Powder Ridge Rock Festival

Last updated
Powder Ridge Rock Festival
Soffty-Melanie Safka.jpg
Melanie Safka was the only artist ignoring the court injunction banning the festival; she performed on an improvised stage powered by Mister Softee trucks.
Genre Rock music
DatesJuly 31, August 1 and August 2, 1970
Location(s) Powder Ridge Ski Area in Middlefield, Connecticut
Years active1970 (cancelled)
Attendance30,000

The Powder Ridge Rock Festival was scheduled to be held July 31, August 1 and August 2, 1970, at Powder Ridge Ski Area in Middlefield, Connecticut. A legal injunction forced the event to be canceled, keeping the musicians away; but a crowd of 30,000 attendees arrived anyway, to find no food, no entertainment, no adequate plumbing, and at least seventy drug dealers. William Manchester wrote: "Powder Ridge was an accident waiting to happen, and it happened." [1] Volunteer doctor William Abruzzi declared a drug "crisis" on August 1, saying "Woodstock was a pale pot scene. This is a heavy hallucinogens scene." [2]

Contents

History

Announcement and preparations

Tickets were sold by mail at a price of $20 (the equivalent of $144.92 in 2022 dollars) for the whole weekend. The announced line-up of musicians included:

Lawsuit

Powder Ridge was anticipated to be a significant historical music event, similar to the previous year's Woodstock festival. [3] In the year following Woodstock, however, the reputation of music festivals associated with the hippie movement had become increasingly negative following the Altamont festival and went into "a long spiral of decline". [4] Thirty of the forty-eight major festivals planned for 1970 were cancelled, usually due to swiftly materializing local opposition.[ citation needed ] Powder Ridge, however, made national news because of the arrival of tens of thousands of ticketholders despite the event's cancellation. The New York Times followed its progress in about thirty articles before, during, and after the event.[ citation needed ]

Middlefield residents, worried about the impact of the crowd on their small town, obtained an injunction against the festival just days before it began. [3]

When the owner of the ski resort tried to contact the promoters to tell them of the injunction, they could not be found.[ citation needed ]

Attendees arrive anyway

Local authorities posted warning signs on every highway leading to Middlefield: "Festival Prohibited, turn back".[ citation needed ]

By 1970, rock festivals were regarded as having a political dimension. Carol Brightman wrote that "Rock shows... such as the Powder Ridge concert... were increasingly being covered by the national media as civil events, one step removed from street demonstrations." [5]

Promoters, however, kept hinting that there was still a chance that the concert would be held: "It's a total wait and see thing," a spokesman said and, after all, Woodstock had almost been cancelled too. [6]

Approximately 30,000 people came to the site for the weekend. Most of the musicians, however, did not show up. Only Melanie and a few local bands actually performed during the three-day weekend. [3] One of these local bands was "The Mustard Family" who, in the dark of night, hauled their instruments and equipment into the festival, by back roads and trails, and performed for the enthusiastic crowd.[ citation needed ] The official poster for the festival lists New York band, Haystacks Balboa, as the special opening act on Thursday night. The band's equipment was stopped by the authorities and the musicians gathered at a local cafe to await word as to their performance. After long negotiations, the band's manager advised the band to return home, there was to be no performance.[ citation needed ]

The festival scene

Drugs were openly sold and commonly consumed at the festival. [7] Rock doctor William Abruzzi (also at Woodstock) was there to treat bad LSD trips, and said there were more bad trips at Powder Ridge per capita than at any other music festival he'd ever worked.[ citation needed ] He attributed some of the problems to the barrels of "electric water" that were available for free public consumption; people were invited to drop donations of drugs into these barrels, creating drug cocktails of unknown strength and composition.[ citation needed ]

Hippie on the slopes at Powder Ridge, setting up camp. Powder Ridge Festival-tent.jpg
Hippie on the slopes at Powder Ridge, setting up camp.

William Manchester writes:

One of the more sensational scenes, attested to by several witnesses, occurred in a small wood near some homes. A boy and a girl, both naked and approaching from different directions, met under the trees. On impulse they suddenly embraced. She dropped to her knees, he mounted her from behind, and after he had achieved his climax they parted—apparently without exchanging a word. [1]

According to The New York Times , observers who had been at both Woodstock and Powder Ridge were struck by the contrasting moods of the two festivals:

The gentle euphoria—the grins, small smiles, and exchanged "V" signals— of people milling through the muddy fields of Bethel seemed to be missing at Powder Ridge. Instead, last night and this morning, the major pastime here was often shuffling walks along paved roads by grim-faced young men and women who looked remarkably similar to old people moving slowly along the boardwalks of the Rockaways or Atlantic City. [2]

In his autobiography, Nothing's Sacred , comedian Lewis Black claims to have attended the festival with some friends. Black explains in depth his activities of the weekend, including drug experimentation, failing at his appointed parking attendant job, and the downturn the concert took after a fiery speech from a Black Panther of the militant New Haven, Connecticut contingent, which happened to coincide with a thunderstorm. Black theorizes that under the effects of hallucinogens, many attendees probably thought that the Black Panther was actually causing the storm, and many began to experience bad trips.

Aftermath

Although the promoters of the festival announced plans to reschedule the event for another location, no such plans ever came through, and no refunds were ever issued to the ticket buyers.[ citation needed ]

See also

Notes

  1. ^ Estimates vary from 15,000 to 50,000. "30,000" is from a New York Times article, July 31, 1970 p. 24

Related Research Articles

<span class="mw-page-title-main">Woodstock</span> 1969 music festival in Bethel, New York, US

The Woodstock Music and Art Fair, commonly referred to as Woodstock, was a music festival held from August 15 to 18, 1969, on Max Yasgur's dairy farm in Bethel, New York, 40 miles (65 km) southwest of the town of Woodstock. Billed as "an Aquarian Exposition: 3 Days of Peace & Music" and alternatively referred to as the Woodstock Rock Festival, it attracted an audience of more than 460,000. Thirty-two acts performed outdoors despite overcast and sporadic rain. It was one of the largest music festivals in history and became synonymous with the counterculture of the 1960s.

<span class="mw-page-title-main">Woodstock '94</span> 1994 music festival in New York, United States

Woodstock '94 was an American music festival held in 1994 to commemorate the 25th anniversary of the original Woodstock festival of 1969. It was promoted as "2 More Days of Peace and Music". The poster used to promote the first concert was revised to feature two catbirds perched on the neck of an electric guitar, instead of the original one catbird on an acoustic guitar.

<span class="mw-page-title-main">Monterey International Pop Festival</span> Three-day concert in California in 1967

The Monterey International Pop Festival was a three-day music festival held June 16 to 18, 1967, at the Monterey County Fairgrounds in Monterey, California. The festival is remembered for the first major American appearances by the Jimi Hendrix Experience, the Who and Ravi Shankar, the first large-scale public performance of Janis Joplin and the introduction of Otis Redding to a mass American audience.

<i>Festival Express</i> 2003 rockumentary

Festival Express is a 2003 British documentary film about the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends. The film combines footage of the 1970 concerts and on the train, interspersed with contemporary recollections of the tour by its participants.

Rock music in New Zealand, also known as Kiwi rock music and New Zealand rock music, rose to prominence first in 1955 with Johnny Cooper's cover version of Bill Haley's hit song "Rock Around the Clock". This was followed by Johnny Devlin, sometimes nicknamed New Zealand's Elvis Presley, and his cover of "Lawdy Miss Clawdy". The 1960s saw Max Merritt and the Meteors and Ray Columbus & the Invaders achieve success. In the 1970s and early 1980s the innovative Split Enz had success internationally as well as nationally, with member Neil Finn later continuing with Crowded House. Other influential bands in the 1970s were Th' Dudes, Dragon and Hello Sailor. The early 1980s saw the development of the indie rock "Dunedin sound", typified by Dunedin bands such as The Clean, Straitjacket Fits and The Chills, recorded by the Flying Nun record label of Christchurch. New Zealand's foremost hard rock band Shihad started their long career in 1988. Since 2018 this title is now undoubtedly held by New Zealand Māori metal band Alien Weaponry who have achieved huge success in Europe and the USA.

Quill was a rock band that played extensively throughout New England, New York, and the mid-Atlantic states in the late 1960s, and gained national attention by performing at the original Woodstock Festival in 1969. The band was founded by two singer-songwriters and brothers from the Boston area, Jon and Dan Cole.

<span class="mw-page-title-main">Goose Lake International Music Festival</span> 1970 multiday rock event in Michigan, US

The Goose Lake International Music Festival held August 7–9, 1970, in Leoni Township, Michigan, "was one of the largest music events of its era", and featured many of the top rock music bands of the period.

<span class="mw-page-title-main">Erie Canal Soda Pop Festival</span> American music festival in 1972

The Erie Canal "Soda" Pop Festival, also known colloquially as the Bull Island Rock Festival, was a rock festival held on September 2–4, 1972, on Bull Island, a strip of land in Illinois but on the Indiana side of the Wabash River near Griffin. A crowd of an estimated 200,000 to 300,000 people attended the concert, four times what the promoters had estimated. Food and water were in short supply, and the gathering descended into relative chaos amidst heavy rains and a lack of security. Many of the scheduled acts canceled their performances due to safety concerns. After the festival concluded, the remnants of the crowd rioted and burned the main stage.

<span class="mw-page-title-main">Ozark Music Festival</span> 1974 rock music festival in Missouri

The Ozark Music Festival was held on July 19–21, 1974 on the Missouri State Fair in Sedalia, Missouri. It is estimated that anywhere from 160,000 to 350,000 were in attendance at the three day festival. The event was marked by mismanagement as the facilities were not equipped for the number of attendees.

<span class="mw-page-title-main">Sunbury Pop Festival</span> Former musical festival in Australia

Sunbury Pop Festival or Sunbury Rock Festival was an annual Australian rock music festival held on a 620-acre (2.5 km2) private farm between Sunbury and Diggers Rest, Victoria, which was staged on the Australia Day long weekend from 1972 to 1975. It attracted up to 45,000 patrons and was promoted by Odessa Promotions, which was formed by a group of television professionals, including John Fowler, from GTV 9 Melbourne.

The Summer Jam at Watkins Glen was a July 1973 rock festival outside Watkins Glen, New York, that featured the Allman Brothers Band, Grateful Dead and the Band. The July 28, 1973, event long held the Guinness Book of World Records entry for "largest audience at a pop festival," with an estimated 600,000 fans in attendance at the Watkins Glen Grand Prix Raceway. Approximately 150,000 tickets were purchased in advance, the rest being admitted in what became a "free concert".

<span class="mw-page-title-main">Besek Mountain</span> Mountain in United States of America

Besek Mountain also known as Black Mountain, est. 840 feet (260 m), is a traprock mountain ridge located 4.75 miles (7.6 km) southeast of Meriden, Connecticut. It is part of the narrow, linear Metacomet Ridge that extends from Long Island Sound near New Haven, Connecticut, north through the Connecticut River Valley of Massachusetts to the Vermont border. Besek Mountain is known for its 3-mile (4.8 km) long line of open cliffs, unique microclimate ecosystems, and rare plant communities. The mountain is traversed by the 51-mile (82 km) Mattabesett Trail, and is home to the Powder Ridge Ski Area.

<span class="mw-page-title-main">Powder Ridge Ski Area</span> Ski area located in Middlefield, Connecticut

Powder Ridge Ski Area is a ski area located in Middlefield, Connecticut. It began operations on January 22, 1961, closed in 2007, and reopened in 2013 as Powder Ridge Mountain Park & Resort. It is located on Besek Mountain. Powder Ridge Park is affiliated with the Brownstone Exploration and Discovery Park in the Portland Brownstone Quarries in nearby Portland, Connecticut.

<span class="mw-page-title-main">Christian music festival</span>

A Christian music festival is a music festival held by the Christian community, in support of performers of Christian music. The festivals are characterized by more than just music; many feature motivational speakers and evangelists, and include seminars on Christian spiritual and missions topics, service, and evangelism. They are often viewed as evangelical tools, and small festivals can draw 10 times the crowd of traditional revival meetings. While the central theme of a Christian festival is Jesus Christ, the core appeal of a Christian music festival remains the artists and their music. Critics point out that the dichotomy of business and religious interests can be problematic for Christian festivals. In similar ways as the Christian music industry in general, festivals can be drawn away from their central theme and gravitate toward commercialization and mainstream acts in an attempt to draw crowds.

The first Atlanta International Pop Festival was a rock festival held at the Atlanta International Raceway in Hampton, Georgia, twenty miles south of Atlanta, on the July Fourth (Friday) weekend, 1969, more than a month before Woodstock. Crowd estimates ranged from the high tens of thousands to as high as 150,000. With temperatures nearing a hundred degrees, local fire departments used fire hoses to create "sprinklers" for the crowd to play in and cool off. It was a peaceful, energetic, hot and loud festival with few problems other than heat related. Concession stands were woefully inadequate. Attendees frequently stood in line for an hour to get a soft drink.

Canada Jam was a rock festival concert held at Mosport Park in Bowmanville, Ontario, Canada, about 100 kilometres east of Toronto, on August 26, 1978. The festival was produced by Sandy Feldman and Leonard Stogel, who produced California Jam and California Jam II, and was sponsored by Carling O'Keefe. It attracted over 110,000 fans, making it the largest paying rock event in Canadian history at that time. The Molson Canadian Rocks for Toronto a.k.a. "SARSfest" featuring the Rolling Stones and AC/DC eclipsed that mark with an audience of 450,000 people on July 30, 2003.

Woodstock Sound-Outs or soundouts were mini-festivals held outside Woodstock, New York from 1967 to 1970. They were the brainchild of John "Jocko" Moffitt, a roofer and drummer. He had heard about a number of folk festivals in his native California, and he wanted to stage a rock festival in a country setting. Planning for the event began in 1966 and by the early spring of 1967 performers like Richie Havens were being tentatively booked.

<span class="mw-page-title-main">New Orleans Pop Festival</span>

The New Orleans Pop Festival was a rock festival held on Labor Day weekend, two weeks after the Woodstock Festival. It was held at the Pelican International Speedway in Prairieville, Louisiana, about 65 miles up the Mississippi River from New Orleans and 15 miles south of Baton Rouge. Over 26 bands performed during the three days of the festival, including seven veterans of Woodstock. It had a peak attendance of 25,000–30,000 people.

<span class="mw-page-title-main">Sky River Rock Festival</span>

The Sky River Rock Festival and Lighter Than Air Fair was a historic rock festival first held on a raspberry farm on the Skykomish River outside Sultan, Washington. The 1968 rock festival was held between August 31 to September 2. It was the first multi-day outdoor hippie rock festival at an undeveloped site. The line-up included bands the Grateful Dead, Santana, and others. The festival was held the next year on labor Day weekend August 30 and September 1, 1969 in Tenino, Washington, and finally on August 28 until September 8, 1970 in Washougal, Washington.

<span class="mw-page-title-main">Redwood 70</span> 1970 music festival in Swanson, New Zealand

The Redwood 70 National Music Convention, commonly referred to as Redwood 70, was a music festival held on Auckland Anniversary Weekend in Swanson, West Auckland, New Zealand in 1970. Held six months after the Woodstock festival in the United States, Redwood 70 was the first modern multi-day pop music festival held in New Zealand. Headlined by Robin Gibb of the BeeGees with a line-up of predominantly New Zealand musicians, Gibb and his backing orchestra were pelted by objects from the crowd. While the concert did not turn a profit, it popularised the modern multi-day music festival in New Zealand.

References

  1. 1 2 William Manchester, 1972, The Glory and the Dream: A Narrative History of America 1932-1972 , pp. 1212-1213. Bantam Books.
  2. 1 2 "Drug Peril Eases at Powder Ridge". The New York Times . August 2, 1970. p. 58, § 1. Retrieved 2021-08-30.
  3. 1 2 3 Wollschlager, Mike. "Powder Ridge Rock Festival: The greatest show that never was". CTInsider.com. Hearst Media Services Connecticut. Retrieved 26 June 2020.
  4. Bill Mankin, We Can All Join In: How Rock Festivals Helped Change America. Like the Dew. 2012.
  5. Carol Brightman, 1998, Sweet Chaos : The Grateful Dead's American Adventure; Clarkson Potter, ISBN   0-517-59448-X.
  6. Plenty of Sex and Drugs, But No Rock ´n´ Roll, 2005 Hartford Advocate article.
  7. Darnton, John (August 1, 1970). "Youths at Powder Ridge Maintain Festival Atmosphere". The New York Times . Retrieved 2021-08-30.