This is a list of avant-garde and experimental films released in the 1950s. Unless noted, all films had sound and were in black and white.
Title | Director | Cast | Nation | Notes | ||
---|---|---|---|---|---|---|
1950 | ||||||
The Adventures of Jimmy | James Broughton | James Broughton | United States | Music by Weldon Kees. [1] | ||
Un chant d'amour | Jean Genet | Java, André Reybaz | France | Genet's only film as a director | ||
Eaten Horizons | Wilhelm Freddie, Jørgen Roos | France | Surrealist film | |||
Orphée | Jean Cocteau | Jean Marais | France | |||
Rabbit's Moon | Kenneth Anger | André Soubeyron, Claude Revenant | France | Color [2] | ||
Swain | Gregory Markopoulos, Robert C. Freeman, Jr. | Gregory Markopoulos, Mary Zelles | United States | Based on Hawthorne's novel Fanshawe . Only a drastically shortened version exists; 24 minutes of 50 [3] [ failed verification ] | ||
Tłum (The Crowd) | Walerian Borowczyk | Poland | [4] [ failed verification ] | |||
1951 | ||||||
Divertissement Rococo | Hy Hirsh | United States | Abstract animation [5] | |||
Ensemble for Somnambulists | Maya Deren | Canada | [6] | |||
Images pour Debussy | Jean Mitry | France | Visualization of music, semi-abstract water film. [7] | |||
Le film est déja commence? | Maurice Lemaître | France | Lettrist film [8] | |||
Le mort du cerf | Dimitri Kirsanoff | France | ||||
A Treatise on Venom and Eternity | Isidore Isou | Isidore Isou | France | Lettrist film [8] | ||
1952 | ||||||
L'anti-concept | Gil J. Wolman | France | Lettrist film [8] | |||
Approaches and Leavetakings | Weldon Kees, Jurgen Ruesch | United States | [1] | |||
Bells of Atlantis | Ian Hugo | Anaïs Nin | United States | Color. Semi-abstract images and electronic music by Bebe and Louis Barron accompany a reading by Nin from her 1936 novella House of Incest . [9] | ||
Form Phases I | Robert Breer | United States | Color, silent abstract animation. [10] | |||
Hand-Mouth Coordination | Weldon Kees, Gregory Bateson | United States | [1] | |||
Hotel Apex | Weldon Kees | United States | Study of the demolition of an old hotel [1] | |||
Hurlements en faveur de Sade | Guy Debord | France | Lettrist film | |||
Interim | Stan Brakhage | United States | Brakhage's first film, scored by James Tenney [11] | |||
1953 | ||||||
The Boy and the Sea | Stan Brakhage | United States | Silent, listed by Camper as "not available" [11] | |||
Color Cry | Len Lye | United States | Color, Drawn-on-film animation, music by Sonny Terry [12] | |||
Come Closer | Hy Hirsh | United States | Color, abstract animation in 3-D [5] | |||
Eaux d'Artifice | Kenneth Anger | Carmilla Salvatorelli | Italy | Color, added to the National Film Registry in 1993 [13] | ||
The End | Christopher Maclaine | United States | Early Beat generation film [14] | |||
Eneri | Hy Hirsh | United States | Abstract animation, color. [5] | |||
Form Phases II | Robert Breer | United States | Color, silent abstract animation. [10] | |||
Mandala | Jordan Belson | United States | Abstract animation, color [15] | |||
The Pleasure Garden | James Broughton | Lindsay Anderson, Hattie Jacques, John Le Mesurier | United Kingdom | |||
Statues Also Die | Chris Marker, Alain Resnais | France | ||||
Unglassed Windows Cast a Terrible Reflection | Stan Brakhage | United States | Silent, listed by Camper as "not available" [11] | |||
1954 | ||||||
Desistfilm | Stan Brakhage | United States | [11] | |||
The Extraordinary Child | Stan Brakhage | United States | Listed by Camper as "not available" [11] | |||
Form Phases IV | Robert Breer | United States | Color, silent abstract animation. [10] | |||
Gyromorphosis | Hy Hirsh | Netherlands | Abstract animation [5] | |||
Inauguration of the Pleasure Dome | Kenneth Anger | Samson de Brier, Anaïs Nin | United States | Color, edited into at least three distinct versions [16] | ||
Un Miracle | Robert Breer, Pontus Hultén | United States | Color, collage animation. [10] | |||
The Way to Shadow Garden | Stan Brakhage | United States | [11] | |||
1955 | ||||||
Atelier de Fernand Léger | Walerian Borowczyk | Poland | Filmed at Fernand Léger's studio in Paris [4] | |||
Aviary | Joseph Cornell | United States | Silent [17] | |||
The Bridge | William Heick | Weldon Kees | United States | Poetic study, based on Hart Crane [1] | ||
Closed Vision | Marc'O. | France | Lettrist film [8] | |||
Dementia , aka Daughter of Horror | John Parker | Adrienne Barrett, Bruno VeSota | United States | Essentially silent psychological horror film, music by George Antheil [18] | ||
Une femme coquette | Jean-Luc Godard | Maria Lysandre, Roland Tolma | France | |||
Haitian Film Footage | Maya Deren | Haiti | Begun in 1947; later posthumously edited into The Divine Horsemen [19] | |||
In Between | Stan Brakhage | United States | Color, music by John Cage [11] | |||
Jesień (Autumn) | Walerian Borowczyk | Poland | Animation [4] | |||
Joanne, Union Square | Joseph Cornell | United States | Silent [17] | |||
Joanne, Xmas | Joseph Cornell | United States | Silent [17] | |||
Mosaik im Vertrauen (Mosaic in Confidence) | Peter Kubelka | Austria | Written by Ferry Radax [20] | |||
A Portrait of Ga | Margaret Tait | United Kingdom | ||||
Orchard Street | Ken Jacobs | United States | Color, silent [21] | |||
Reflections | Madeline Tourtelot | United States | Color, two distinct versions [22] | |||
Reflections on Black | Stan Brakhage | United States | [11] | |||
Sunday in Peking | Chris Marker | France | ||||
Untitled film of Geoffrey Holder’s Wedding | Stan Brakhage, Larry Jordan | United States | [11] | |||
The Very Eye of Night | Maya Deren | United States | Dance film, choreographed by Antony Tudor [19] | |||
The Wonder Ring | Stan Brakhage | United States | Color, silent [11] | |||
Żywe fotografie (Photographies Vivantes) | Walerian Borowczyk | Poland | Animation [4] | |||
1956 | ||||||
Centuries of June | Stan Brakhage, Joseph Cornell | United States | Color, silent [11] | |||
Flesh of Morning | Stan Brakhage | United States | Revised in 1986 [11] | |||
Little Cobra Dance | Ken Jacobs | Jack Smith | United States | |||
Nightcats | Stan Brakhage | United States | Color, silent [11] | |||
Recreation | Robert Breer | Noël Burch | United States | Color, semi-abstract animation with narration. [10] | ||
Saturday Afternoon Blood Sacrifice | Ken Jacobs | Jack Smith | United States | |||
Together | Lorenza Mazzetti, Denis Horne | Eduardo Paolozzi, Michael Andrews | United Kingdom | Experimental semi-documentary [23] | ||
Zone Moment | Stan Brakhage | United States | Color, silent [11] | |||
1957 | ||||||
8 x 8: A Chess Sonata in 8 Movements | Jean Cocteau, Marcel Duchamp, Hans Richter | United States | ||||
A to Z | Michael Snow | Canada | "Blue and white" color, silent [24] [25] [26] | |||
Adebar | Peter Kubelka | Austria | Early structural — or in Kubelka's terms, "metric" — film [27] | |||
Adventures of * | John Hubley, Faith Hubley | United States | Color, music score by Benny Carter. Semi-abstract animation. [28] [29] | |||
Angel | Joseph Cornell | United States | Color [17] | |||
Był sobie raz (Once Upon a Time) | Jan Lenica, Walerian Borowczyk | Poland | Cut-out animation [30] | |||
Boy's Games | Joseph Cornell | United States | Silent [17] | |||
Cappuccino | Joseph Cornell | United States | [17] | |||
Children | Joseph Cornell | United States | Silent [17] | |||
Cloche a Travers les Feuilles/Claude Debussy | Joseph Cornell | United States | Revised version of Nymphlight [17] | |||
Daybreak and Whiteye | Stan Brakhage | United States | [11] | |||
Dni Oświaty (Education Days) | Jan Lenica, Walerian Borowczyk | Poland | Animation [4] | |||
A Fable for Fountains | Joseph Cornell, Rudolph Buckhardt | United States | Begun in 1955; revised as "A Legend for Fountains" in 1965 [17] | |||
Glimpse of the Garden | Marie Menken | United States | Selected for addition to the National Film Registry in 2007 [31] | |||
Nagrodzone uczucia (Requited Sentiments) | Jan Lenica, Walerian Borowczyk | Poland | Animation [30] | |||
Jamestown Baloos | Robert Breer | United States | Color, semi-abstract combination of animation and live action. [10] | |||
Loving | Stan Brakhage | Carolee Schneemann, James Tenney | United States | Color, silent [11] | ||
Strep-tease (Striptease) | Jan Lenica, Walerian Borowczyk | Poland | Animation [30] | |||
A Man and His Dog Out for Air | Robert Breer | United States | Abstract animation, shown with Last Year at Marienbad in its first New York run. [10] | |||
The Man Who Invented Gold | Christopher Maclaine | United States | Partly filmed by Jordan Belson [32] | |||
Nymphlight | Joseph Cornell | United States | Color [17] | |||
1958 | ||||||
Anticipation of the Night | Stan Brakhage | United States | [33] | |||
Beat | Christopher Maclaine | United States | [32] | |||
Broadway by Light | William Klein | France, United States | ||||
Défense d'afficher | Hy Hirsh | France | Color [5] | |||
Dom (House) | Jan Lenica, Walerian Borowczyk | Poland | Animation; Winner of 1958 Belgium International Experimental Film Competition [30] | |||
Free Radicals | Len Lye | United Kingdom | ||||
Une histoire d'eau | Jean-Luc Godard, François Truffaut | Caroline Dim, Jean-Claude Brialy | France | Semi-improvised, proto-Nouvelle vague short [34] | ||
A Movie | Bruce Conner | United States | Iconic collage film. [35] | |||
Schwechater | Peter Kubelka | Austria | "Metric" beer commercial | |||
Szkoła (School) | Jan Lenica, Walerian Borowczyk | Poland | Animated photographs [4] | |||
Spatiodynamisme | Tinto Brass, Nicolas Schöffer | France | Color, silent. A visual document of Schöffer's CYSP-1, the first cybernetic sculpture. [36] | |||
Sztandar młodych (Banner of Youth) | Jan Lenica, Walerian Borowczyk | Poland | Animation [30] | |||
The Very Eye of Night | Maya Deren | United States | ||||
1959 | ||||||
Les astronautes | Walerian Borowczyk, Chris Marker | France | Animated [4] | |||
Chasse des Touches | Hy Hirsh | France | Abstract animation [5] | |||
Cat's Cradle | Stan Brakhage | United States | Color, silent [11] | |||
The Diary of an Unknown Soldier | Peter Watkins | United Kingdom | ||||
Eyewash | Robert Breer | United States | Color, silent mixture of abstract animation and live action; exists in two versions. [10] | |||
Hiroshima mon amour | Alain Resnais | Eiji Okada, Emmanuelle Riva | France | Written by Marguerite Duras | ||
Monsieur Tête | Jan Lenica | France | Animation [30] | |||
Odds and Ends | Jane Conger Shimane Belson | United States | ||||
Pull My Daisy | Robert Frank, Alfred Leslie | Allen Ginsberg, Gregory Corso | United States | Beat Generation film, written by Jack Kerouac [37] | ||
The Running Jumping & Standing Still Film | Richard Lester | United Kingdom | ||||
Scotch Hop | Christopher Maclaine | United States | [32] | |||
Season of Strangers | Maya Deren | United States | Unfinished; made as part of Haiku Film Project at Woodstock [19] | |||
Shadows | John Cassavetes | Ben Carruthers, Lelia Goldoni, Hugh Hurd | United States | |||
Sirius Remembered | Stan Brakhage | United States | Color, silent [11] | |||
Wedlock House: An Intercourse | Stan Brakhage | United States | Silent [11] | |||
Window Water Baby Moving | Stan Brakhage | United States | Color, silent [11] | |||
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Isidore Isou, born Isidor Goldstein, was a Romanian-born French poet, dramaturge, novelist, film director, economist, and visual artist. He was the founder of Lettrism, an art and literary movement which owed inspiration to Dada and Surrealism.
Moods of the Sea (1941) is a non-narrative experimental film by Slavko Vorkapich and John Hoffman, set to the music of Felix Mendelssohn known as the Hebrides Overture.
Heaven and Earth Magic is a 1962 American avant-garde independent cutout animation film directed by visual artist, filmmaker and mystic Harry Everett Smith. Jonas Mekas gave the film its title Heaven and Earth Magic in 1964/65.
Andrew Grieve is a British television and film director. Grieve's credits include Wire in the Blood. On the Black Hill, the screenplay of which he also wrote, won the Golden Shell at the San Sebastian Film Festival in 1988. He has also directed episodes of Agatha Christie's Poirot and Hornblower. His work on Hornblower won him the Silver FIPA at the Biarritz International Festival of Audiovisual Programming in 1999. He has since written and directed the BBC drama-documentary Heroes and Villains episode on Hernán Cortés.
The End is a 1953 American short film directed by Christopher Maclaine. It tells the stories of six people on the last day of their lives. It premiered at the San Francisco Museum of Modern Art as part of Frank Stauffacher's Art in Cinema series. Though the film met audience disapproval at its premiere, it was praised by critics as a "masterpiece" and "a great work of art".
Christopher Maclaine was an American poet and filmmaker.