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Alan Sillitoe FRSL was an English writer and one of the so-called "angry young men" of the 1950s. He disliked the label, as did most of the other writers to whom it was applied. He is best known for his debut novel Saturday Night and Sunday Morning and his early short story "The Loneliness of the Long Distance Runner", both of which were adapted into films.
John James Osborne was an English playwright, screenwriter, actor, and entrepreneur. Born in London, he briefly worked as a journalist before starting out in theatre as a stage manager and actor. He lived in poverty for several years before his third produced play, Look Back in Anger (1956), brought him national fame.
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The Entertainer is a 1960 British kitchen sink drama film directed by Tony Richardson, produced by Harry Saltzman and adapted by John Osborne and Nigel Kneale from Osborne’s stage play of the same name. The film stars Laurence Olivier as Archie Rice, a failing third-rate music-hall stage performer who tries to keep his career going even as the music-hall tradition fades into history and his personal life falls apart. Olivier was nominated for an Oscar for Best Actor in a Leading Role.
Every Day Except Christmas is a 37-minute documentary film filmed in 1957 at the Covent Garden fruit, vegetable and flower market, which was at that point still in central London. It was directed by Lindsay Anderson and produced by Karel Reisz and Leon Clore under the sponsorship of Ford of Britain, the first of the company's "Look at Britain" series. It was filmed by Walter Lassally.
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Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers.
Saturday Night and Sunday Morning is a 1960 British kitchen sink drama film directed by Karel Reisz and produced by Tony Richardson. It is an adaptation of the 1958 novel of the same name by Alan Sillitoe, with Sillitoe himself writing the screenplay. The plot concerns a young teddy boy machinist, Arthur, who spends his weekends drinking and partying, all the while having an affair with a married woman.
A Taste of Honey is a 1961 British drama film directed by Tony Richardson and starring Rita Tushingham, Dora Bryan, Robert Stephens and Murray Melvin. It is an adaptation of the 1958 play of the same name by Shelagh Delaney. Delaney wrote the screenplay with Richardson, who directed the original Broadway production of the play in 1960. The film is an exemplar of a gritty genre of British film that has come to be called kitchen sink realism.
Look Back in Anger is a 1959 British kitchen sink drama film starring Richard Burton, Claire Bloom and Mary Ure and directed by Tony Richardson. The film is based on John Osborne's play about a love triangle involving an intelligent but disaffected working-class young man, his upper-middle-class, impassive wife (Alison) and her haughty best friend. Cliff, an amiable Welsh lodger, attempts to keep the peace. The character of Ma Tanner, only referred to in the play, is brought to life in the film by Edith Evans as a dramatic device to emphasise the class difference between Jimmy and Alison. The film and play are classic examples of the British cultural movement known as kitchen sink realism.
Desmond Stanley Tracey Davis was a British film and television director, best known for his 1981 version of Clash of the Titans.
Antony Gibbs was an English film and television editor with more than 40 feature film credits. He was a member of the American Cinema Editors (ACE).
Bryanston Films was a British film company formed by Michael Balcon and Maxwell Setton in mid-1959 following the collapse of Ealing Studios. Neither a production studio, nor a distributor, it released independent British films through British Lion Films In operation until 1963, it was intended to be an unofficial group of independent film producers.
References
- 1 2 3 Dowd, Vincent (April 2018). "Woodfall films: Bringing British stories to a new generation". BBC News Online . BBC. Retrieved 4 April 2018.
- ↑ Sheldon Hall "Richardson, Tony (1928-1991)", BFI Screenonline citing Reference Guide to British and Irish Film Directors
- ↑ "Facts: British Successes in the Academy Awards 1950-1979". Screenonline . British Film Institute . Retrieved 4 April 2018.
