An adventure playground is a specific type of playground for children. Adventure playgrounds can take many forms, ranging from "natural playgrounds" to "junk playgrounds", and are typically defined by an ethos of unrestricted play, the presence of playworkers (or "wardens"), and the absence of adult-manufactured or rigid play-structures. [1] [note 1] Adventure playgrounds are frequently defined in contrast to playing fields, contemporary-design playgrounds made by adult architects, and traditional-equipment play areas containing adult-made rigid play-structures like swings, slides, seesaws, and climbing bars. [2]
Harry Shier, in Adventure Playgrounds: An Introduction (1984), defines an adventure playground this way:
An Adventure Playground is an area fenced off and set aside for children. Within its boundaries children can play freely, in their own way, in their own time. But what is special about an Adventure Playground is that here (and increasingly in contemporary urban society, only here) children can build and shape the environment according to their own creative vision. [3]
The first planned playground of this type, the Emdrup Junk Playground, opened in Emdrup, Denmark, in 1943. In 1948, an adventure playground opened in Camberwell, England. The term "junk playground" is a calque from the Danish term skrammellegeplads. Early examples of adventure playgrounds in the UK were known as "junk playgrounds", "waste material playgrounds", or "bomb-site adventure playgrounds". [4] [5] The term "adventure playground" was first adopted in the United Kingdom to describe waste material playgrounds "in an effort to make the ‘junk’ playground concept more palatable to local authorities". [6]
The architect Simon Nicholson numbered among the advantages of the adventure playground, "the relationship between experiment and play, community involvement, the catalytic value of play leaders, and indeed the whole concept of a free society in miniature.'" [7] Essential in this for Nicholson was the concept of 'loose parts': "In any environment, both the degree of inventiveness and creativity, and the possibility of discovery, are directly proportional to the number and kind of variables in it." [8] [9] In a playground context loose parts would include: [10]
The first junk playgrounds were based on the ideas of Carl Theodor Sørensen, a Danish landscape architect, who noticed that children preferred to play everywhere but in the playgrounds that he designed. In 1931, inspired by the sight of children playing in a construction site, he imagined "A junk playground in which children could create and shape, dream and imagine a reality". His aim was to provide children living in cities the same opportunities for play that were enjoyed by children living in rural areas. [11] The first adventure playground was set up by a Workers Cooperative Housing Association in Emdrup, Denmark, during the German occupation of the 1940s. The playground at Emdrup grew out of the spirit of resistance to Nazi occupation and parents' fears that "their children's play might be mistaken for acts of sabotage by soldiers". [12] Play advocates sometimes emphasize the importance of adventure playgrounds for children of color in the United States, where policing "can feel like a kind of occupation". [12]
Mischievousness and sneaking around were criminalized in Nazi occupied Copenhagen, Adventure Playgrounds were born as a response.
— Play:groundNYC,#playwork [13]
Marjory Allen, an English landscape architect and child welfare advocate, visited and subsequently wrote a widely-read article about the Emdrup Adventure playground titled Why Not Use Our Bomb Sites Like This? and published in the Picture Post in 1946. [14] Marjory Allen's article is often credited with the introduction into the UK of "the idea of transforming bomb sites into 'junk playgrounds', but historians of the Adventure playground movement have pointed to the role played by other experiments carried out by youth workers in the UK. For example, "Marie Paneth, an art therapist heavily influenced by Freud, independently developed the concept of permissive play as a tool for ameliorating childhood aggression in her work running a blitz-era play centre in London although not specifically incorporating the elements of a Junk/Adventure playground pointing to her role in the history of UK specific Playwork development." [15] [16]
To date, there are approximately 1,000 adventure playgrounds in Europe, most of them in England, Denmark, France, Germany, The Netherlands and Switzerland. Japan also has a significant number of adventure playgrounds. [17]
Australian Capital Territory :
Riverbend Park. Launceston, Tasmania. [54]
Denmark has several adventure playgrounds, now known as Byggelegeplads (Building-playground) and formerly as Skrammellegeplads (Junk-playground). [66] From the first site in Emdrup, the idea spread across the country and at the height of the popularity in the 1960s, there were about 100 adventure playgrounds in the country. [67] Present active adventure playgrounds in Denmark includes:
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Søren Carl Theodor Marius Sørensen was a Danish landscape architect who is considered to be one of the greatest landscape architects of the 20th century. A contemporary of Thomas Church, Geoffrey Jellicoe and Luis Barragán he was a leading figure in the first generation of Modernists in landscape design. He is best known for designing the first Adventure playground in Emdrup, Copenhagen.
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Lake Emdrup is a lake located on the border between Copenhagen and Gentofte municipalities in the Emdrup area of northern Copenhagen, Denmark. It is fed mainly with water from Utterslev Mose to the west and Gentofte Lake to the north and drains into St. Jørgen's Lake in central Copenhagen through a system of pipes. The small Emdrup Lake Park is situated at the southwestern corner of the lake. The lake and park were protected by the Conservation Authority in 1963.
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The Emdrup Junk Playground is an adventure playground located in Emdrup, a neighborhood in Copenhagen, Denmark.