Tour by the Rolling Stones | |
Associated album | Exile on Main St. |
---|---|
Start date | 3 June 1972 |
End date | 26 July 1972 |
Legs | 1 |
No. of shows | 48 |
the Rolling Stones concert chronology |
The Rolling Stones American Tour 1972, also known as the "Stones Touring Party", shortened to S.T.P., [1] was a much-publicized and much-written-about concert tour of the United States and Canada in June and July 1972 by the Rolling Stones. Constituting the band's first performances in the United States following the Altamont Free Concert in December 1969, critic Dave Marsh would later write that the tour was "part of rock and roll legend" and one of the "benchmarks of an era." [2]
The tour in part supported the group's Exile on Main St. album, which was released a few weeks earlier on 12 May. It was also part of a tour-America-every-three-years rotation that the group established in 1969 and maintained through 1981.
On the first show of the tour, 3 June in Vancouver, British Columbia, 31 policemen were treated for injuries when more than 2,000 fans attempted to crash the Pacific Coliseum. [3]
In San Diego on 13 June, there were 60 arrests and 15 injured during disturbances. In Tucson, Arizona on 14 June, an attempt by 300 youths to storm the gates led to police using tear gas. [4] On 16 June, after the Denver shows, in a hotel suite, Stephen Stills and Keith Richards drew knives in an argument. [5] While in Chicago for three appearances on 19 and 20 June, the group stayed at Hugh Hefner's original Playboy Mansion in the Gold Coast district. [6] Eighty-one people were arrested at the two sellout Houston shows on 25 June, mostly for marijuana possession and other minor drug offences. [7] There were 61 arrests in the large crowd at RFK Stadium in Washington, D.C., on the Fourth of July. [8]
On 13 July police had to block 2,000 ticket-less fans from trying to gain access to the show in Detroit. [9] On 17 July at the Montreal Forum a bomb blew up in the Stones' equipment van, and replacement gear had to be flown in; then it was discovered that 3,000 forged tickets had been sold, causing a fan riot and a late start to the concert. [3] The next day, 18 July, the Stones' entourage got into a fight with photographer Andy Dickerman in Rhode Island, and Jagger and Richards landed in jail, imperilling that night's show at the Boston Garden. Boston Mayor Kevin White, fearful of a riot if the show were cancelled, intervened to bail them out; the show went on, albeit with another late start. Dickerman would later file a £22,230 lawsuit against the band. [10]
The tour ended with four shows over three consecutive nights at New York City's Madison Square Garden, the first night of which saw 10 arrests and two policemen injured, [11] and the last leading to confrontations between the crowd outside Madison Square Garden and the police. [12] The last show on 26 July, Jagger's 29th birthday, had balloons and confetti falling from Madison Square Garden's ceiling and Jagger blowing the candles off a huge cake. Pies were also wheeled in, leading to a pie fight between the Rolling Stones and the audience. [12]
Following the final performance, a party was held in Jagger's honor by Ahmet Ertegun at the St. Regis New York. Guests included Bob Dylan, Woody Allen, Andy Warhol, the Capote entourage, and Zsa Zsa Gabor, while the Count Basie Orchestra provided musical entertainment. At the event, Dylan characterized the tour as "encompassing" and "the beginning of cosmic consciousness." [13]
Rock critic Robert Christgau reported that the mood of the shows was friendly, with Jagger "undercut[ting] his fabled demonism by playing the clown, the village idiot, the marionette." [14]
The official name of the tour was 'American Tour 1972'. The tour is also known as the "Stones Touring Party", shortened to S.T.P., [1] derived from the laminates handed out by the management to crew, family, friends and press, granting access to the various areas at the concert venues and hotels.[ citation needed ] In 2015 Jose Cuervo in association with the Rolling Stones launched a brand of tequila with a marketing campaign based on one of the nicknames of the American Tour being the "Cocaine and Tequila Sunrise tour". [15]
Several writers were assigned to cover the tour. Truman Capote was commissioned to write a travelogue for Rolling Stone. Accompanied by prominent New York socialites Lee Radziwill and Peter Beard, Capote did not mesh well with the group; he and his entourage abandoned the tour in New Orleans, before resurfacing for the final shows at Madison Square Garden. [16] Having struggled with writer's block since the publication of In Cold Blood in 1966, he failed to complete his feature, tentatively titled "It Will Soon Be Here." Rolling Stone ultimately recouped its stake by assigning Andy Warhol to interview Capote about the tour in 1973. In the interview, Capote alleged that tour doctor Laurence Badgley (a 1968 graduate of the Yale School of Medicine who was later retained by Led Zeppelin for their 1977 North American tour) [17] had a "super-Lolita complex" and initiated the statutory rape of a high school student (also filmed by Robert Frank) on the band's business jet during a flight to Washington, D.C. [18]
Terry Southern, a close friend of Keith Richards since the late 1960s, wrote about the tour for Saturday Review in what proved to be one of his last major journalistic assignments. Southern and Beard developed a friendship on the tour and collaborated intermittently on The End of the Game (an unfilmed screenplay) for over two decades.
Robert Greenfield's S.T.P.: A Journey Through America With The Rolling Stones (derived from his tour reportage for Rolling Stone) was published in 1974. Greenfield had already covered the band's 1971 British Tour for Rolling Stone and was granted unlimited access to the band's affairs. Although Greenfield was initially assigned as the magazine's sole correspondent for the tour before a last-minute deal was reached with Capote, he was permitted to continue in his assignment, paralleling Hunter S. Thompson and Timothy Crouse's two-pronged coverage of the contemporaneous 1972 United States presidential election for the magazine.
Dick Cavett hosted a one-hour special shot before the concluding New York engagement of performances. Capote appeared on The Tonight Show Starring Johnny Carson and several other talk shows, talking about his experiences on the tour. New York radio host Alex Bennett reported on the first Madison Square Garden show as soon as he got back from it.
No live album was released from the tour at the time, although one was planned as far as having a front and back cover designed and studio touch-ups being made on several recorded tracks. Eventually, the album was shelved due to contractual disputes with Allen Klein.
Two films of the tour were produced. The concert film Ladies and Gentlemen: The Rolling Stones! only saw a limited theatrical release in 1974. Aside from an Australian VHS release in the early 1980s, it was not officially available on home video until 2010. The film's complete soundtrack was released as an album by Eagle Records/Universal in 2017.
Robert Frank's Cocksucker Blues is a documentary shot in cinéma vérité style; several cameras were available for anyone in the entourage to pick up and start shooting backstage parties, drug use, [19] and roadie and groupie antics, [20] including a groupie in a hotel room injecting heroin. [21] The film came under a court order which forbade it from being shown other than in very restricted circumstances. The film has since surfaced online in various bootlegged versions of varying quality. [19] [22]
Additional musicians
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Stevie Wonder was the support act for the tour. Having released his groundbreaking Music of My Mind album in March 1972, Wonder would go on to release another epochal album ( Talking Book ) by year's end. [23] This placement, along with his hard-edged hit "Superstition" (released in October 1972), did much to increase Wonder's visibility to rock audiences. He and his band would also sometimes join the Stones at the end of the group's performance for an encore medley of Wonder's 1966 hit "Uptight (Everything's Alright)" and "(I Can't Get No) Satisfaction".
The standard set list for the tour was:
Additional songs performed:
The exact number of setlist variations are subject to ongoing research. Notably absent was anything from before 1968 in the Stones' catalog save for the occasional presence of "(I Can't Get No) Satisfaction". This tour also marked the banishment of "Sympathy for the Devil", which had been wrongly associated with the killing at Altamont, from the band's American performances for much of the 1970s.
The tour grossed a then-record of $4 million (US$29,136,038 in 2023 dollars). [24] [25] Although each band member netted roughly $250,000 (equivalent to $1.4 million today), Jagger was dissatisfied when he learned that Led Zeppelin manager Peter Grant had secured a then-unprecedented 90/10 split of gross receipts in the group's favor on its contemporaneous North American tour. [26]
The Rolling Stones are an English rock band formed in London in 1962. Active across seven decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader. Andrew Loog Oldham became their manager in 1963 and encouraged them to write their own songs. The Jagger–Richards partnership became the band's primary songwriting and creative force.
Sir Michael Philip Jagger is an English singer, rock musician, and the front man and one of the founding members of the Rolling Stones. Jagger has co-written most of the band's songs with lead guitarist Keith Richards; their songwriting partnership is one of the most successful in rock music history. His career has spanned over six decades, and he has been widely described as one of the most popular and influential front men in the history of rock music. His distinctive voice and energetic live performances, along with Richards' guitar style, have been the Rolling Stones' trademark throughout the band's career. Early in his career, Jagger gained notoriety for his romantic involvements and illicit drug use, and has often been portrayed as a countercultural figure.
Stone Temple Pilots is an American rock band formed in San Diego, California, in 1989. Originally consisting of Scott Weiland, brothers Dean (guitar) and Robert DeLeo, and Eric Kretz (drums), the band's lineup remained unchanged from its formation until the firing of Weiland in February 2013. Vocalist Chester Bennington joined the band in May 2013 but left amicably in November 2015. In 2016, STP launched an online audition for a new lead vocalist; Jeff Gutt was announced as STP's new lead singer on November 14, 2017.
Charles Robert Watts was an English musician who was the drummer of the Rolling Stones from 1963 until his death in 2021.
Cocksucker Blues is an unreleased documentary film directed by the still photographer Robert Frank chronicling The Rolling Stones American Tour 1972 in support of their album Exile on Main St.
Michael Kevin Taylor is an English guitarist, best known as a former member of John Mayall's Bluesbreakers (1967–1969) and the Rolling Stones (1969–1974). As a member of the Stones, he appeared on Let It Bleed (1969), Get Yer Ya-Ya's Out! The Rolling Stones in Concert (1970), Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It's Only Rock 'n Roll (1974).
Sticky Fingers is the ninth studio album by the English rock band the Rolling Stones. It was released on 23 April 1971 on the Rolling Stones' new label, Rolling Stones Records. The Rolling Stones had been contracted by Decca Records and London Records in the UK and the US since 1963. On this album, Mick Taylor made his second full-length appearance on a Rolling Stones album. It was the first studio album without Brian Jones, who died two years earlier. The original cover artwork, conceived by Andy Warhol and photographed and designed by members of his art collective, the Factory, showed a picture of a man in tight jeans, and had a working zip that opened to reveal underwear fabric. The cover was expensive to produce and damaged the vinyl record, so the size of the zipper adjustment was made by John Kosh at ABKCO records. Later re-issues featured just the outer photograph of the jeans.
Get Yer Ya-Ya's Out!: The Rolling Stones in Concert is the second live album by the Rolling Stones, released on 4 September 1970 on Decca Records in the UK and on London Records in the United States. It was recorded in New York City and Baltimore in November 1969 prior to the release of Let It Bleed. It is the first live album to reach number 1 in the UK. It was reported to have been issued in response to the well-known bootleg Live'r Than You'll Ever Be. This was also the band's final release under the Decca record label and not under its own label Rolling Stones Records.
Love You Live is a double live album by the Rolling Stones, released in 1977. It is drawn from Tour of the Americas shows in the US in the summer of 1975, Tour of Europe shows in 1976 and performances from the El Mocambo nightclub concert venue in Toronto in 1977. It is the band's third official full-length live release and is dedicated to the memory of audio engineer Keith Harwood, who died in a car accident shortly before the album's release. It is also the band's first live album with Ronnie Wood.
Robert Henry Keys was an American saxophonist who performed as a member of several horn sections of the 1970s. He appears on albums by the Rolling Stones, Lynyrd Skynyrd, Harry Nilsson, Delaney & Bonnie and Friends, George Harrison, John Lennon, Ringo Starr, Eric Clapton, Joe Cocker and other prominent musicians. Keys played on hundreds of recordings, and was a touring musician from 1956 until his death in 2014.
"Under My Thumb" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, "Under My Thumb" features a marimba played by Brian Jones. Although it was never released as a single in English-speaking countries, it is one of the band's more popular songs from the late 1960s and appears on several best-of compilations, such as Hot Rocks 1964–1971. It was included as the fourth track on both the American and United Kingdom versions of the band's 1966 studio album Aftermath.
"Midnight Rambler" is a song by English rock band The Rolling Stones, released on their 1969 album Let It Bleed. The song is a loose biography of Albert DeSalvo, who confessed to being the Boston Strangler.
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The Rolling Stones' Tour of the Americas '75 was a 1975 concert tour originally intended to reach both North and South America. The plans for concerts in Central and South America never solidified, however, and the tour covered only the United States and Canada.
The Rolling Stones' 1969 Tour of the United States took place in November 1969. With Ike & Tina Turner, Terry Reid, and B.B. King as the supporting acts, rock critic Robert Christgau called it "history's first mythic rock and roll tour", while rock critic Dave Marsh wrote that the tour was "part of rock and roll legend" and one of the "benchmarks of an era." In 2017, Rolling Stone magazine ranked the tour among The 50 Greatest Concerts of the Last 50 Years.
"(I Can't Get No) Satisfaction" is a song by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff is widely considered one of the greatest hooks of all time. The song's lyrics refer to sexual frustration and commercialism.
The Rolling Stones Australian Tour 1973 was a concert tour of countries bordering the Pacific Ocean in January and February 1973 by The Rolling Stones. The tour is sometimes called The Rolling Stones Pacific Tour 1973 and Winter Tour 1973, but concert posters and tickets of the shows state The Rolling Stones Australian Tour 1973.
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Video Rewind is a compilation of video clips by English rock band the Rolling Stones, recorded between 1972–1984. Instead of presenting unrelated clips and videos strung together, it uses a framing story directed by Julien Temple, featuring Bill Wyman and Mick Jagger, and also includes some footage directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Betamax, Laserdisc, and CED Videodisc formats by Vestron home video.