Jean Maurice Eugène Clément Cocteau was a French poet, playwright, novelist, designer, film director, visual artist and critic. He was one of the foremost artists of the surrealist, avant-garde, and Dadaist movements and an influential figure in early 20th century art. The National Observer suggested that, "of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man."
A Movie is a 1958 experimental collage film by American artist Bruce Conner. It combines pieces of found footage taken from various sources such as newsreels, soft-core pornography, and B movies, all set to a score featuring Ottorino Respighi's Pines of Rome.
Georges Auric was a French composer, born in Lodève, Hérault, France. He was considered one of Les Six, a group of artists informally associated with Jean Cocteau and Erik Satie. Before he turned 20 he had orchestrated and written incidental music for several ballets and stage productions. He also had a long and distinguished career as a film composer.
Guy-Ernest Debord was a French Marxist theorist, philosopher, filmmaker, critic of work, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International. He was also briefly a member of Socialisme ou Barbarie.
The Letterist International (LI) was a Paris-based collective of radical artists and cultural theorists between 1952 and 1957. It was created by Guy Debord and Gil J. Wolman rejoined by Jean-Louis Brau and Serge Berna as a schism from Isidore Isou's Lettrist group. The group went on to join others in forming the Situationist International, taking some key techniques and ideas with it.
Lettrism is a French avant-garde movement, established in Paris in the mid-1940s by Romanian immigrant Isidore Isou. In a body of work totaling hundreds of volumes, Isou and the Lettrists have applied their theories to all areas of art and culture, most notably in poetry, film, painting and political theory. The movement has its theoretical roots in Dada and Surrealism. Isou viewed his fellow countryman Tristan Tzara as the greatest creator and rightful leader of the Dada movement, and dismissed most of the others as plagiarists and falsifiers. Among the Surrealists, André Breton was a significant influence, but Isou was dissatisfied by what he saw as the stagnation and theoretical bankruptcy of the movement as it stood in the 1940s.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Isidore Isou, born Isidor Goldstein, was a Romanian-born French poet, dramaturge, novelist, film director, economist, and visual artist. He was the founder of Lettrism, an art and literary movement which owed inspiration to Dada and Surrealism.
Colette Janine Marchand was a French prima ballerina and actress. She was nominated for the Academy Award for Best Supporting Actress in 1952 for her performance as Marie Charlet in Moulin Rouge, directed by John Huston.
The Hearts of Age is an early film made by Orson Welles. The film is an eight-minute short that he co-directed with friend William Vance in 1934. The film stars Welles's first wife, Virginia Nicolson, and Welles himself. He made the film while still attending the Todd School for Boys in Woodstock, Illinois, at the age of 19.
The Blood of a Poet (1932) is an avant-garde film directed by Jean Cocteau, financed by Charles de Noailles and starring Enrique Riveros, a Chilean actor who had a successful career in European films. Photographer Lee Miller made her only film appearance in this movie, which features an appearance by the famed aerialist Barbette. It is the first part of The Orphic Trilogy, which is continued in Orphée (1950) and concludes with Testament of Orpheus (1960).
Hypergraphy, also called hypergraphics or metagraphics, is an experimental form of visual communication developed by the Lettrist movement. Hypergraphy abandons the phonetic values communicated by most conventional written languages in favor of an aesthetically broadened form. Given its experimental nature it can include any visual media. However, hypergraphy most commonly consists of letters, symbols, and pictographs.
Gil Joseph Wolman was a French artist. His work encompassed painting, poetry and film-making. He was a member of Isidore Isou's avant garde Letterist movement in the early 1950s, then becoming a central figure in the Letterist International, the group which would subsequently develop into the Situationist International.
Maurice Lemaître was a French Lettrist painter, filmmaker, writer and poet. Lemaître was Isidore Isou's right-hand man for nearly half a century, but began to distancing himself from Lettrism in the 2000s.
Nathaniel Dorsky is an American experimental filmmaker and film editor. His film career began during the New American Cinema movement of the 1960s, when he met his partner Jerome Hiler. He won an Emmy Award in 1967 for his work on the film Gaugin in Tahiti: Search for Paradise.
Anton Perich is a Croatian-American filmmaker, photographer and video artist, born in Dubrovnik, Croatia, in 1945. He has lived and worked in New York City since 1970.
Francois Dufrene was a French Nouveau realist visual artist, Lettrist and Ultra-Lettrist poet. He is primarily known as a pioneer in sound poetry and for his use of décollage within Nouveau réalisme.
Frédéric Acquaviva is a French autodidact experimental composer and avant-garde sound artist living between Paris, Berlin and London who works with voices, instruments, electronics, film and body sounds.
Hurlements en faveur de Sade is a 1952 French avant-garde film directed by Guy Debord. Devoid of any images, the film was an early work of Lettrist cinema.
The End is a 1953 American short film directed by Christopher Maclaine. It tells the stories of six people on the last day of their lives. It premiered at the San Francisco Museum of Modern Art as part of Frank Stauffacher's Art in Cinema series. Though the film met audience disapproval at its premiere, it was praised by critics as a "masterpiece" and "a great work of art".
