Une femme coquette | |
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Directed by | Jean-Luc Godard |
Screenplay by | Jean-Luc Godard |
Based on | Le Signe by Guy de Maupassant |
Starring |
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Cinematography | Jean-Luc Godard |
Edited by | Jean-Luc Godard |
Release date |
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Running time | 9 minutes |
Country | France |
Language | French |
Une femme coquette (A Flirtatious Woman) (1955) was the first of four short fiction films made by French filmmaker Jean-Luc Godard preceding his work in feature-length narrative film.
The short film is based on the story Le Signe (The Signal) by Guy de Maupassant. It is a nine-minute story of a woman who decides to copy the gesture she has seen a prostitute make to passing men. Then a young man, played by Roland Tolmatchoff, responds. In Maupassant's original tale the scene takes place indoors, the woman having signaled from her window, but in Godard's revision the characters meet by a bench on the Ile Rousseau in Geneva. [1]
François Roland Truffaut was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. With a career of more than 25 years, he is an icon of the French film industry.
Henri René Albert Guy de Maupassant was a 19th-century French author, celebrated as a master of the short story, as well as a representative of the naturalist school, depicting human lives, destinies and social forces in disillusioned and often pessimistic terms.
Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
Claude Henri Jean Chabrol was a French film director and a member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric Rohmer and Jacques Rivette, Chabrol was a critic for the influential film magazine Cahiers du cinéma before beginning his career as a film maker.
Léonie Marie Julie Bathiat, known professionally as Arletty, was a French actress, singer, and fashion model. As an actress she is particularly known for classics directed by Marcel Carné, including Hotel du Nord (1938), Le jour se lève (1939) and Children of Paradise (1945). She was found guilty of treason for an affair with a German officer during World War II.
Masculin Féminin is a 1966 French New Wave film directed by Jean-Luc Godard. An international co-production between France and Sweden, the film stars Jean-Pierre Léaud, Chantal Goya, Marlène Jobert, Catherine-Isabelle Duport, and Michel Debord.
A Woman Is a Woman is a 1961 French musical romantic comedy film written and directed by Jean-Luc Godard, starring Jean-Paul Belmondo, Anna Karina and Jean-Claude Brialy. It is a tribute to American musical comedy and associated with the French New Wave. It is Godard's third feature film, and his first in color and Cinemascope.
Weekend is a 1967 postmodern black comedy film written and directed by Jean-Luc Godard, based on Julio Cortázar's short story "La autopista del Sur". It stars mainstream French TV stars Mireille Darc and Jean Yanne. Jean-Pierre Léaud, comic star of numerous French New Wave films, including François Truffaut's The 400 Blows (1959) and Godard's earlier Masculin Féminin (1966), appeared in two roles. Raoul Coutard served as cinematographer.
A Married Woman is a 1964 French drama film directed by Jean-Luc Godard, his eighth feature film.
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Raoul Coutard was a French cinematographer. He is best known for his connection with the French New Wave period and particularly for his work with director Jean-Luc Godard, which includes Breathless (1960), A Woman Is a Woman (1961), Vivre sa vie (1962), Bande à part (1964), Alphaville, Pierrot le Fou, and Weekend (1967). Coutard also shot films for New Wave director François Truffaut—including Shoot the Piano Player (1960) and Jules and Jim (1962)—as well as Jacques Demy, a contemporary frequently associated with the movement.
All Boys Are Called Patrick is a 1957 French short film written by Éric Rohmer and directed by Jean-Luc Godard and made before both filmmakers achieved fame as French New Wave filmmakers.
Georges de Beauregard was a French film producer who produced works by many of the French New Wave directors. In 1968, he was a member of the jury at the 18th Berlin International Film Festival. In 1983 he was awarded a Special César Award, the French national film prize.
Régis Wargnier is a French film director, film producer, screenwriter and film score composer. His 1992 film Indochine won the Academy Award for Best Foreign Language Film at the 65th Academy Awards. His 1995 A French Woman was entered into the 19th Moscow International Film Festival where he won the Silver St. George for the Direction.
Suzanne Schiffman was a French screenwriter and director for numerous motion pictures. She often worked with François Truffaut. The 'script girl' Joelle, played by Nathalie Baye in Truffaut's Day for Night was based on Schiffman. It accurately portrayed her close collaboration with Truffaut and other directors.
Three Women is a 1952 French comedy film directed by André Michel. It was entered into the 1952 Cannes Film Festival.
Renée Saint-Cyr was a French actress. She appeared in more than 60 films between 1933 and 1994. She was the mother of Georges Lautner, who also achieved fame in the film business, albeit as a director.
La Maison Tellier is a collection of short stories by Guy de Maupassant that includes the eponymous story. The book established Maupassant as a prominent French writer following the success of his first short story, "Boule de suif". Five of the eight stories in the collection had already been published in various magazines, like Revue politique et littéraire and La Vie Moderne, and three were originals.
One Life is a 1958 French drama film directed by Alexandre Astruc, starring Maria Schell and Christian Marquand. It is also known as End of Desire in the United States. It is set in the 19th century and tells the story of the unhappy marriage between an idealistic woman of aristocratic background and a cynical man. The film is based on the novel Une Vie by Guy de Maupassant. It was shown in competition at the 19th Venice International Film Festival. It had 2,315,098 admissions in France.
"A Vendetta" is a short story by French writer Guy de Maupassant (1850-1893), first published in 1883 in the newspaper Le Gaulois, and included in his 1885 collection Contes du jour et de la nuit.