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Anton Perich is a Croatian-American filmmaker, photographer and video artist, born in Dubrovnik, Croatia, in 1945. He has lived and worked in New York City since 1970. [1]
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Anton Perich is a Croatian-American filmmaker, photographer and video artist, born in Dubrovnik, Croatia, in 1945. He has lived and worked in New York City since 1970. [1]
From 1965 to 1970, Perich lived in Paris, France and became close to the group of poets and artist working in the Lettrism group: (Isidore Isou, Maurice Lemaître), but also with the French film underground milieu (Piero Heliczer, Michel Auder, Raphaël Bassan, Slobodan Pajic, Pierre Clémenti). During that period, Perich changed his first name and became Antoine Perich, because Anton was not familiar a name in France. [2] [3] He was among the first activists to present, every week, programs of avant-garde and underground films at the American Center in Paris.
He moved to New York in 1970, became friends with Andy Warhol and contributed as a photographer to Warhol's Interview. He also worked as a busboy at the legendary Max's Kansas City, where he photographed the scene as an ongoing art performance every night, along with exhibiting the photos on the walls.
In 1977–78, he designed and built an electric painting machine, an early predecessor of the inkjet printer. The development of this machine rendered Perich a pioneer of electric-digital-computer art. [4]
In 1978, he founded NIGHT as an interactive "gallery space" for his photography and the nightly activities at places such as Studio 54. In 2006, he had a video retrospective at the Anthology Film Archives, in New York.
In 2012, the Italian film production Minimal Cinema produced In the fabulous underground, an unconventional art documentary and a portrait of Perich as an artist and as a man, directed by Claudio Romano and Mauro John Capece and produced by Betty L'Innocente. The film was screened at the contemporary art center of New Orleans on Saturday the 13th.
His son, Tristan Perich, is a noted composer and visual artist. [5]
Andy Warhol was an American visual artist, film director, producer, and leading figure in the pop art movement. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental films Empire (1964) and Chelsea Girls (1966), and the multimedia events known as the Exploding Plastic Inevitable (1966–67).
Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Max's Kansas City was a nightclub and restaurant at 213 Park Avenue South in New York City, which became a gathering spot for musicians, poets, artists, and politicians in the 1960s and 1970s. It was opened by Mickey Ruskin (1933–1983) in December 1965 and closed in 1981.
Gerard Joseph Malanga is an American poet, photographer, filmmaker, actor, curator and archivist.
Arman was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or paint traces they leave to using them as the artworks themselves. He is best known for his Accumulations and destruction/recomposition of objects.
Gilles Larrain is a French-American photographer who believes photography is a way to "capture the landscape of the soul of a person". By taking a unique approach to photography, which includes creating his own lighting, managing the entire darkroom process, and always having subjects come to his personal studio space, Larrain has created acclaimed pieces of art since 1969. In 1973, Larrain published the highly successful photographic book, Idols, which presented portraits of transvestites. Two generations later, the book inspired American photographer Ryan McGinley who wrote an April 2010 article in Vice, which identified Larrain and the book Idols as one of his early and biggest influences for experimenting with colors, casting, and props, because all of Larrain's images in the book are raw without any manipulation. Larrain has photographed notable personalities in a wide range of creative disciplines, including the dancers of the American Ballet Theatre, Mikhail Baryshnikov, Salvador Dalí, Miles Davis, Sting, Billy Joel, Roberto Rossellini, Norman Mailer, and more.
Events from the year 1981 in art.
Events from the year 1968 in art.
Events from the year 1965 in art.
Bruno Bischofberger is a Swiss art dealer and collector.
Ileana Sonnabend was a Romanian-American art dealer of 20th-century art. The Sonnabend Gallery opened in Paris in 1962 and was instrumental in making American art of the 1960s known in Europe, with an emphasis on American pop art. In 1970, Sonnabend Gallery opened in New York on Madison Avenue, and in 1971 relocated to 420 West Broadway in SoHo where it was one of the major protagonists that made SoHo the international art center it remained until the early 1990s. The gallery was instrumental in making European art of the 1970s known in America, with an emphasis on European conceptual art and Arte Povera. It also presented American conceptual and minimal art of the 1970s. In 1986, the so-called "Neo-Geo" show introduced, among others, the artist Jeff Koons. In the late 1990s, the gallery moved to Chelsea and continues to be active after Sonnabend's death. The gallery goes on showing the work of artists who rose to prominence in the 1960s and 1970s including Robert Morris, Bernd and Hilla Becher and Gilbert & George as well as more recent artists including Jeff Koons, Rona Pondick, Candida Höfer, Elger Esser, and Clifford Ross.
Dan Christensen, was an American abstract painter He is best known for paintings that relate to Lyrical Abstraction, Color field painting, and Abstract expressionism.
Marvin Israel was an American artist, photographer, painter, teacher and art director from New York City known for modern/surreal interiors, abstract imagery. Israel created sinister shadowy and exuberant interiors with implications of violence that were often sexual in nature.
Elwyn Moody "Wynn" Chamberlain,, was an American artist, film maker and author. Described by The New York Times as a "pioneer realist painter", Chamberlain has two works, Interior: Late August (1955) and The Barricade (1958), in the permanent collection of the Smithsonian American Art Museum.
David Reed is a contemporary American conceptual and visual artist.
Robert Couri Hay is an American publicist and gossip columnist. Initially working for Andy Warhol among the original contributing editors to Interview magazine, his reporting subsequently appeared in People, Town & Country, and Hamptons, with contributions to Women's Wear Daily and New York newspapers. Recent appearances in documentary retrospectives include Halston (2019) and The Andy Warhol Diaries (2022).
Race Riot is an 1964 acrylic and silkscreen painting by the American artist Andy Warhol that he executed in 1964. It fetched $62,885,000 at Christie's in New York on 13 May 2014.
Richard Frederick Bernstein was an American artist associated with pop art and the circle of Andy Warhol. For nearly 20 years he was the cover artist for Interview Magazine.
Richard Gallo (1946–2007) was an American stage actor, performance artist, and experimental theater stage director, noted mostly for his street performances and provocative costumes. His work blurred the boundaries between performance art, theatre, and fashion. Gallo performed outside the luxury stores and hotels on Fifth Avenue wearing costumes that referenced glamour, sadomasochism, and high fashion. His street performances challenged mainstream conceptions of identity, masculinity, and sexuality.
The year 2022 in art involves various significant events.
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