In filmmaking and video production, a crane shot is a shot taken by a camera on a moving crane or jib. Filmmaker D. W. Griffith created the first crane for his 1916 epic film Intolerance, with famed special effects pioneer Eiji Tsuburaya later constructing the first iron camera crane which is still adapted worldwide today. Most cranes accommodate both the camera and an operator, but some can be moved by remote control. Crane shots are often found in what are supposed to be emotional or suspenseful scenes. One example of this technique is the shots taken by remote cranes in the car-chase sequence of the 1985 film To Live and Die in L.A. Some filmmakers place the camera on a boom arm simply to make it easier to move around between ordinary set-ups.
Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
A jump cut is a cut in film editing that breaks a single continuous sequential shot of a subject into two parts, with a piece of footage removed to create the effect of jumping forward in time. Camera positioning on the subject across the sequence should vary only slightly to achieve the effect. The technique manipulates temporal space using the duration of a single shot—fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time, as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's Breathless, which extensively used jump cuts and popularized the technique in the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes. Jump cuts tend to draw attention to the constructed nature of the film. More than one jump cut is sometimes used in a single sequence.
Breathless is a 1960 French New Wave crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.
Anita Pallenberg was an Italian-German film actress, artist, and model. A style icon and "It Girl" of the 1960s and 1970s, Pallenberg was credited as the muse of the Rolling Stones: she was the romantic partner of the Rolling Stones founder, multi-instrumentalist Brian Jones, and later, from 1967 to 1980, the partner of Stones guitarist Keith Richards, with whom she had three children.
"Sympathy for the Devil" is a song by English rock band the Rolling Stones. The song was written by Mick Jagger and credited to the Jagger–Richards partnership. It is the opening track on the band's 1968 album Beggars Banquet. The song has received critical acclaim and features on Rolling Stone magazine's "The 500 Greatest Songs of All Time" list, being ranked number 106 in the 2021 edition.
Beggars Banquet is the seventh studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and by London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the group's sound throughout the late 1960s and early 1970s.
The Rolling Stones Rock and Roll Circus is a British concert film hosted by and featuring the Rolling Stones, filmed on 11–12 December 1968. It was directed by Michael Lindsay-Hogg, who proposed the idea of a "rock and roll circus" to Jagger. The show was filmed on a makeshift circus stage with Jethro Tull, The Who, Taj Mahal, Marianne Faithfull, and the Rolling Stones. John Lennon and his fiancee Yoko Ono performed as part of a one-shot supergroup called The Dirty Mac, featuring Eric Clapton on guitar, Mitch Mitchell on drums, and the Stones' Keith Richards on bass. The recently formed Led Zeppelin had been considered for inclusion, but the idea was rejected.
Performance is a 1970 British crime drama film directed by Donald Cammell and Nicolas Roeg, written by Cammell and filmed by Roeg. The film stars James Fox as a violent and ambitious London gangster who, after killing an old friend, goes into hiding at the home of a reclusive rock star.
"Sympathy for the Devil" is a song by the Rolling Stones.
Monterey Pop is a 1968 American concert film by D. A. Pennebaker that documents the Monterey International Pop Festival of 1967. Among Pennebaker's several camera operators were fellow documentarians Richard Leacock and Albert Maysles. The painter Brice Marden has an "assistant camera" credit. Titles for the film were by the illustrator Tomi Ungerer. Featured performers include Big Brother and the Holding Company with Janis Joplin, Jefferson Airplane, Hugh Masekela, Otis Redding, Ravi Shankar, the Mamas & the Papas, the Who and the Jimi Hendrix Experience, whose namesake set his guitar on fire, broke it on the stage, then threw the neck of his guitar in the crowd at the end of "Wild Thing".
Raoul Coutard was a French cinematographer. He is best known for his connection with the French New Wave period and particularly for his work with director Jean-Luc Godard, which includes Breathless (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Bande à part (1964), Alphaville, Pierrot le Fou, and Weekend (1967). Coutard also shot films for New Wave director François Truffaut—including Shoot the Piano Player (1960) and Jules and Jim (1962)—as well as Jacques Demy, a contemporary frequently associated with the movement.
Gimme Shelter is a 1970 American documentary film directed by Albert and David Maysles and Charlotte Zwerin chronicling the last weeks of the Rolling Stones' 1969 US tour which culminated in the disastrous Altamont Free Concert and the killing of Meredith Hunter. The film is named after "Gimme Shelter", the lead track from the group's 1969 album Let It Bleed. Gimme Shelter was screened out of competition as the opening film of the 1971 Cannes Film Festival.
Rolling Stones: Live at the Max, or simply Stones at the Max, is a concert film by the Rolling Stones released in 1991. It was specially filmed in IMAX during the Urban Jungle Tour in Europe in 1990. It was the first concert movie shot in the IMAX format.
One P.M. is a 1972 film by American documentary filmmaker D.A. Pennebaker, who had collaborated with French filmmaker Jean-Luc Godard on the unfinished film project One A.M. and had shared duties as cinematographer with Richard Leacock. Godard filmed One A.M. in America in 1968.
Emilio "Mim" Scala is the co-founder, with Sir William Pigott-Brown, of the London-based television, film and theatrical agency Scala Brown Associates.
Goodbye to Language is a 2014 French-Swiss narrative essay film written and directed by Jean-Luc Godard. It stars Héloïse Godet, Kamel Abdeli, Richard Chevallier, Zoé Bruneau, Jessica Erickson and Christian Grégori and was shot by cinematographer Fabrice Aragno. It is Godard's 42nd feature film and 121st film or video project. In the French-speaking parts of Switzerland where it was shot, the word "adieu" can mean both goodbye and hello. The film depicts a couple having an affair. The woman's husband discovers the affair and the lover is killed. Two pairs of actors portray the couple and their actions repeat and mirror one another. Godard's own dog Roxy Miéville has a prominent role in the film and won a prize at the Cannes Film Festival. Like many of Godard's films, it includes numerous quotes and references to previous artistic, philosophical and scientific works, most prominently those of Jacques Ellul, Aleksandr Solzhenitsyn and Mary Shelley.
Michael Orlando Weetman Pearson, 4th Viscount Cowdray, of Cowdray Park in West Sussex, is a landowner in West Sussex with 16,500 acres (6,700 ha) and is a major shareholder of the FTSE 100 company Pearson plc, the construction, now publishing, company founded by his ancestor in the 19th century.
Iain Quarrier was a Canadian actor. He appeared in only five movies in the mid- to late 1960s before retiring from the film business following the murder of his close friend Sharon Tate in 1969.
Michael "Mick" Gochanour is a Grammy Award-winning American film director, producer, composer, and entertainment executive. He is best known for his filmmaking and film restoration with The Rolling Stones, Alejandro Jodorowsky and Sam Cooke. As a sound designer, composer, and music supervisor, he specialized in nature videos for Turner Broadcast, World Wildlife Organization and the Discovery Channel. He has toured with such acts as Peter Gabriel and David Bowie, among others.
