Beyond Therapy | |
---|---|
Directed by | Robert Altman |
Screenplay by | Robert Altman |
Based on | Beyond Therapy by Christopher Durang |
Produced by | Steven Haft |
Starring | |
Cinematography | Pierre Mignot |
Edited by | Jennifer Augé |
Music by | Gabriel Yared George Gershwin |
Production company | Sandcastle 5 Productions |
Distributed by | New World Pictures |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Budget | $3.5 million [1] |
Box office | $790,000 |
Beyond Therapy is a 1987 American comedy film written and directed by Robert Altman, based on the 1981 play of the same name by Christopher Durang. It stars Julie Hagerty, Jeff Goldblum, Glenda Jackson, Tom Conti, and Christopher Guest.
Two Manhattanites, Prudence and Bruce, are seeking stable romantic relationships with the help of their respective psychiatrists, lecherous Stuart and scatterbrained Charlotte, each of whom suggests the patient place a personal ad. Their first meeting proves to be a disaster, but when they reunite sparks begin to fly. Complications ensue when bisexual Bruce's jealous live-in lover Bob decides to assert himself and do everything possible to maintain his status quo.
According to Durang, both he and Altman wrote separate screenplays. Ultimately, Durang's script was rewritten substantially by Altman, and Durang later described the project as "a very unhappy experience and outcome." [2]
Despite its New York City setting, the film was made in Paris where director Robert Altman was living at the time.
Gene Siskel and Roger Ebert gave the film "two thumbs down" on their TV program. [3] Ebert, in his print review, gave it one star out of four and called it a film "killed by terminal whimsy. It's a movie in which every scene must have seemed like a lot of fun at the time, but, when they're edited together, there's no pattern to the movie, nothing to build toward, no reason for us to care. It's all behavior." [4] Vincent Canby of The New York Times wrote that the film lacked "the kind of inexorable logic that is the fuel of any farce and makes its loony characters so funny...The performances are good, but the film has been assembled without an overriding sense of humor and style. It remains in bits and pieces." [5] Frank Rizzo of Variety called it "a mediocre film version of Christopher Durang's mediocre play. The difference is that this comedy somehow won a good measure of popular success onstage, whereas the screen version is headed nowhere." [6] Dave Kehr of the Chicago Tribune gave the film one star out of four and wrote, "When Altman goes wrong, he usually goes spectacularly wrong—as in 'Quintet' and 'Health'—but this time he has just gone glumly, crushingly wrong. 'Beyond Therapy' never builds up any genuine energy, direction or swing: It just huffs and puffs and eventually hyperventilates." [7] Sheila Benson of the Los Angeles Times was positive, praising "three great comic performances" from "the juiciest cast imaginable." [8] Tom Milne of The Monthly Film Bulletin wrote, "Beyond Therapy is a scattershot film, even more so than usual with Altman, offering a firework display of one-liners and their visual equivalents, some brilliantly funny, some less successful." [9]
On Rotten Tomatoes, the film has an approval rating of 17%, based on reviews from 12 critics. [10]
Christopher Ferdinand Durang was an American playwright known for works of outrageous and often absurd comedy. His work was especially popular in the 1980s, though his career seemed to get a second wind in the late 1990s.
The Player is a 1992 American satirical black comedy mystery film directed by Robert Altman and written by Michael Tolkin, based on his 1988 novel. The film stars Tim Robbins, Greta Scacchi, Fred Ward, Whoopi Goldberg, Peter Gallagher, Brion James and Cynthia Stevenson, and is the story of a Hollywood film studio executive who kills an aspiring screenwriter he believes is sending him death threats.
Eugene Kal Siskel was an American film critic and journalist for the Chicago Tribune who co-hosted movie review television series alongside colleague Roger Ebert.
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Beyond Therapy is a 1981 American play written by Christopher Durang.
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Harry and the Hendersons is a 1987 American fantasy comedy film directed and produced by William Dear and starring John Lithgow, Melinda Dillon, Don Ameche, David Suchet, Margaret Langrick, Joshua Rudoy, Lainie Kazan, and Kevin Peter Hall. Steven Spielberg served as its uncredited executive producer, while Rick Baker provided the makeup and the creature designs for Harry. The film tells the story of a Seattle family's encounter with the cryptozoological creature Bigfoot, partially inspired by the numerous claims of sightings in the Pacific Northwest, California, and other parts of both the United States and Canada over three centuries. In conjunction with the film's setting, shooting took place at several locations in the Cascade Range of Washington state near Interstate 90 and the town of Index near US 2, as well as Seattle's Wallingford, Ballard and Beacon Hill neighborhoods and other locations in or around Seattle.
Secret Honor is a 1984 American historical drama film directed by Robert Altman, written by Donald Freed and Arnold M. Stone, and starring Philip Baker Hall. It is based on the play, and follows Richard Nixon as a fictional account attempting to gain insight. It was filmed at the University of Michigan, in the Martha Cook Building's sitting room.
California Split is a 1974 American comedy-drama film directed by Robert Altman and starring Elliott Gould and George Segal as a pair of gamblers. It was the first non-Cinerama film to use eight-track stereo sound.
Thieves Like Us is a 1974 American crime film, set in the United States of the 1930s. It was directed by Robert Altman and starred Keith Carradine and Shelley Duvall. The film was based on the novel of the same name by Edward Anderson, which also supplied source material for the 1948 film They Live by Night, directed by Nicholas Ray. The Altman film sticks much closer to the book. The supporting cast includes Louise Fletcher and Tom Skerritt.
A Perfect Couple is a 1979 romantic-comedy film co-written and directed by Robert Altman and starring Paul Dooley, Marta Heflin, Titos Vandis, and Belita Moreno.
Fool for Love is a 1985 American psychological drama film directed by Robert Altman, and starring Sam Shepard, Kim Basinger, Harry Dean Stanton, Randy Quaid, and Martha Crawford. It follows a woman awaiting the arrival of her boyfriend in a derelict motel in the Mojave Desert, where she is confronted by a previous lover who threatens to undermine her efforts. It is based on the 1983 stage play of the same name written by Shepard, who also adapted the screenplay.
That Championship Season is a 1982 American sports drama film based on the 1972 play of the same name. It stars Robert Mitchum, Martin Sheen, Bruce Dern, Stacy Keach and Paul Sorvino, the only cast member to have previously appeared in the play.
Pennies from Heaven is a 1981 American musical romantic drama film directed by Herbert Ross, based on the 1978 BBC television drama of the same name. Dennis Potter adapted his screenplay from the BBC series for American audiences, changing its setting from London and the Forest of Dean to Depression-era Chicago and rural Illinois.
H.G. Wells' The Food of the Gods, also billed as just The Food of the Gods, is a 1976 American-Canadian science fiction thriller film released by American International Pictures and was written, produced and directed by Bert I. Gordon. Starring Marjoe Gortner, Pamela Franklin, Ralph Meeker, Jon Cypher, and Ida Lupino, the film was loosely based on a portion of the 1904 H. G. Wells novel The Food of the Gods and How It Came to Earth. The film reduced Wells' tale to a "nature revenge" plot, common in science fiction films of the time.
Someone to Watch Over Me is a 1987 American neo-noir romantic thriller film directed by Ridley Scott and written by Howard Franklin. It stars Tom Berenger as a police detective who has to protect a wealthy woman, who is a key witness in a murder trial. The film's soundtrack includes the George and Ira Gershwin song from which the film takes its title, recorded by Sting, and Vangelis' "Memories of Green", originally from Scott's Blade Runner (1982).
Streamers is a 1983 American war drama film directed and produced by Robert Altman, adapted by David Rabe from his play of the same name. It stars an ensemble cast, featuring David Alan Grier, Mitchell Lichtenstein, Matthew Modine, Michael Wright, George Dzundza, and Guy Boyd.
Mr. Ricco is a 1975 crime drama film directed by Paul Bogart and starring Dean Martin in his last leading film role, along with Eugene Roche, Denise Nicholas and Cindy Williams.