This article needs additional citations for verification .(February 2021) |
Location | Buenos Aires, Argentina |
---|---|
Founded | 1999 |
Website | https://www.bafici.org/ |
The Buenos Aires International Festival of Independent Cinema (BAFICI, Spanish : Buenos Aires Festival Internacional de Cine Independiente) is an international festival of independent films organized each year in the city of Buenos Aires, Argentina. [1]
The festival had its first edition in April 1999 and it was organized by the Secretaryship of Culture of the Government of Buenos Aires City. The festival is held in the most important movie theatres of Buenos Aires, but also feature free open-air screenings in parks and squares all over the city.
In the first year the festival had 146 guests, among them Francis Ford Coppola, Todd Haynes, Paul Morrissey and others. That year the festival screened more than 150 national and international films and had approximately 120,000 spectators. Since then the festival has been growing, reaching an audience of 1.1 million spectators in the 2013 edition.[ citation needed ]
Nowadays the BAFICI feature more than 400 films, several activities were added over the years and many conferences and workshops are held every year. With a great number of spectators and guests, the festival is permanently added into the Buenos Aires list of cultural events.
The festival is managed by the Ministry of Culture of the City of Buenos Aires. [2]
The festival has several competitive sections of which the "International Competition" and the "Argentinian Competition" are the most important ones. Inside each competitive section a jury evaluates the films and select the winners of several awards, including: Best Film, Best Director, Best Actor, Best Actress and Special Mentions. In the BAFICI the audiences vote, the feature-length film with the highest ratings given by the audience receives the Audience Award.
Since the third edition of the festival, there have been awards given to short films, which include Best Short Subject Film and Best Director.
Year | Film | Original Title | Director | Country |
---|---|---|---|---|
1999 | After Life | Wandafuru Raifu | Hirokazu Koreeda | Japan |
2000 | Human Resources | Ressources humaines | Laurent Cantet | France |
2001 | Platform | Zhantai | Jia Zhangke | China |
2002 | Sailing Home | Tornando a casa | Vincenzo Marra | Italy |
2003 | Waiting for Happiness | Heremakono | Abderrahmane Sissako | Mauritania |
2004 | Pin Boy | Parapalos | Ana Poliak | Argentina |
2005 | The Sky Turns | El Cielo Gira | Mercedes Álvarez | Spain |
2006 | In the Pit | En el Hoyo | Juan Carlos Rulfo | Mexico |
2007 | In Between Days | 방황의 날들 | So Yong Kim | South Korea |
2008 | Intimidades de Shakespeare y Víctor Hugo | Yulene Olaizola | Mexico | |
2009 | Our Beloved Month of August | Aquele Querido Mês de Agosto | Miguel Gomes | Portugal |
2010 | Alamar | Pedro González-Rubio | Mexico | |
2011 | May they rest in revolt (Figures of wars) | Qu'ils reposent en révolte (Des figures de guerre) | Sylvain George | France |
2012 | Policeman | Ha-shoter | Nadav Lapid | Israel |
2013 | Berberian Sound Studio | Peter Strickland | United Kingdom | |
2014 | Fifi Howls from Happiness | Fifi az khoshhali zooze mikeshad | Mitra Farahani | Iran |
2015 | Court | Tribunal | Chaitanya Tamhane | India |
2016 | The Long Night of Francisco Sanctis | La Larga Noche de Francisco Sanctis | Francisco Márquez, Andrea Testa | Argentina |
2017 | Niñato | Adrián Orr | Spain | |
2018 | La Flor | Mariano Llinás | Argentina | |
2019 | The Unicorn | Isabelle Dupuis, Tim Geraghty | United States | |
2020 | Suspended due to COVID-19 pandemic | |||
2021 | Implosion | Implosión | Javier van de Couter | Argentina / Chile |
2022 | Clementina | Constanza Feldman, Agustín Mendilaharzu | Argentina | |
2023 | The New Greatness Case | Anna Shishova | Finland / Norway / Croatia | |
2024 | A Paixão Segundo G.H. | Luiz Fernando Carvalho | Brazil | |
El placer es mío | Sacha Amaral | Argentina |
Year | Winners |
---|---|
2019 | Best Film: The Unicorn, by Isabelle Dupuis and Tim Geraghty (United States) Best Director: Louis Garrel, for A Faithful Man (France) Best Actress: Ella Smith for Ray & Liz (United Kingdom) Best Actor: Keita Nimomiya, for We Are Little Zombies (Japan) Best Original Music: Mica Levi, for Monos (Film) (Colombia) Special Jury Award: Los tiburones, by Lucía Garibaldi (Uruguay) Best Argentinian Film: Fin de siglo, by Lucio Castro (Argentina) Best Argentinian Director: Eloísa Solaas, for Las facultades Argentinian Special Mention: Brief Story from the Green Planet, by Santiago Loza Best Latin-American Film: La fundición del tiempo, by Juan Álvarez Neme (Uruguay) Audience Award for Foreign Film: La asfixia, by Ana Isabel Bustamante (Guatemala) Audience Award for National Film: Método Livingston, by Sofía Mora (Argentina) |
2018 | Best Film: La Flor, by Mariano Llinás (Argentina) Best Director: Tiago Melo, for Azougue Nazaré (Brazil) Best Actress: Pilar Gamboa, Elisa Carricajo, Valeria Correa and Laura Paredes, for La Flor (Argentina) Best Actor: Anders Juul, for A Horrible Woman (Denmark) Special Jury Award: Violence Voyager, by Ujicha (Japan) Special Mention: A Tiger in Winter, by Lee Kwang-kuk (South Korea); As boas maneiras, by Juliana Rojas and Marco Dutra (Brazil) Best Argentinian Film: Las hijas del fuego, by Albertina Carri (Argentina) Best Latin-American Film: Averno, by Marcos Loayza (Bolivia) Audience Award for Foreign Film: Virus Tropical, by Santiago Ciacedo (Colombia) Audience Award for National Film: Foto Estudio Luisita, by Sol Miraglia and Hugo Manso (Argentina) |
2017 | Best Film: Niñato, by Adrián Orr (Spain) Best Director: Carla Simón, for Estiu 1993 (Spain) Best Individual Acting: Daniela Castillo, for Reinos (Chile) Best Cast: Hoy partido a las 3, by Clarisa Navas (Argentina) Special Jury Award: Viejo Calavera, by Kiro Russo (Bolivia) Special Mention: Arábia, by Affonso Uchoa and João Dumans (Brazil) Best Argentinian Film: La vendedora de fósforos, by Alejo Moguillansky (Argentina) Best Latin-American Film: A Cidade do Futuro, by Marília Hughes Guerreiro and Cláudio Marques (Brazil) Audience Award for Foreign Film: Estiu 1993, by Carla Simón (Spain) Audience Award for National Film: Las cinéphilas, by María Álvarez (Argentina) |
2016 | Best Film: La Larga Noche de Francisco Sanctis, by Francisco Márquez and Andrea Testa (Argentina) Best Director: Tamer El Said, for Akher ayam el madina (Egypt) Best Actor: Diego Velázquez, for La Larga Noche de Francisco Sanctis (Argentina) Best Actress: Liliana Trujillo, for Rosa Chumbe (Peru) Special Jury Award: La noche, by Edgardo Castro (Argentina) Special Mention: Rosa Chumbe, by Jonatan Relayze (Peru) Special Mention: John From, by João Nicolau (Portugal) Best Argentinian Film: Primero enero, by Darío Mascambroni (Argentina) Best Latin-American Film: Inmortal, by Homer Etminani (Colombia) Audience Award for Foreign Film: Not awarded Audience Award for National Film: Raídos, by Diego Marcone |
2015 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2014 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2013 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2012 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2011 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2010 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2009 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2008 | Best Film: Intimidades de Shakespeare y Víctor Hugo, by Yulene Olaizola (Mexico) Best Director: Lance Hammer, for Ballast (United States) Best Actor: Lee Kang-sheng, for Help Me Eros (Taiwan) Best Actress: Dan Liu, for Night Train (China) Special Jury Award: Night Train (China) Special Mention: Profit Motive and the Whispering Wind, by John Gianvito (United States) Best Argentinian Film: Unidad 25, by Alejo Hoijman (Argentina) |
2007 | Best Film: Best Director: Best Actor: Best Actress: Special Jury Award: Special Mention: Best Argentinian Film: Audience Award for Foreign Film: Audience Award for National Film: |
2006 | Best Film: En el hoyo, by Juan Carlos Rulfo (Mexico) Special Jury Award: Sehnsucht, by Valeska Grisebach (Germany) Best Argentinian Film: Glue, by Alexis Dos Santos (Argentina) |
2005 | Best Film: El Cielo Gira, by Mercedes Álvarez (Spain) Best Director: Ilya Khrzhanovsky, for 4 (Russia) Best Actor: Mohammed Bakri, for Private (Italy) Best Actress: Eva Löbau, for Der wald vor lauter Bäumen (Germany) Special jury Award: L'Esquive, by Abdellatif Kechiche (France) Special Mention: Frakchi, by Cheol-Mean Wang (South Korea) and Monobloc, by Luis Ortega (Argentina) Best Argentinian Film: Como un avión estrellado, by Ezequiel Acuña (Argentina) Audience Award for Foreign Film: El Cielo Gira by Mercedes Álvarez (Spain) Audience Award for National Film: Cándido López - Los campos de batalla, by José Luis García (Argentina) |
2004 | Best Film: Parapalos, by Ana Poliak (Argentina) Best Director: Royston Tan, for 15 (Singapore) Best Actor: Pietro Sibille, for Días de Santiago (Peru) Best Actress: Hwang Jeong-min, for Jigureul jikyeora! (South Korea) Special Jury Award: Las horas del día, by Jaime Rosales (Spain) Special Mention: Not awarded Audience Award for Foreign Film: The Story of the Weeping Camel, by Byambasuren Davaa and Luigi Falorni (Germany) Audience Award for National Film: Whisky Romeo Zulu, by Enrique Piñeyro (Argentina) |
2003 | Best Film: Heremakono, by Abderrahmane Sissako (Mauritania) Best Director: Apichatpong Weerasethakul, for Sud sanaeha (Thailand) Best Actor: Alejandro Ferretis, for Japón (Mexico) Best Actress: Séverine Caneele, for Une part du ciel (France/Belgium/Luxembourg) Special Jury Award: Ana y los otros, by Celina Murga (Argentina) Special Mention: Los rubios, by Albertina Carri (Argentina) Audience Award: Los rubios, by Albertina Carri (Argentina) |
2002 | Best Film: Tornando a casa, by Vincenzo Marra (Italy) Best Director: Michael Gilio, for Kwik Stop (United States) Best Actor: Lennie Burmeister, for Bungalow (Germany) Best Actress: Ronit Elkabetz, for Hatuna Meuheret (Israel/France) Special Jury Award: Tan de repente, by Diego Lerman (Argentina) Special Mention: Lavoura Arcaica, by Luiz Fernando Carvalho (Brazil) Audience Award: Tan de repente, by Diego Lerman (Argentina) and Lavoura Arcaica, by Luiz Fernando Carvalho (Brazil) |
2001 | Best Film: Zhantai, by Jia Zhangke (China) Best Director: Nuri Bilge Ceylan, for Mayis sikintisi (Turkey) Best Actor: Daniel Hendler, Jorge Temponi and Alfonso Tort for 25 watts (Uruguay) Best Actress: Yuko Nakamura, for Hotaru (Japan) Special Jury Award: The Mad Songs of Fernanda Hussein, by John Gianvito (United States) Special Mention: Takhté siah, by Samira Makhmalbaf (Iran) Audience Award: Jigsaw Venus] by Dean Kapsalis (United States) |
2000 | Best Film: Ressources humaines, by Laurent Cantet (France) Best Director: Noémie Lvovsky, for La vie ne me fait pas peur (France) Best Script: Sasa Gedeon, for Návrat idiota (Czech Republic) Best Actor: Ewen Bremner, for Julien Donkey-Boy (United States) Best Actress: Anna Geislerová and Tatiana Vilhelmová, for Návrat idiota (Czech Republic) Special Mention: Enrique Piñeyro (For his acting performance), for Esperando al Mesías (Spain/Italy/Argentina) Audience Award: Ressources humaines by Laurent Cantet (France) |
1999 | Best Film: After Life, by Koreeda Hirokazu (Japan) Best Director: Pablo Trapero, for Mundo Grúa (Argentina) Best Script: After Life, by Koreeda Hirokazu (Japan) Best Actor: Luis Margani, for Mundo Grúa (Argentina) Best Actress: Monic Hendrickx, for De poolse bruid (Netherlands) Audience Award: Sib, by Samira Makhmalbaf (Iran) |
Miguel Coyula Aquino is a Cuban filmmaker and writer. Working with a multi-disciplinary approach, his films usually take several years to complete. He has been described by critics as a virtuoso and an innovator. The multi-layered narratives of his films often deal with alienation, they contain graphic depictions of sexuality, and frontal criticism of society and politicians. The controversial nature of his work has resulted in the banning of his work in Cuba, although it has also suffered censorship in Argentina, Belarus, Morocco, and Beirut. The press usually refers to him as the enfant terrible of Cuban Cinema.
Alejandro Agresti is an Argentine film director, writer and producer. A prominent filmmaker in his country, he also directed The Lake House with Hollywood actors Sandra Bullock and Keanu Reeves in 2006.
The Mar del Plata International Film Festival is an international film festival that takes place every November in the city of Mar del Plata, Argentina. It is the only competitive feature festival recognized by the FIAPF in Latin America, and the oldest in this category in the Americas. The festival is organized by the National Institute of Cinema and Audiovisual Arts (INCAA).
Rodrigo Moreno is an Argentinian film director and screenplay writer.
Eduardo Montes-Bradley is a documentary filmmaker known for Evita, Rita Dove: An American Poet, and Harto The Borges. His most recent films are Black Fiddlers and Daniel Chester French: American Sculptor He’s currently working on The Italian Factor: The Piccirilli Story.
The Córdoba International Animation Festival – ANIMA is a competitive animated film and media festival that is held in the city of Córdoba, Argentina every year.
Marcelo Mosenson is the founder and executive director of the film production company Nomade Films.
Ricardo Becher (1930–2011) was an Argentine film director, screenwriter and journalist. He directed twelve films 1955 and 2006. His 1969 film Coup de Grâce was entered into the 19th Berlin International Film Festival.
The Fancine Fantastic Film Festival of the University of Málaga, is an annual film festival held by the University of Málaga in Málaga, Spain. It has been held since 1990 in the month of November. It focuses on the fantastic, science-fiction, and horror movie genres.
La Pivellina is a 2009 Austrian feature film debut directed by Tizza Covi and Rainer Frimmel. The film premiered at the 2009 Cannes Film Festival in the Directors' Fortnight, where it has been awarded the Europa Cinemas Label as Best European Film.
Betzy Bromberg is an American director, editor, and experimental filmmaker. She was the Director of the Program in Film and Video at California Institute of the Arts, and remains in the position of full time Faculty. Her work has been shown at the Rotterdam, London, Edinburgh, Sundance and Vancouver Film Festivals as well as the Museum of Modern Art, Museum of Fine Arts, Boston, the San Francisco Cinematheque, the Harvard Film Archive (Cambridge), Anthology Film Archives, the National Film Theater (London), The Vootrum Centrum (Belgium) and the Centre Georges Pompidou (France).
Buenos Aires Rojo Sangre (BARS) is an international film festival devoted to the genres of science fiction, horror and fantasy. It began in 2000 with a focus on independent films in those genres, and since 2004 in the form of a competitive festival, Buenos Aires Rojo Sangre is well attended with over 200 films shown and 12.000 public and industry admissions each year. BARS is declared of national interest by the National Institute of Cinema and Audiovisual Arts, sponsored by the Film Museum of the City of Buenos Aires and declared of cultural interest by the legislature of the autonomous city of Buenos Aires.
Last Days of the Victim is a 1982 Argentine crime thriller film directed by Adolfo Aristarain and starring Federico Luppi. It was written by Aristarain and José Pablo Feinmann, and based on Feinmann's classic novel of the same name. The film was selected as the Argentine entry for the Best Foreign Language Film at the 55th Academy Awards, but was not accepted as a nominee.
Beauties of the Night is a 2016 Mexican documentary film. It is the first production of the filmmaker María José Cuevas. The film shows a glimpse of the glory, sunset and resurgence of five of the main showgirls (vedettes) that triumphed in Mexico in the decades of the 1970s and 1980s.
Nobody Dies Here is a 2016 French documentary short film directed by Simon Panay. The film has been presented as World Premiere to the 20th Rhode Island International Film Festival where it won the First Jury Prize for Best Documentary.
Valeska Grisebach is a German film director. She was born in Bremen. She is considered part of the Berlin School of filmmaking.
Dhogs is an independent Galician film in the Galician language directed by Andrés Goteira, which was released in 2017. This was the director's debut film, and starred Carlos Blanco Vila, Antonio Durán "Morris", Miguel de Lira, Melania Cruz, Iván Marcos and María Costas. It premiered at the Buenos Aires International Festival of Independent Cinema (BAFICI) on April 19, 2017, and was nominated for the Best Feature Film in the Avant-Garde and Genre section. This is the first film shot in Galicia to premiere at the Sitges Film Festival, on October 9, 2017. In Galicia, the premiere took place at the Ourense International Film Festival on October 21, 2017.
The La Picasa International Film Festival is an international festival of independent films organized each year in the month of February, in the city of Cinco Saltos, Argentina.
Take a Spin in the Air is a 2020 Chilean surrealist fantasy comedy thriller film written and directed by Cristián Sánchez Garfias. Starring Rodrigo González Larrondo, Cristóbal Bascuñán, Diego Madrigal, Zacarías del Río, Ana María Zabala, Camila Leppe, José Ignacio Diez and Daniel Pérez. The film was named on the shortlist for Chilean's entry for the Academy Award for Best International Feature Film at the 94th Academy Awards, but it was not selected.
Ana García Blaya is an Argentine film director.