Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics in its creation. It includes both music made using electronic and electromechanical means. Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and electric guitar.
William John Viola Jr. was an American video artist whose artistic expression depended upon electronic, sound, and image technology in new media. His works focus on the ideas behind fundamental human experiences such as birth, death, and aspects of consciousness.
Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.
Industrial music is a genre of music that draws on harsh, mechanical, transgressive, or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation." The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Glitch is a genre of electronic music that emerged in the 1990s which is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts.
IRCAM is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings.
Evan Ziporyn is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics. Balinese gamelan, for which he has composed numerous works, has compositions. He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
Annie Gosfield is a New-York-based composer who works on the boundaries between notated and improvised music, electronic and acoustic sounds, refined timbres and noise. She composes for others and performs with her own group, taking her music to festivals, factories, clubs, art spaces and concert halls. Much of her work combines acoustic instruments with electronic sounds, incorporating unusual sources such as satellite sounds, machine sounds, detuned or out-of-tune samples and industrial noises. Her work often contains improvisation and frequently uses extended techniques and/or altered musical instruments. She won a 2012 Berlin Prize.
Nicolas Collins is a composer of mostly electronic music, a sound artist and writer. He received his BA and MA from Wesleyan University, and his PhD from the University of East Anglia. Upon graduating from Wesleyan, he was a Watson Fellow.
John Luther Adams is an American composer whose music is inspired by nature, especially the landscapes of Alaska, where he lived from 1978 to 2014. His orchestral work Become Ocean was awarded the 2014 Pulitzer Prize for Music.
Phil Kline is an American composer, sound artist, and performer most recognized for his Unsilent Night (1992) and Zippo Songs (2004). Beginning as a guitarist and singer in the New York City art punk scene, Kline has since gained notability through his song cycles and theatrical works, musical performance art pieces, work with Bang on a Can, and WQXR's online new-music radio show. With five studio albums to date, a majority of his compositional work can be found on Cantaloupe Music.
Bang on a Can is a multi-faceted contemporary classical music organization based in New York City. It was founded in 1987 by three American composers who remain its artistic directors: Julia Wolfe, David Lang, and Michael Gordon. Called "the country's most important vehicle for contemporary music" by the San Francisco Chronicle, the organization focuses on the presentation of new concert music, and has presented hundreds of musical events worldwide.
Michael Gordon is an American composer and co-founder of the Bang on a Can music collective and festival. He grew up in Nicaragua.
Alarm Will Sound is a 20-member chamber orchestra that focuses on recordings and performances of contemporary classical music. Its performances have been described as "equal parts exuberance, nonchalance, and virtuosity" by the Financial Times and as "a triumph of ensemble playing" by the San Francisco Chronicle. The New York Times said that Alarm Will Sound is "one of the most vital and original ensembles on the American music scene."
Ethel is a New York based string quartet that was co-founded in 1998 by Ralph Farris, viola; Dorothy Lawson, cello; Todd Reynolds, violin; and Mary Rowell, violin. Unlike most string quartets, Ethel plays with amplification and integrates improvisation into its performances. The group's current membership includes violinists Kip Jones and Corin Lee.
Pamela Z is an American composer, performer, and media artist best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z's musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through the software program Max on a MacBook Pro as a means of layering, looping, and altering her live vocal sound. Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.
Sō Percussion is an American percussion quartet formed in 1999 and based in New York City.
Simon Emmerson is an electroacoustic music composer working mostly with live electronics. He was born in Wolverhampton, UK, on 15 September 1950.
Christine Southworth is an American composer of postminimal music and works with combinations of Western ensembles, electronics, and world music ensembles including Balinese gamelan and bagpipes. She performs Balinese gamelan and gender wayang with Cambridge, Massachusetts-based Gamelan Galak Tika, as well as Galician Gaita and Great Highland Bagpipes. She co-founded Ensemble Robot, a cooperative of engineers, artists and musicians working together to invent robotic musical instruments. She was also the general manager of Gamelan Galak Tika from 2004 through 2013. Her own music incorporates her work with Balinese gamelan and with technology and electronics, as well as reaching beyond these influences with an expanded palette of contemporary classical, jazz and rock, and world music from Africa, Asia and Eastern Europe.
Ted Hearne is an American composer, singer and conductor. He currently lives in Los Angeles, California.
