American epic coming-of-age period drama film that was directed by Steven Spielberg and written by Menno Meyjes. It is based on the Pulitzer Prize–winning 1982 novel of the same name by Alice Walker and was Spielberg's eighth film as a director, marking a turning point in his career as it was a departure from the summer blockbusters for which he had become known. It was also the first feature film directed by Spielberg for which John Williams did not compose the music, instead featuring a score by Quincy Jones, who also produced. The film stars Whoopi Goldberg in her breakthrough role, with Danny Glover, Oprah Winfrey, Margaret Avery, and Adolph Caesar.
Miss Potter is a 2006 biographical drama film directed by Chris Noonan. It is based on the life of children's author and illustrator Beatrix Potter, and combines stories from her own life with animated sequences featuring characters from her stories, such as Peter Rabbit. Scripted by Richard Maltby Jr., the director of the Tony Award-winning Broadway revue, Fosse, the film stars Renée Zellweger in the title role, Ewan McGregor as her publisher and fiancé, Norman Warne, and Lloyd Owen as solicitor William Heelis. Emily Watson stars as Warne's sister, Millie. Lucy Boynton also stars as the young Beatrix Potter and Justin McDonald appears as the young William Heelis. It was filmed in London, the Isle of Man, Scotland and the Lake District.
Mad Love is a 1995 American teen romantic drama film directed by Antonia Bird and starring Drew Barrymore and Chris O'Donnell. It was written by Paula Milne. The original music score is composed by Andy Roberts.
Chloe Leland is an Emmy and BAFTA award-winning British writer, Producer, Executive Producer and Creative Director.
Requiem for a Dream is the soundtrack album from the 2000 film Requiem for a Dream. It was composed by Clint Mansell and performed by the Kronos Quartet. The music for the film is noted for its minimalist qualities in which it uses constant harmonies, a steady pulse, and often variation of musical phrases to drive a point. The album is best known for the track "Lux Aeterna".
Requiem for a Dream is a 2000 American psychological drama film directed by Darren Aronofsky and starring Ellen Burstyn, Jared Leto, Jennifer Connelly, Christopher McDonald, and Marlon Wayans. It is based on the 1978 novel of the same name by Hubert Selby Jr., with whom Aronofsky wrote the screenplay. The film depicts four characters affected by drug addiction and how it alters their physical and emotional states. Their addictions cause them to become imprisoned in a world of delusion and desperation. As the film progresses, each character deteriorates, and their delusions are shattered by the harsh reality of their situations, resulting in catastrophe.
Millie Bobby Brown Bongiovi is a British actress and producer. She gained recognition for playing Eleven in the Netflix science fiction series Stranger Things (2016–present), for which she received nominations for two Primetime Emmy Awards. Brown has starred in the monster film Godzilla: King of the Monsters (2019) and its sequel Godzilla vs. Kong (2021). She also starred in and produced the Netflix films Enola Holmes (2020), its 2022 sequel, and Damsel (2024).