Aria (1987 film)

Last updated

Aria
Ariaposter1987.jpg
Theatrical release poster
Directed by
Written by
Produced byDon Boyd
Starring
Cinematography Gabriel Beristain
Caroline Champetier
Frederick Elmes
Christopher Hughes
Harvey Harrison
Pierre Mignot
Mike Southon
Dante Spinotti
Oliver Stapleton
Gale Tattersall
Edited byNeil Abrahamson
Robert Altman
Jennifer Augé
Marie-Thérèse Boiché
Michael Bradsell
Peter Cartwright
Angus Cook
Mike Cragg
Stephen P. Dunn
Rick Elgood
Tony Lawson
Matthew Longfellow
Paul Naisbitt
Music by
Production
companies
Distributed by Miramax Films
Release date
  • 15 September 1987 (1987-09-15)
Running time
90 minutes
CountryUnited Kingdom
LanguagesItalian
German
French
Box office$1,028,679

Aria is a 1987 British anthology film produced by Don Boyd that consists of ten short films by ten different directors, each showing the director's choice of visual accompaniment to one or more operatic arias. There is little or no dialogue from the actors, with most words coming from the libretto of the operas in Italian, French, or German.

Contents

The film was entered into the 1987 Cannes Film Festival. [1]

Summary

The opening credits are set to the prelude to Giuseppe Verdi's La traviata .

Un ballo in maschera

A fictionalised account of the visit by King Zog I of Albania to Vienna in 1931, to see a lover, when opponents tried to assassinate him on the steps of the opera house (in fact after leaving a performance of Pagliacci ) but by shooting back he survived.

"La vergine degli angeli" from La forza del destino

Three children in London, devoted to a statue of the Virgin Mary, steal and set fire to a luxury car, which they later watch on the TV news.

Armide

In a gym, two young women working as cleaners are entranced by the muscles of the male bodybuilders, who maintain their concentration even when the women strip.

Rigoletto

A bedroom farce set in the Madonna Inn at San Luis Obispo, in which a movie producer cheats on his wife with a pneumatic German starlet while unaware that his spouse is also there in the inn with a clandestine hunk of her own. The finale is a dance routine to La donna è mobile sung by an Elvis impersonator.

"Glück, das mir verblieb" from Die tote Stadt

In the seemingly dead city of Bruges in winter, footage of empty buildings in deserted streets is intercut with a duet of two lovers in an ornate bed chamber.

Abaris ou les Boréades

In the Théâtre Le Ranelagh in Paris in 1734, a preview of the opera is given to an audience of inmates from a mental asylum.

"Liebestod" from Tristan und Isolde

Two young lovers drive down Fremont Street in Las Vegas at night and in a cheap hotel, after making love, slash their wrists in the bath.

"Nessun dorma" from Turandot

Unconscious after a car crash, a lovely young girl imagines her body is being adorned with diamonds and rubies in a tribal ritual, when in fact it is the preparations for surgery. After nearly dying on the operating table, she regains consciousness.

"Depuis le jour" from Louise

A veteran opera singer gives her final performance, intercut by home movies of her on holiday when young and in love.

"Vesti la giubba" from Pagliacci

In an ornate opera house, empty except for a possibly imaginary young woman, an aging virtuoso mimes his aria to an old cylinder recording and dies.

The closing credits, after replaying a small excerpt of each of the ten operas, are again set to the overture to Giuseppe Verdi's La traviata , thus closing the cycle.

Reception

The film was nominated for the Palme d'Or at the Cannes Film Festival, won that year by Sous le soleil de Satan .

The American writer Leonard Maltin did not seem to appreciate the work: "Godawful collection of short films, each one supposedly inspired by an operatic aria. Precious few make sense, or even seem to match the music; some are downright embarrassing. Roddam's bittersweet Las Vegas fable (set to Tristan und Isolde), Beresford's sweet and simple rendering of Erich Wolfgang Korngold's Die tote Stadt are among the better segments—relatively speaking. A pitiful waste of talent."

Giving it three stars, Roger Ebert wrote: "I am not sure that any indispensable statement about opera has been made here, and purists will no doubt recoil at the irreverence of some of the images. But the film is fun almost as a satire of itself, as a project in which the tension between the directors and their material allows them to poke a little fun at their own styles and obsessions. You could almost call Aria the first MTV version of opera." [2]

Related Research Articles

<span class="mw-page-title-main">Giuseppe Verdi</span> Italian opera composer (1813–1901)

Giuseppe Fortunino Francesco Verdi was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him.

<span class="mw-page-title-main">Opera</span> Art form combining sung text and musical score in a theatrical setting

Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another.

<i>Falstaff</i> (opera) 1893 opera by Giuseppe Verdi

Falstaff is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2, by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan.

<i>Don Carlos</i> Opera by Giuseppe Verdi

Don Carlos is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play Don Karlos, Infant von Spanien by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and auto-da-fé were the most substantial, were borrowed from Eugène Cormon's 1846 play Philippe II, Roi d'Espagne. The opera is most often performed in Italian translation, usually under the title Don Carlo.

<span class="mw-page-title-main">Jean-Luc Godard</span> French and Swiss film director (1930–2022)

Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).

<i>Un ballo in maschera</i> 1859 opera by Giuseppe Verdi

Un ballo in maschera is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, Gustave III, ou Le bal masqué.

The 6th Annual Grammy Awards were held on May 12, 1964, at Chicago, Los Angeles and New York. They recognized accomplishments by musicians for the year 1963. Henry Mancini won 4 awards.

<i>Armide</i> (Lully) Opera by Jean-Baptiste Lully

Armide is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem La Gerusalemme liberata. The work is in the form of a tragédie en musique, a genre invented by Lully and Quinault.

<span class="mw-page-title-main">Leontyne Price</span> American soprano (born 1927)

Mary Violet Leontyne Price is an American spinto soprano who was the first African American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera, where she was the first African American to be a leading performer. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Verdi's Aida.

<span class="mw-page-title-main">Anna Moffo</span> American opera singer, television personality, and actress (1932–2006)

Anna Moffo was an American opera singer, television personality, and actress. One of the leading lyric-coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima".

<span class="mw-page-title-main">Leonie Rysanek</span> Austrian dramatic soprano (1926–1998)

Leopoldine Rysanek was an Austrian dramatic soprano.

<i>Oberto</i> (opera)

Oberto, Conte di San Bonifacio is an opera in two acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an existing libretto by Antonio Piazza probably called Rocester.

<span class="mw-page-title-main">René Kollo</span> German tenor

René Kollo is a German operatic tenor, especially known for his Wagnerian Heldentenor roles. He also performed a wide variety of operas and operettas, and made several recordings.

Giorgio Tozzi was an American operatic bass and actor. He was associated with the Metropolitan Opera for many years and sang principal bass roles in nearly every major opera house worldwide.

<span class="mw-page-title-main">Luc Bondy</span> Swiss theatre and film director (1948–2015)

Luc Bondy was a Swiss theatre and film director.

<i>Aida</i> (1953 film) 1953 film by Clemente Fracassi

Aida is a 1953 Italian film version of the opera Aida by Giuseppe Verdi. It was directed by Clemente Fracassi and produced by Gregor Rabinovitch and Federico Teti. The screenplay was adapted by Fracassi, Carlo Castelli, Anna Gobbi, and Giorgio Salviucci from the libretto by Antonio Ghislanzoni. The cinematography was by Piero Portalupi, the production design by Flavio Mogherini and the costume design by Maria De Matteis. The RAI National Symphony Orchestra was conducted by Giuseppe Morelli, the ballet was choreographed by Margherita Wallmann.

<i>Quattro pezzi sacri</i> Set of choral compositions by Giuseppe Verdi

The Quattro pezzi sacri are choral works by Giuseppe Verdi. Written separately during the last decades of the composer's life and with different origins and purposes, they were nevertheless published together in 1898 by Casa Ricordi. They are often performed as a cycle, not in chronological sequence of their composition, but in the sequence used in the Ricordi publication:

Richard Mohr was one of RCA Victor’s most prominent producers of classical and operatic music recordings from 1943 through 1977. His producing credits included recording the casts of the world premieres of Samuel Barber's Vanessa and Gian Carlo Menotti's Amahl and the Night Visitors, as well as the first LP recordings of Ernani,Luisa Miller and Lucrezia Borgia and three versions each of Rigoletto,Aida,La Traviata and Il Trovatore.

Letter in Motion to Gilles Jacob and Thierry Frémaux is a 2014 short film directed by Jean-Luc Godard.

<i>The Metropolitan Opera Centennial Gala</i> Televised concert celebrating the Metropolitan Operas one hundred year anniversary

The Metropolitan Opera Centennial Gala was a televised concert, lasting more than eight hours, that New York City's Metropolitan Opera staged on 22 October 1983 to commemorate the hundredth anniversary of its first performance. A 230-minute selection of excerpts from the concert was first released in 1985 on a pair of Pioneer Artists Laserdiscs, subsequently appearing on a pair of Bel Canto Paramount Home Video VHS videocassettes in 1989 and on a Pioneer Classics DVD in 1998. A remastered double DVD of the film was issued by Deutsche Grammophon in 2009.

References

  1. "Festival de Cannes: Aria". festival-cannes.com. Retrieved 19 July 2009.
  2. "Aria movie review & film summary (1988) | Roger Ebert".