Parapalos | |
---|---|
Directed by | Ana Poliak |
Screenplay by | Ana Poliak Santiago Loza Adrián Suárez |
Produced by | Ana Poliak |
Starring | Adrián Suárez |
Cinematography | Alejandro Fernández Mouján Víctor González |
Edited by | Ana Poliak |
Music by | Fulanen de Talen |
Production company | Viada Producciones |
Distributed by | Cinemagroup |
Release dates |
|
Running time | 90 minutes |
Countries | Argentina Belgium |
Language | Spanish |
Parapalos (Pin Boy) is a 2004 Argentine and Belgian film, directed by Ana Poliak, and written by Poliak and Santiago Loza. [1]
The film tells of a Ringo (Adrian Suarez), a young man who moves from the city to the country, and moves in with his cousin Nancy (Nancy Torres). He takes a job as a Pin Boy at the local bowling alley.
Ringo has to go through to a rather physical and extensive training session, and is warned that the job is physically demanding and hazardous and he is given no health insurance.
But Ringo takes the job with enthusiasm and seems content doing the physical work. He listens to the folktales of his older, more experienced co-workers, particularly the well-traveled former hippie who calls himself Nippur.
Ringo comes home from work as Nancy goes out to her job, and they share breakfast before she leaves. They establish a good relationship that develops into a good friendship.
In an interview with a social justice journalist David Walsh at the Buenos Aires 6th International Festival of Independent Cinema, director and producer Ana Poliak discussed why she made the film. She said, "It was the first time that I had the feeling that we were not all equal.... I could see behind the back walls of the alley, where I saw kids my age, naked from the waist up, who were working very, very hard. I couldn't quite understand the situation.... During the match I would concentrate on the boys' feet and hands, and I felt that on the other side there was another world, parallel to mine, which I couldn't comprehend. I started from this idea to make the film," she added, "This is connected, in some way, to the differences in social classes that I discovered when I was little, and I guess that's why I'm so interested in this type of character. I can't find answers for these questions. I think that my social class doesn’t have that capacity, that light." [2]
Film critic Doug Cummings liked the film and wrote, "Poliak's DV camera maintains a steady gaze, intensifying the subtleties of the workers' conversations in their cramped and shadowy confines with tight compositions. The film's careful sound design emphasizes the ambient noises and shapes them to reflect Adri·n’s subjective experience. In many ways, the film’s formal claustrophobia is reminiscent of Lucrecia Martel's The Holy Girl , but Pin Boy is far less lush, emphasizing its austere and potentially dangerous environment with flat lighting and compelling, matter-of-fact realism." [3]
Wins
Whisky Romeo Zulu is a 2004 Argentine drama film directed by Enrique Piñeyro and written by Piñeyro and Emiliano Torres. Verónica Cura was the executive producer and Enrique Piñeyro was the producer.
Cinema of Argentina refers to the film industry based in Argentina. The Argentine cinema comprises the art of film and creative movies made within the nation of Argentina or by Argentine filmmakers abroad.
The Buenos Aires International Festival of Independent Cinema is an international festival of independent films organized each year in the month of April, in the city of Buenos Aires, Argentina.
Lucrecia Martel is an Argentine film director, screenwriter and producer whose feature films have frequented Cannes, Venice, Berlin, Toronto, and many other international film festivals. Film scholar Paul Julian Smith wrote in 2015 that she is "arguably the most critically acclaimed auteur in Spanish-language art cinema outside Latin America" and that her "transnational auteurism and demanding features have earned her a hard-won reputation in the world art cinema festival circuit". Similarly, film scholar Haden Guest has called her "one of the most prodigiously talented filmmakers in contemporary world cinema", and film scholar David Oubiña has called her body of work a "rare perfection". In April 2018, Vogue called her "one of the greatest directors in the world right now".
Mecha Ortiz was a classic Argentine actress who appeared in films between 1937 and 1981, during the Golden Age of Argentine Cinema. At the 1944 Argentine Film Critics Association Awards, Ortiz won the Silver Condor Award for Best Actress for her performance in Safo, historia de una pasión (1943), and won it again in 1946 for her performance in El canto del cisne (1945). She was known as the Argentine Greta Garbo and for playing mysterious characters, who suffered by past misfortunes in love, mental disorders, or forbidden love. Safo, historia de una pasión was the first erotic Argentine film, though there was no nudity. She also played in the first film in which a woman struck a man and the first film with a lesbian romance. In 1981, she was awarded the Grand Prize for actresses from the National Endowment for the Arts.
Waiting for the Messiah is a 2000 Argentine, Spanish, and Italian comedy drama film directed by Daniel Burman. The film features Daniel Hendler, Enrique Piñeyro, Héctor Alterio, Melina Petriella, Stefania Sandrelli, Imanol Arias and Dolores Fonzi, among others.
A Lucky Day is a 2002 Argentine-Italian drama film directed by Sandra Gugliotta, in her feature film debut, and written by Gugliotta and Marcelo Schapces. In Argentina it's also known as Lo que buscas es amor. The executive producer was Marcelo Schapces, and it was produced by Sandra Gugliotta and Fernando Merinero. It stars Valentina Bassi as Elsa.
18-j is a 2004 Argentine docudrama film. The motion picture is a collection of ten, ten-minute shorts, by ten Argentine directors. The film focuses on the July 18, 1994, bombing of the AMIA Building in Buenos Aires, where 86 people were killed and 300 others wounded. The perpetrators were never caught. AMIA is the Argentine Israelite Mutual Association, a charity, and the attack is considered the largest single incident of terrorism against Jews since World War II.
Women Who Work is a 1938 Argentine comedy film drama directed by Manuel Romero. The film premiered in Buenos Aires and starred Tito Lusiardo.
Crane World is a 1999 Argentine film, written and directed by Pablo Trapero. The film was produced by Lita Stantic and Pablo Trapero. It features Luis Margani, Adriana Aizemberg, Daniel Valenzuela, among others.
25 Watts is a 2001 Uruguayan urban comedy drama film directed and written by Juan Pablo Rebella and Pablo Stoll. The independent film picture stars Daniel Hendler, Jorge Temponi, and Alfonso Tort. The film received a total of ten awards and three additional nominations, including Best Feature Film Award at the Rotterdam International Film Festival, Best First Feature Film Award at the Havana Film Festival, and others.
The Hand in the Trap is a 1961 Argentine film directed by Leopoldo Torre Nilsson and starring Francisco Rabal, Elsa Daniel and Leonardo Favio. It was entered into the 1961 Cannes Film Festival, where it won the FIPRESCI Prize.
Martín Rejtman is an Argentine writer and film director. He is considered to be a key figure in the New Argentine Cinema, making films such as Silvia Prieto and The Magic Gloves. His documentary Riders won the Eurimages Co-Production Development Award at the San Sebastián International Film Festival in 2020.
The Blonds is a 2003 Argentine and American documentary/drama film, directed by Albertina Carri, and written by Carri and Alan Pauls.
Ana Sacerdote was an Italian-born Argentine abstract artist who lived in Buenos Aires.
Maren Ade is a German film director, screenwriter and producer. Ade lives in Berlin, teaching screenwriting at the Film Academy Baden-Württemberg in Ludwigsburg. Together with Janine Jackowski and Jonas Dornbach, she runs the production company Komplizen Film. She is best known for her film Toni Erdmann, which was nominated for an Academy Award.
Celina Murga is an Argentinian filmmaker, screenwriter, and producer. Celina's prevalence within the cinematic industry benefited heavily from her second directorial project Ana and the Others (2003), the film was so well received, it even compelled a certain iconic filmmaker into action. After a screening of Murga's film, American film director Martin Scorsese extended an offer to Murga for her to join him on the set of his current motion picture at the time Shutter Island (2010). However, the invitation for a burgeoning filmmaker to become an assistant within his production is not unprecedented, screenwriter Amy Holden Jones was the first to gain this type of access in 1976, on the set of Martin Scorsese's Taxi Driver.
Aurelia Del Carmen Guarini is an Argentine anthropologist, teacher, film director, and film producer specializing in anthropological documentary films. She teaches visual anthropology and directs documentaries in Argentina and in Cuba. She serves on the documentary projects' evaluation committee at the National Institute of Cinema and Audiovisual Arts and participates in Cine Ojo projects.
José Luis Torres Leiva is a film director, editor, and screenwriter. José Luis Torres Leiva won the FIPRESCI Prize in Rotterdam with his first feature, El cielo, la tierra y la lluvia (2008). The second, Verano (2011), premiered in the Orizzonti section in Venice. El viento sabe que vuelvo a casa participated in San Sebastian's Zabaltegi section in 2016, returning to the same section in 2017 with the short El sueño de Ana. He is currently preparing the feature Vendrá la muerte y tendrá tus ojos.
Operación Masacre is a 1973 historical drama film co-written and directed by Jorge Cedrón and based on the nonfiction book of the same name by Rodolfo Walsh, who also wrote the script. It stars Norma Aleandro, Víctor Laplace, Ana María Picchio, Walter Vidarte and Julio Troxler. It was filmed clandestinely during the self-styled "Argentine Revolution" dictatorship (1966–1973), and finally released on September 27, 1973.