It was the Stones' first public concert in over two years, and was planned as an introduction of their new guitarist, Mick Taylor, though circumstances inevitably changed following the death of former member Brian Jones two days earlier. The band rehearsed at the Beatles' studio in a basement on Savile Row, and Mick Jagger and Keith Richards came up with a 14-song set; the Hyde Park concert would be the first time many of the songs had been played before a public audience. The PA system was supplied by Watkins Electric Music, who had handled amplification at previous Hyde Park events.
While the event is considered a memorable one by several critics, they also agree that it was not one of the Stones' best performances, and the guitars played during the concert were out of tune. In a 1971 interview with Rolling Stone magazine, Richards evaluated their performance, "We played pretty bad until near the end, because we hadn't played for years ... Nobody minded, because they just wanted to hear us play again." The Stones' portion of concert was filmed by Granada Television and broadcast that September. It has since been released on DVD[6] and Blu-ray.[7] In April 2013, the band announced their intention to play two return concerts on 6 and 13 July, although the performances were not free.[8][9]
Background
The festival was an important one for the Stones. They had not performed a public concert since their 1967 European Tour, and in 1968 had only performed at the NME Poll Winners Concert[10] and at their television project The Rolling Stones Rock and Roll Circus. In interviews, Mick Jagger stated that he felt the band's forte was performing live, rather than in the studio, and was keen to return to the stage.[11]:34:08Blackhill Enterprises, which had already managed several successful concerts in Hyde Park, including a festival headlined by Blind Faith in June 1969 attended by 150,000 people,[12] were contacted to organise one at the next convenient date after the organiser-compère of that concert, Sam Cutler, had met Jagger in the VIP area at the concert and later at the Royal Albert Hall.[12] When asked why the festival would be free, Jagger noted that they had not made much money from previous concert tours anyway, and that he felt the audience would have a better time if they did not have to pay[11]:14:23 although he ensured that the cost of the concert would be covered by selling exclusive television rights to Granada Television.[12]
However, the gradual estrangement of Brian Jones and his decreasing musical contributions – he had only appeared on two tracks on the then in-progress Let It Bleed — made a return to touring problematic. They had shelved The Rolling Stones Rock and Roll Circus after having been upstaged by The Who.[13] By June 1969, matters had finally come to a head and it was decided that Jones should be replaced for the gig.
The Hyde Park concert was Mick Taylor's first gig with the band
Mick Taylor, who had by this time obtained a reputation for himself by playing with John Mayall & the Bluesbreakers, was invited to work on Let It Bleed. The band enjoyed his contributions and decided to make him an offer to join full-time. After considering this for a few days, he accepted,[13] and his position was officially announced at a press conference in the park's bandstand on 13 June. The single "Honky Tonk Women," recorded on 1 June with Taylor, was rush-released to tie in with the festival date.[14] The Hyde Park concert would be Taylor's first gig with the band, and as they had barely had any time to rehearse with him he was understandably nervous.[13] Jagger, too, was nervous, unsure whether Jones's fans would take to Taylor and indeed whether they would boycott the concert; he did not expect the crowd to match the 150,000 who had come to the Blind Faith gig.[12] In addition, the hot summer had sent the pollen levels soaring and Jagger suffered from hay-fever and laryngitis in the days leading up to the concert.[12]
Jones died on 3 July, two days before the festival. The Stones were in Olympic Studios when they were told of his death by Ian Stewart, and, although grief-stricken, decided they would go ahead with the gig and dedicate their performance to him.[13]Keith Richards later wrote:
The all-important thing for us was it was our first appearance for a long time, and with a change of personnel. It was Mick Taylor's first gig. We were going to do it anyway. Obviously a statement had to be made of one kind or another, so we turned it into a memorial for Brian. We wanted to see him off in grand style. The ups and downs with the guy are one thing, but when his time's over, release the doves, or in this case the sackfuls of white butterflies.[4]
The band rehearsed at the Beatles' studio in the basement of Savile Row, and Jagger and Richards came up with a 14-song set; the Hyde Park concert would be the first time many of the songs had been played before a public audience.[12]
Fans started to arrive at the park with candles on 4 July in tribute to Jones, and the police allowed the park to be opened late so they could stay.[14] By the following morning, there were already 7,000 people.[15]:323 As with the Stones' performance at the infamous Altamont Free Concert later that year, the Hells Angels were hired as stewards to protect the stage and equipment,[2] something suggested by the Grateful Dead's manager Rock Scully, who was used to the Angels performing this service at free festivals in California.[12] According to Cutler, Jagger said that he was keen on doing a similar free concert in California at some time in the future.[12] At Hyde Park, fifty Angels patrolled the vicinity of the stage, though there was little resemblance other than a superficial one to their American counterparts. They performed their duties in exchange for a cup of tea.[12] In the event, there were only twelve arrests on the day and a subsequent police report claimed that the Angels were "totally ineffective".[12]
Three of the tracks appeared in studio form on the band's debut album, In the Court of the Crimson King, albeit with different lyrics compared with the performance here.[17] The band's set has since been released on CD, with some bonus material.[18] Recalling the event, Fripp remembers the sense of community at the event and the good weather, particularly noting a sense of goodwill backstage.[14]
Alexis Korner's involvement with Blues Incorporated had been a key ingredient in the Stones forming in 1962, and he had played onstage with several group members during this time. New Church had been formed with guitarist Peter Thorup after the demise of Blues Incorporated.[19]
Roy Harper had been regularly appearing at a number of Hyde Park festivals since 1968 and saw his popularity increase as a result of these. This eventually resulted in Blackhill's Peter Jenner managing him, leading to a contract with Harvest Records.[20] For 5 July gig, he contributed a one-song set between equipment changes.[14]
The Battered Ornaments had been the backing band for Cream collaborator Pete Brown. They performed without Brown, who had been fired from the band the previous day.[21] Guitarist Chris Spedding took over lead vocals.[22] The band supplied the armoured personnel carrier that carried the Stones from their hotel to the park.[14]
The Rolling Stones
The band met at the Londonderry Hotel on Park Lane, overlooking the park, where they had booked a tenth-floor suite, and proceeded to the park in the armoured personnel carrier, together with their two official photographers, Michael Cooper and Spanish Tony Sanchez.[2] They alighted from the carrier into a caravan-trailer behind the stage.[2] Jagger, his face heavily made up and with a studded leather collar around his neck, was clad in a white dress.[2] He had borrowed the dress, which had been made for Sammy Davis Jr. at the Mr. Fish boutique, and wore it to Prince Rupert Lowenstein's white ball, where he had shown it to Princess Margaret.[12] Jagger was only to wear it for half-an-hour at the Hyde Park concert, after which he tore it off to reveal a violet T-shirt and white loon pants.[12]
Before the Stones opened their set, Jagger addressed the crowd, asking them to be quiet so he could read something as a tribute to Jones.[12] He then read two stanzas of Percy Bysshe Shelley's poem on John Keats's death, Adonaïs, from a calf-bound book. After this recital, several hundred cabbage white butterflies were released,[2][23] despite the Royal Parks authority having stipulated before the concert that any butterflies released by the Stones should be sterilised and should certainly not be of the voracious cabbage white genus (Pieris spp.).[12] Two and a half thousand butterflies were due to be released, but many of them died from lack of air in storage.[2]
The Stones then launched into "I'm Yours and I'm Hers", which, according to Philip Norman, was an ironic choice given that Marianne Faithfull and Marsha Hunt, both of whom Jagger was alleged to be having relationships with at that time, were in the audience.[12] (The song was performed because it was a favourite of Jones.)[24]
During the 18-minute-long rendition of "Sympathy for the Devil", a number of Ginger Johnson's African tribal drummers joined the band.[11]:42:25[12] After the concert ended, the volunteers who cleared up the 5,000 tonnes of rubbish were each given a copy of "Honky Tonk Women".[12]
Though park keepers feared that the crowd would cause damage to the park, an official estimate suggested the cost was only around £100 (now £2,000). Park superintendent John Hare reported the most serious damage was to a silver birch tree planted the previous year. He praised the concertgoers, many of whom helped clear up after the concert and were awarded with a free Stones LP if they returned a full sack.[25]
Blackhill Enterprises provided a 6 feet (1.8m) high stage, with the speakers being housed in a thirty-foot-high tower so that people at the far end of the park would be able to hear the music.[12] The stage was flanked by palm trees in pots and behind the performers there was a blowup of the cover of the Beggars Banquet album.[12] Richards had started experimenting with open tunings by this point in the band's career, particularly after hearing Ry Cooder,[26] and the Hyde Park gig was the first chance audiences got to hear them. He played a Gibson ES-330 tuned to open G tuning played both open and with a capo on the fourth fret, and a Gibson Flying V. Taylor, meanwhile, played a Gibson Les Paul for the opening number, followed by an SG for the majority of the set.[11] The PA system was supplied by Watkins Electric Music, who already handled amplification at previous Hyde Park shows. Company founder Charlie Watkins recalls it was the largest PA he had assembled to that point and, unable to provide enough gear himself, he was forced to borrow extras from other groups, later saying, "I didn't have many columns, but I wanted to put 1500W up. I borrowed some from T-Rex. They all chipped in — that's what we used to do."[27][28]
Reception
In 1971, in an interview with Rolling Stone magazine, Richards said, "We played pretty bad until near the end, because we hadn't played for years ... Nobody minded, because they just wanted to hear us play again."[29]
The Guardian's Richard Gott stated that the show was "a great and epoch-making event in British social history", although he added that "most of the music ... was indifferent".[23] According to Norman, "the band's underpreparedness was painfully obvious. Keith and Mick Taylor's guitars, so harmonious at first meeting, turned into a pair of pneumatic drills fighting a grudge match to the death. Charlie's drumming and Bill's bass each seemed to have melted into jelly."[12] The Daily Telegraph's Iain Martin stated that the Stones were "under-rehearsed and quite possibly nervous, not having performed live in front of an audience in more than two years. The guitars were badly out of tune and half the songs were approached at the wrong tempo", adding that Jagger appeared to be "trying to cover up for the shortcomings of his bandmates".[30] Retrospectively reviewing the DVD release of the Stones' set, Film 4 commented: "It isn't the greatest film about the band and it isn't their greatest performance, but for fans it captures the band at a significant moment."[6]
The DVD, released on 25 September 2006, includes the same concert footage as the TV broadcast of 25 September 1969. The DVD includes three previously unseen songs which were filmed at the concert – "Mercy, Mercy", "Stray Cat Blues" and "No Expectations". The latter two are incomplete but are included here due to their uniqueness (HD). Also included is news footage of their early fame from 1964, footage of Mick Jagger discussing his arrest for drugs possession in July 1967 and his subsequent press conference on his release from prison, and a 1971 interview with Bill Wyman and Charlie Watts about their tour of France.[31]
On Richard Bacon's BBC Radio 5 Live show on 3 April 2013 it was announced that the Rolling Stones would hold a concert in Hyde Park as part of their 50th anniversary celebrations on 6 July.[8] Mick Jagger quipped, "I'll try and keep the poetry to a minimum", and remarked, in respect of the white dress that he wore for the 1969 concert, "I can still just about get into the zippers."[8] On 9 April it was announced that they would hold a second concert, on 13 July.[9]
The Rolling Stones are an English rock band formed in London in 1962. Active across seven decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader. Andrew Loog Oldham became their manager in 1963 and encouraged them to write their own songs. The Jagger–Richards partnership became the band's primary songwriting and creative force.
Sir Michael Philip Jagger is an English musician. He is best known as the lead singer and one of the founder members of the Rolling Stones. Jagger has co-written most of the band's songs with lead guitarist Keith Richards; their songwriting partnership is one of the most successful in rock music history. His career has spanned over six decades, and he has been widely described as one of the most popular and influential front men in the history of rock music. His distinctive voice and energetic live performances, along with Richards' guitar style, have been the Rolling Stones' trademark throughout the band's career. Early in his career, Jagger gained notoriety for his romantic involvements and illicit drug use, and has often been portrayed as a countercultural figure.
Ian Andrew Robert Stewart was a British keyboardist and co-founder of the Rolling Stones. He was removed from the lineup in May 1963 at the request of manager Andrew Loog Oldham who felt he did not fit the band's image. He remained as road manager and pianist for over two decades until his death, and was posthumously inducted into the Rock and Roll Hall of Fame along with the rest of the band in 1989.
Michael Kevin Taylor is an English guitarist, best known as a former member of John Mayall's Bluesbreakers (1967–1969) and the Rolling Stones (1969–1974). As a member of the Stones, he appeared on Let It Bleed (1969), Get Yer Ya-Ya's Out! The Rolling Stones in Concert (1970), Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It's Only Rock 'n Roll (1974).
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones from their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by Rolling Stone magazine in its 2004 list of the "500 Greatest Songs of All Time" before dropping a place the following year.
"Honky Tonk Women" is a song by the English rock band the Rolling Stones. It was released as a non-album single on 4 July 1969 in the United Kingdom, and a week later in the United States. It topped the charts in both nations. The song was on Rolling Stone's 500 Greatest Songs of All Time list, and was inducted into the Grammy Hall of Fame.
Through the Past, Darkly is the second compilation album by the English rock band the Rolling Stones, released in September 1969 by Decca Records in the UK and London Records/ABKCO Records in the US.
The Licks Tour was a worldwide concert tour undertaken by the Rolling Stones during 2002 and 2003, in support of their 40th anniversary compilation album Forty Licks. The tour grossed over $300 million, becoming the second highest-grossing tour at that time, behind their own Voodoo Lounge Tour of 1994–1995.
A Bigger Bang was a worldwide concert tour by the Rolling Stones which took place between August 2005 and August 2007, in support of their album A Bigger Bang. At the time, it was the highest grossing tour of all time, earning $558,255,524, before being surpassed by U2's 2009–11 U2 360 Tour, and eventually Taylor Swift's 2023–24 Eras Tour. The tour was chronicled on the video release The Biggest Bang, compiling full performances, several recordings from shows and documentaries. Notable concerts on the tour included a two-night stand in the autumn of 2006 at the Beacon Theatre filmed by Martin Scorsese for Shine a Light, and their half-time performance at Super Bowl XL.
"Gimme Shelter" is a song by the English rock band the Rolling Stones. Written by Jagger–Richards, it is the opening track of the band's 1969 album Let It Bleed. The song covers the brutal realities of war, including murder, rape and fear. It features prominent guest vocals by American singer Merry Clayton.
"Midnight Rambler" is a song by English rock band The Rolling Stones, released on their 1969 album Let It Bleed. The song is a loose biography of Albert DeSalvo, who confessed to being the Boston Strangler.
"Live with Me" is a song by the Rolling Stones from their album Let It Bleed, released in December 1969. It was the first song recorded with the band's new guitarist Mick Taylor, who joined the band in June 1969, although the first record the band released with Taylor was the single version of Honky Tonk Women. Taylor later described the recording of "Live with Me" as "kind of the start of that particular era for the Stones, where Keith and I traded licks."
The Rolling Stones' 1969 Tour of the United States took place in November 1969. With Ike & Tina Turner, Terry Reid, and B.B. King as the supporting acts, rock critic Robert Christgau called it "history's first mythic rock and roll tour", while rock critic Dave Marsh wrote that the tour was "part of rock and roll legend" and one of the "benchmarks of an era." In 2017, Rolling Stone magazine ranked the tour among The 50 Greatest Concerts of the Last 50 Years.
The Rolling Stones' American Tour 1981 was a concert tour of stadiums and arenas in the United States to promote the album Tattoo You. It was the largest grossing tour of 1981 with $50 million in ticket sales. Roughly 2,5 million concert goers attended the concerts, setting various ticket sales records. The 5 December show in New Orleans set an indoor concert attendance record which stood for 33 years.
The Rolling Stones' 1971 UK Tour was a brief concert tour of England and Scotland that took place over three weeks in March 1971.
Voodoo Lounge Live is a concert video by the rock band the Rolling Stones. It was filmed on 25 November 1994 at Joe Robbie Stadium in Miami Gardens, Florida during the Voodoo Lounge Tour. The concert was broadcast as a pay-per-view special.
25x5: The Continuing Adventures of the Rolling Stones is a documentary featuring rock group the Rolling Stones, charting the period between the band's formation in 1962 and the release of its then latest album, 1989's Steel Wheels. It was directed by acclaimed British documentary-maker Nigel Finch.
50 & Counting was a concert tour by the Rolling Stones to celebrate the 50th anniversary of the band, which started in October 2012 with two secret club gigs in Paris, and ended in July 2013 with two major shows at Hyde Park.
Hyde Park Live is a live album by the Rolling Stones, released in 2013. It was recorded at Hyde Park, London on 6 and 13 July 2013 during the band's 50 and Counting Tour. The album was released exclusively as a digital download through iTunes on 22 July 2013 for a limited time of four weeks. The album debuted at No. 16 in the UK and No. 19 in the US. The same concert was later issued on DVD as Sweet Summer Sun: Live in Hyde Park.
Sixty was a concert tour by the English rock band the Rolling Stones, celebrating the 60th anniversary of the band’s formation. The tour, announced on 14 March 2022, began on 1 June 2022 in Madrid, Spain, and concluded on 3 August 2022 in Berlin, Germany. It was the first European tour without drummer Charlie Watts following his death in August 2021, and the first time that the Stones performed their 1966 song "Out of Time" live.
↑ Brown, Pete; Newquist, Harvey (1997). Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. Hal Leonard Corporation. p.81. ISBN978-0-7935-4042-6.
↑ Richards, Keith; Fox, James (2010). Life. Weidenfeld & Nicolson. p.242. ISBN978-0-297-85439-5.
↑ "The Buccaneers — Part Two". Chronicle (110). Total Production International. October 2008. Archived from the original on 19 October 2013. Retrieved 5 April 2013.
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