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The Lollipop Generation | |
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Directed by | G. B. Jones |
Written by | G. B. Jones |
Produced by | G. B. Jones |
Starring | Jena von Brücker, Mark Ewert, Jane Danger, Vaginal Davis, Calvin Johnson, Jen Smith, Joel Gibb |
Cinematography | G. B. Jones |
Edited by | G. B. Jones |
Music by | The Hidden Cameras, Bunny and the Lakers, Anonymous Boy and the Abominations, Jane Danger, Swishin' Duds, Mariae Nascenti |
Distributed by | V Tape |
Release date |
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Running time | 70 minutes |
Country | Canada |
Language | English |
The Lollipop Generation is a 2008 Canadian underground experimental film written, produced, and directed by G. B. Jones, whose previous films include The Troublemakers and The Yo-Yo Gang . It premiered as the Gala Feature presentation of the Images Festival in Toronto on April 3, 2008. [1]
Starring Jena von Brücker, the film tells the story of Georgie, a teenager who is forced to run away from home after coming out to her parents, and the homeless queer youth and other people she meets on the streets.
G. B. Jones’ The Lollipop Generation is a film about runaway queer kids, a gang of lollipop-eating social misfits let loose on the streets of Toronto. They stumble into drugs, danger, and prostitution, and inhabit an underground culture infused with a pervasive yet innocent kind of sleaze. Seasoned with a bottom-up punk aesthetic and a good handful of homemade porn, the film presents an altogether refreshing critique of the stultifying norms of convention. [2]
The film was made over a period of 15 years, "one Super-8 reel at a time", [3] whenever the director could afford to buy another cartridge of film. In the end, the Toronto band Kids on TV organized a benefit so that G.B. Jones could finish it. [4]
When asked if the film belonged to the "queer experimental" genre, G. B. Jones replied, "No, no, no. I mean, I think some people don't really get what we're doing, so they try to stick a label on us, to try to define and limit us. Some people call it experimental film, some people call it documentary filmmaking, other people call it “New Queer Cinema.” But we're going beyond the borders they're trying to impose on us. It is an experiment." [5]
The film was shot on location across Canada and the United States, and features scenes at sites that have since been demolished, such as the Metro Theatre; Riverdale Hospital by architects Howard Chapman and Len Hurst; Adventure playground in Toronto; and Retail Slut in Los Angeles, California.
The Lollipop Generation was described by the Buenos Aires International Festival of Independent Cinema as, "...a trip through epileptic shots of documentary ugliness that go right to the origins and essence of sexually anarchic cinema...". [6] However, Peter Keough of The Boston Phoenix insists, "There's a fine line between the trash of early John Waters and just plain garbage. G.B. Jones, perhaps to her credit, ignores it completely." [7] Using Canadian pop culture reference points, Toronto's Eye Weekly called it, "Scrappy as hell, yet often charming, it's a lost Degrassi High episode remade as an amateur porn flick and sometimes as sweet as all that candy." [8]
Time Out described the film as serving "a diaristic function, documenting the people the director has met and the cities she travelled to, capturing an entire generation of underground performers." [3] The 23rd Annual London L & G Film Festival catalogue says, "Shot on Super 8 and video, The Lollipop Generation harnesses these tools of the traditional home movie and uses them to make a fucked up family film." [9]
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
The Hidden Cameras are a Canadian indie pop band. Fronted by singer-songwriter Joel Gibb, the band consists of a varying roster of musicians who play what Gibb once described as "gay church folk music". Their live performances have been elaborate, high-energy shows, featuring go-go dancers in balaclavas, a choir, and a string section.
Joel W. Gibb is a Berlin-based Canadian artist and singer-songwriter who leads the "gay church folk" group The Hidden Cameras. He was born in Kincardine, Ontario.
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Scott Treleaven is a Canadian artist whose work employs a variety of media including painting, collage, film, video, drawing, photography and installation.
J.D.s was a Canadian queer punk zine which started in 1985 and ran for eight issues until 1991. The zine was co-authored by G.B Jones and Bruce LaBruce and is credited as being one of the first and most influential queer zines. The zine's content was centred around anarchic queer-punk themes and heavily discussed queer-skewed punk music from the late 1980s.
Caroline Azar is a director and playwright. She was the lead singer, keyboardist and co-lyricist/composer of the band Fifth Column.
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Daniel "Deke" Frontino Elash is an American zine editor, musician, actor, activist and historian.
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A no-budget film is a film made with very little or no money. Actors and technicians are often employed in these films without remuneration. A no-budget film is typically made at the beginning of a filmmaker's career, with the intention of either exploring creative ideas, testing their filmmaking abilities, or for use as a professional "calling card" when seeking creative employment. No-budget films are commonly submitted to film festivals, the intention being to raise widespread interest in the film.
Rachel Carns is an American musician, composer, artist and performer living in Olympia, Washington, U.S. Raised in small-town Wisconsin, she went on to study painting and drawing at Cooper Union for the Advancement of Science and Art in New York City, where she completed her B.F.A. in 1991. Carns began her career as drummer for Kicking Giant, later collaborating with several bands, including The Need. She is a celebrated graphic designer, working under the name System Lux, and plays drums and percussion with experimental performance art group Cloud Eye Control.
Lucy Thane is a British documentary filmmaker, event producer and performer, living in Folkestone. Her films include It Changed My Life: Bikini Kill in the UK (1993) and She's Real (1997).
Marcus Ewert, previously known as Mark Ewert, is an American writer, actor and director, living in San Francisco.
The Images Festival is a yearly event devoted to independent and experimental film, video art, new media and media installation that takes place each spring in Toronto.
G. B. Jones is a Canadian artist, filmmaker, musician, and publisher of zines. She is best known for producing the queer punk zine J.D.s and her Tom Girls drawings.
The Metro Theatre was an adult movie theatre in Toronto, Ontario, Canada. Located at 677 Bloor Street, it was open ten hours a day throughout the entire week before its closure in 2013. Built in 1938, it is one of the several Art Deco theatres built in Toronto in the 1930s by architects Kaplan and Sprachman. Metro Theatre opened in 1939 as a neighbourhood theatre showing second run films and B movies and in 1976 started to show adult films. The theatre is stylized for the 1940s, one of its screening rooms had 286 seats and another 320, there is also a snack bar. The entrance contained signed photos of notable pornographic stars, including Ron Jeremy.
It is Not the Pornographer That is Perverse... is a 2018 English and German language collection of four gay pornographic short films directed by Bruce LaBruce for CockyBoys studio. The title refers to Rosa von Praunheim's film It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (1971).