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Categories | Music magazine |
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Frequency | Monthly |
Founder | Tim Yohannan |
First issue | August 1982 |
Final issue Number | May 2019 432 |
Country | United States |
Based in | Berkeley, California |
Language | English |
Website | maximumrocknroll |
ISSN | 0743-3530 |
OCLC | 10553172 |
Maximumrocknroll, often written as Maximum Rocknroll and usually abbreviated as MRR, is a not-for-profit monthly online zine of punk subculture and radio show of punk music. Based in San Francisco, MRR focuses on punk rock and hardcore music, and primarily features artist interviews and music reviews. Op/ed columns and news roundups are regular features as well, including submissions from international contributors. By 1990, it "had become the de facto bible of the scene". [1] MRR is considered to be one of the most important zines in punk, not only because of its wide-ranging coverage, but because it has been a consistent and influential presence in the ever-changing punk community for over three decades. From 1992 to 2011, it published a guide called Book Your Own Fuckin' Life. [2]
An announcement on the MRR website in January 2019 stated "It is with heavy hearts that we are announcing the end of Maximum Rocknroll as a monthly print fanzine. There will be three more issues of the fanzine in its current format; later in 2019 we will begin publishing record reviews online alongside our weekly radio show." [3] [4]
Maximumrocknroll originated as punk radio show on Berkeley's KPFA in 1977 but it is in its zine form that MRR exerted its greatest influence and became as close to an institution as punk ideology allows. It was founded by Tim Yohannan in 1982 as the newsprint booklet insert in Not So Quiet on the Western Front , a compilation LP released on the then-Dead Kennedys' label Alternative Tentacles. The compilation included forty-seven bands from Northern California and nearby areas.
The first issues focused on the local and regional music scenes, but the coverage soon expanded to the entire continent and, by issue five, cover stories included features on Brazilian and Dutch underground punk. In the '80s, MRR was one of the very few US fanzines that insisted on the international scope of the punk movement, and strove to cover scenes around the world. Today the zine has surpassed its 400th issue, and continues to include international content and a strong political bent. It also includes artist interviews, letters, commentary, guest columnists, and extensive sections for independent reviews of punk recordings, demos, books, films, videos, and other zines.
In 1987, MRR published a photo zine of hardcore bands, If Life Is a Bowl of Cherries, What Am I Doing in the Pit? [5] The first regular issue devoted entirely to photography was published in 2010. [6]
Along with the published (and later online) zine, MRR also produces a weekly radio show called MRR Radio which was played on multiple radio stations. The format of the show consists of at least one DJ playing punk rock songs for about an hour. [7]
The fact that MRR has become so large has not been without controversy: the zine has many critics on a number of issues. Editorial policy has sometimes been accused as narrow-minded or even elitist, causing some labels to boycott advertising in the zine or sending releases for review. The fact that punk is often considered as a movement opposed to authority and large institutions (see punk ideology) has also been an argument used to criticize the zine, which has sometimes been referred to as the "Bible of Punk".
Musicians have also spoken out against the magazine. Jello Biafra claimed the magazine's criticism of him inspired people to assault him at a 1994 performance at 924 Gilman Street, though his assailants were not known to be affiliated with MRR in any way. He also claimed that their narrow definition of punk music amounts to a new form of political correctness. According to Biafra, "If 'Holiday in Cambodia' were released today, it would be banned from Maximum Rock N'Roll for not sounding punk." [8] Jared Swilley, bassist in Atlanta punk band Black Lips, has criticized the magazine saying in an interview with Clash that it is the "most bullshit piece of fuck garbage poor excuse for a magazine ever. They’re like: ‘Oh, we want to keep everything ‘authentic’...’ And I’m like, fuck them! Don’t use a computer, don’t use a car, don’t drink Coca-Cola. Move to a field, grow your own food." [9]
Against Me's frontwoman, Laura Jane Grace, wrote in her autobiography that Maximumrocknroll had urged readers to sabotage their performances [10] and that she quoted the article in a court case over a fight before a gig in Tallahassee to demonstrate the hostility against her. [11]
Dead Kennedys are an American punk rock band that formed in San Francisco, California, in 1978. The band was one of the defining punk bands during its initial eight-year run.
A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
Eric Reed Boucher, known professionally as Jello Biafra, is an American singer, spoken word artist and political activist. He is the former lead singer and songwriter for the San Francisco punk rock band Dead Kennedys.
A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
A punk zine is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Lookout Records was an independent record label, initially based in Laytonville, California, and later in Berkeley, focusing on punk rock. Established in 1987, the label is best known for having released Operation Ivy’s only album, Energy, and Green Day's first two albums, 39/Smooth and Kerplunk.
The Alternative Music Foundation located at 924 Gilman Street, often referred to simply as "Gilman", is a non-profit, all-ages, collectively organized music club. It is located in the West Berkeley area of Berkeley, California.
Mommy's Little Monster is the debut studio album by American punk rock band Social Distortion, released in 1983 through the label 13th Floor Records. The album is notably different from the band's subsequent releases, featuring styles of traditional punk rock, both traditional hardcore and melodic hardcore, and pop-punk. This is Social Distortion's only studio album to feature bassist Brent Liles and drummer Derek O'Brien, both of whom were out of the band by early 1984 and would be replaced by John Maurer and Chris Reece respectively. The album received underground acclaim from punk rock fanzines, and it has been acknowledged as influential and inspirational to the then-burgeoning pop-punk and skate punk scenes.
Winston Smith is an American illustrator who primarily uses the medium of collage. He is probably best known for the artwork he has produced for the American punk rock group Dead Kennedys. He also designed the Motéma Music logo.
Tim Yohannan, also known as Tim Yo, was the founder of Maximum Rocknroll, a radio show and fanzine documenting punk subculture in San Francisco. He also helped in establishing a number of DIY collectives, such as 924 Gilman Street, Blacklist Mailorder, and the Epicenter Zone record store.
Searching for a Former Clarity is the third album by the Gainesville, Florida punk rock band Against Me!, produced by J. Robbins and released on September 6, 2005, by Fat Wreck Chords. Supported by singles and music videos for the songs "Don't Lose Touch" and "From Her Lips to God's Ears ", it was their first album to chart on the Billboard 200, reaching #114. It also reached #9 on Billboard's Top Independent Albums chart. Singer/guitarist Laura Jane Grace has described Searching for a Former Clarity as a concept album.
Tony Arena, also known by his pen name Anonymous Boy, is an openly queer artist, writer, and filmmaker. He is known for his comics, his involvement in the queercore movement, and other contributions to queer punk zines, his column in Maximum Rocknroll magazine, his public-access television program The Wild Record Collection, and animation such as his film Green Pubes.
Laura Jane Grace is an American musician best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. In addition to Against Me!, Grace fronts the band Laura Jane Grace & the Devouring Mothers, a solo project she started in 2016. Grace is notable for being one of the first highly visible punk rock musicians to publicly come out as transgender, which she did in May 2012. She released her debut solo studio album, Stay Alive, in 2020, followed by Hole in My Head in 2024.
Brisbane punk rock had its main impact between 1975 and 1984 as part of the overall punk rock scene in Australia. According to rock music historian, Ian McFarlane, the Queensland capital provided "some of the most anarchistic bands" of that era whilst it was "arguably the most conservative city" in the country. The development of the local punk movement differed from other cities because of its relative geographic isolation from other similar trends. The Brisbane scene also received a greater scrutiny by local police where early punk bands formed as "an obvious backlash to an oppressed society". This generated antagonistic and individualistic groups or "snot" driven punk bands.
Punk Globe is an American punk fanzine and online magazine. Started in 1977, it was one of the first punk zines to be published in San Francisco.
The Vampire Lovers, also styled as Vampyre Lovers or Vampire Lovers, were an Australian punk rock band formed in 1982 in Brisbane, Queensland. Original band members were Axle "Axe Babe" Conrad on vocals, Brendan Kibble on guitar, Shane Cooke on bass guitar, Matt "Nasty" Le Noury on guitar and Dave Chamberlain on drums. Other members included guitarist Jason Shepherd; and drummer, Ziggy Staten. Initially the group existed from 1982 to 1984 and then reformed in 1988 to disband finally in 1990. In 1983 their first single, "Buzzsaw Popstar", brought greater recognition from the Australia alternative rock fans. In 1991 they released a mini-LP, Acid Commandos from Planet Fuzz, a year after they had disbanded.
The Last White Christmas was a music festival held in Pisa, Italy on December 4, 1983. Several albums were released with recordings from the event. A 35th anniversary event was held in 2018.
Propaganda Records company and Propaganda label are an independent Finnish record company and a record label established in 1981. Since the beginning Helsinki-based Propaganda specialized in independent punk music and hardcore. The label dominated the Finnish hardcore punk and underground scene from the early 1980s until 1986. Releases were soon distributed in West Germany, Brazil and the United States. They soon began reissues in West Germany.
Tranny: Confessions of Punk Rock's Most Infamous Anarchist Sellout is an autobiography by Laura Jane Grace, co-written with Noisey editor Dan Ozzi and published by Hachette Books on November 15, 2016. Informed by extensive journal records, it covers Grace's childhood and early involvement in anarcho-punk, and her role as frontperson of Against Me! from the band's founding to her publicly coming out as a transgender woman in 2012.
Perkele are a Swedish rock band from Göteborg best known for their former Oi! sound. Following decades of activity and sold-out shows across major European cities and the US, some have dubbed Perkele one of Europe's biggest punk rock bands and an important part of the genre's evolution. Their sound has been described as punk with '70s/'80s heavy metal influences and elements of blues, jazz, and even classical music.