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Jean-Luc Godard was a French-Swiss film director, screenwriter and film editor whose career spanned nearly seventy years. He directed, wrote, produced and edited many films. The following attempts to be a comprehensive filmography.
Year | Title | English title | Notes |
---|---|---|---|
1955 | Opération béton | Operation Concrete | Narrator; also Editor |
Une Femme Coquette | A Coquettish Woman | Credited as Hans Lucas; also Editor and Cinematographer | |
1958 | Une histoire d'eau | A Story of Water | Co-directed with François Truffaut; also Editor |
Charlotte et son Jules | Charlotte and Her Boyfriend | Uncredited as the voice of Jules; also Editor | |
1959 | 'Charlotte et Véronique, ou Tous les garçons s'appellent Patrick' | All the Boys Are Called Patrick | |
Year | Original title | English title | Notes |
---|---|---|---|
1960 | À Bout de Souffle | Breathless | The Snitch; co-conceived with François Truffaut |
1961 | Une Femme est une Femme | A Woman Is a Woman | |
1962 | Vivre sa vie | Voice of Nana's boyfriend | |
1963 | Le Petit Soldat | Uncredited as actor | |
Les Carabiniers | The Carabineers | ||
Le Mépris | Contempt | Uncredited as actor | |
1964 | Bande à part | Uncredited as narrator | |
Une Femme Mariée | A Married Woman | Uncredited as narrator | |
1965 | Alphaville: une étrange aventure de Lemmy Caution | Alphaville | |
Pierrot le Fou | |||
1966 | Masculin Féminin | ||
Made in U.S.A | Uncredited as the voice of Richard Politzer | ||
1967 | 2 ou 3 Choses que je sais d'Elle | Two or Three Things I Know About Her | Narrator; co-written with Catherine Vimenet |
La Chinoise | |||
Week-end | |||
Year | Original title | English title | Notes |
---|---|---|---|
1962 | La Paresse | Sloth | From The Seven Deadly Sins |
Il Nuovo Mondo | The New World | From RoGoPaG | |
1964 | Le Grand Escroc | The Great Swindler | Narrator; from The World's Most Beautiful Swindlers |
Reportage sur Orly | Reporting on Orly | ||
1965 | Montparnasse-Levallois | From Six in Paris | |
1967 | Anticipation, ou: l'amour en l'an 2000 | Anticipation: or Love in the Year 2000 | From The World's Oldest Profession |
Caméra-oeil | Camera-Eye | From Far from Vietnam | |
L'amore (Andate e ritorno dei figli prodighi) | Love: Departure and Return of the Prodigal Children | From Love and Anger | |
Although Godard and Jean-Pierre Gorin were the principal creative forces behind these films, they usually went without on-screen credit. Most of the films from this time period were credited to the Dziga Vertov Group collective.
Year | Original title | English title | Notes |
---|---|---|---|
1968 | Ciné-tracts | ||
Le Rouge: Film-Tract: n° 1968 | Co-directed and written with Gérard Fromanger; also Editor and Producer | ||
Un Film comme les Autres | A Film Like Any Other | Editor | |
Sympathy for the Devil | |||
One A.M. (One American Movie) | Unfinished; also cinematographer. Incorporated into One P.M. by D. A. Pennebaker (1971). | ||
1969 | Le Gai Savoir | Joy of Learning | Narrator; also Editor |
British Sounds | Co-directed and written with Jean-Henri Roger | ||
Pravda | |||
Vent d'est | Wind from the East | Co-written and directed with Jean-Pierre Gorin, Editor | |
Lotte en Italia | Struggles in Italy | Co-written and directed with Jean-Pierre Gorin | |
1970 | Jusqu'à la Victoire | Until Victory | Unfinished; incorporated into Here and Elsewhere by Godard & Anne-Marie Miéville in 1974 |
1971 | Vladimir et Rosa | Vladimir and Rosa | Vladimir Lenin; co-written and directed with Jean-Pierre Gorin; also Editor and Cinematographer |
Schick after Shave | |||
1972 | Tout Va Bien | Co-written and directed with Jean-Pierre Gorin | |
Letter to Jane | Co-written and directed with Jean-Pierre Gorin | ||
Year | Original title | English title | Notes |
---|---|---|---|
1975 | Numéro deux | Number Two | Himself; Co-written with Anne-Marie Miéville |
1976 | Ici et ailleurs | Here and Elsewhere | Narrator; co-director and co-writer |
Comment ça va | How's it going | Co-written and directed with Anne-Marie Miéville | |
Six fois deux, sur et sous la communication | Six Times Two: Over and Under Communication | Himself; co-written and directed with Anne-Marie Miéville; also Editor and Producer | |
1977 | Faut pas rêver | Dream On | Editor, Producer and Cinematographer |
1978 | France/tour/détour/deux enfants | France/Tour/Detour/Two Children | Robert Linard; Producer, uncredited as editor |
Year | Original title | English title | Notes |
---|---|---|---|
1980 | Sauve qui Peut (la vie) | Every Man for Himself | Co-written with Jean-Claude Carrière and Anne-Marie Miéville, also Editor and Producer |
1982 | Passion | Co-written with Jean-Claude Carrière, also Editor | |
1983 | Prénom: Carmen | First Name: Carmen | Uncredited as Uncle Jeannot |
1985 | Je vous salue, Marie | Hail Mary | |
Détective | Co-written with Alain Sarde and Philippe Setbon | ||
1987 | King Lear | Professor Pluggy; uncredited as writer; also Editor and Executive Producer | |
Soigne ta Droite | Keep Your Right Up | The Idiot/Prince; also Editor | |
Year | Original title | English title | Notes |
---|---|---|---|
1979 | Quelques remarques sur la réalisation et la production du film 'Sauve qui peut (la vie)' | A Few Remarks on the Direction and Production of the Film"Sauve qui peut (la vie)" | Narrator |
1981 | Une bonne à tout faire | Good to Go | |
1982 | Lettre à Freddy Buache | Letter to Freddy Buache | Himself |
Changer d'image | To Alter the Image | The Idiot; also Editor. From Le Changement a plus d'un titre (Change Has More Than One Title) | |
Passion, le travail et l'amour: introduction à un scénario, ou Troisième état du scénario du film Passion | |||
Scénario du film Passion | Narrator, Himself | ||
1983 | Petites notes à propos du film Je vous salue, Marie | Small Notes Regarding the Film | Himself |
1986 | Grandeur et décadence d'un petit commerce de cinéma | The Rise and Fall of a Small Film Company | Uncredited as actor and writer; made for the French TV series Série noire |
Soft and Hard | Himself; co-written and directed with Anne-Marie Miéville, also Editor | ||
Meetin' WA | Himself; also Editor | ||
1987 | Armide | From Aria | |
1988 | On s'est tous défilé | Editor | |
Closed Jeans: Marithé François Girbaud, série 1, 1-10 | Closed Jeans: Marithé François Girbaud: Series 1: 1-10 | Editor | |
Closed: Marithé et François Girbaud, série 2, 1-7 | Closed: Marithé and François Girbaud: Series 2: 1-7 | Editor | |
Puissance de la parole | The Power of Speech | ||
Le Dernier mot/Les Français entendus par... | The Last Word/The French as Understood by... | From The French as Seen by... | |
Year | Original title | English title | Notes |
---|---|---|---|
1988-1998 | Histoire(s) du cinéma | History(s) of the Cinema | Himself |
1990 | Nouvelle Vague | Uncredited as editor | |
1991 | Allemagne Année 90 Neuf zéro | Germany Year 90 Nine Zero | Uncredited as editor |
1993 | Hélas pour moi | Oh Woe Is Me | |
1994 | JLG/JLG, Autoportrait de Décembre | JLG/JLG: Self-Portrait in December | Editor, Himself |
1996 | For Ever Mozart | Editor | |
2001 | Eloge de l'amour | In Praise of Love | |
2004 | Notre Musique | Himself | |
2010 | Film Socialisme | ||
2014 | Adieu au Langage | Goodbye to Language | Uncredited as actor [1] |
2018 | Le Livre d'Image | The Image Book | Last feature film [2] |
2023 | Film Annonce du Film qui n’existera Jamais: “Drôles de Guerres” | Trailer of the Film That Will Never Exist: "Phony Wars" | |
2024 | Exposé du Film Annonce du Film “Scénario” | ||
Scénarios | Last short film |
Year | Original title | English title | Notes |
---|---|---|---|
1989 | Le Rapport Darty | The Darty Report / The Darty Connection | Nathanael, the 2000 year-old robot; co-directed with Anne-Marie Miéville |
1990 | Marithé François Girbaud: Métamorphojean | ||
1991 | Pour Thomas Wainggai | From Contre l'oubli | |
1991 | L'enfance de l'art | Co-written and directed with Anne-Marie Miéville; also Editor | |
1992 | Parisienne People Cigarettes | Editor | |
1993 | Les Enfants jouent à la Russie | The Kids Play Russian | Prince Mishkin; also Editor |
1993 | Je vous salue Sarajevo | I Salute Thee Sarajevo / Hail Sarajevo | Narrator; also Editor |
1995 | 2 x 50 Ans de Cinéma Français | 2 x 50 French Cinema Years | Himself; co-directed with Anne-Marie Miéville; also Editor |
1996 | Plus Oh! | Editor | |
1996 | Espoir/Microcosmos | Editor | |
1998 | Adieu au TNS | Himself | |
1999 | The Old Place | Narrator; co-written and directed with Anne-Marie Miéville; also Editor | |
2000 | De l'origine du XXIe Siècle | Origins of the 21st Century | Editor |
2002 | Dans le noir du temps | From Ten Minutes Older: The Cello | |
Liberté et patrie | Freedom and Fatherland | Co-written and directed with Anne-Marie Miéville; also Editor | |
2004 | Moments Choisis | Collage taken by Godard from Histoire(s) du Cinema ; also Editor | |
2006 | Ecce Homo | Editor and Producer | |
Vrai Faux Passeport | True False Passport | Narrator; Editor and Producer | |
Reportage amateur Maquette expo | Co-written and directed with Anne-Marie Miéville | ||
Prière pour Refusniks (1) | Prayer for Refuseniks (1) | Editor | |
Prière pour refusniks (2) | Prayer for Refuseniks (2) | Editor | |
2008 | Prière pour Refusniks (2) | Prayer for Refuseniks (2) | Editor |
Une Catastrophe | A Catastrophe | Trailer for Viennale, also Editor | |
2010 | Tribute to Eric Rohmer | Uncredited as editor and actor | |
2013 | Les trois désastres | From 3X3D , omnibus film with Peter Greenaway and Edgar Pera | |
2014 | The Bridge of Sighs | From omnibus film Les Ponts de Sarajevo | |
Letter in Motion to Gilles Jacob and Thierry Fremaux | Narrator | ||
2015 | Prix suisse, remerciements, mort ou vif | Himself | |
2018 | 22nd Ji.hlava IDFF | Himself; promotional short for the 22nd Jihlava International Documentary Film Festival |
Year | Original title | English title | Acting Credit | Notes |
---|---|---|---|---|
1950 | Le Château de Verre | The Glass Castle | Un passant | Uncredited |
1956 | Le coup du Berger | Fool's Mate | Un invité à la fête | Uncredited |
1956 | La Sonate à Kreutzer | Ami journaliste | ||
1960 | Présentation ou Charlotte et son Steak | Presentation, or Charlotte and Her Steak | Walter | Short |
1961 | Paris Belongs to Us | Un homme à la terrasse | Credited as Hans Lucas | |
1961 | Les fiancés du pont Mac Donald ou (Méfiez-vous des lunettes noires) | L'homme aux lunettes noires | Short | |
1962 | Cléo from 5 to 7 | Actor in silent film | Uncredited | |
1962 | Le Signe du Lion | Le mélomane | Uncredited | |
1962 | Sun in Your Eyes | Unknown | ||
1963 | Shéhérazade | Unknown | ||
1966 | The Defector | Orlovsky's Friend | Uncredited | |
1969 | Ciné-girl | Lui-même | Uncredited | |
1975 | Ne | Unknown | ||
1978 | Der kleine Godard an das Kuratorium junger deutscher Film | The Guest | ||
1997 | We're Still Here | L'homme comédien | ||
2000 | After the Reconciliation | Robert | ||
Year | Title | Notes |
---|---|---|
2019 | Le Studio d'Orphée | Art Installation at the Fondazione Prada in Milan [3] |
2022 | See You Friday, Robinson | Directed by Mitra Farahani, with visual contributions by Godard [4] |
Jean-Luc Godard was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. His most acclaimed films include Breathless (1960), Vivre sa vie (1962), Contempt (1963), Band of Outsiders (1964), Alphaville (1965), Pierrot le Fou (1965), Masculin Féminin (1966), Weekend (1967) and Goodbye to Language (2014).
Anna Karina was a Danish-French film actress, director, writer, model, and singer. She was French New Wave director Jean-Luc Godard's early collaborator, performing in several of his films, including The Little Soldier (1960), A Woman Is a Woman (1961), My Life to Live (1962), Bande à part, Pierrot le Fou (1965), and Alphaville (1965). For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival.
Contempt is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, and Giorgia Moll.
Masculin Féminin is a 1966 French New Wave film directed by Jean-Luc Godard. An international co-production between France and Sweden, the film stars Jean-Pierre Léaud, Chantal Goya, Marlène Jobert, Catherine-Isabelle Duport, and Michel Debord.
Film Socialisme is a 2010 French postmodern drama film directed by Jean-Luc Godard.
Brothers Jean-Pierre Dardenne and Luc Dardenne, collectively referred to as the Dardenne brothers, are a Belgian filmmaking duo. They write, produce, and direct their films together. They also own the production company Les Films du Fleuve.
Histoire(s) du cinéma is an eight-part video project begun by Jean-Luc Godard in the late 1980s and completed in 1998. The longest, at 266 minutes, and one of the most complex of Godard's films, Histoire(s) du cinéma is an examination of the history of the concept of cinema and how it relates to the 20th century; in this sense, it can also be considered a critique of the 20th century and how it perceives itself. The project is widely considered Godard's magnum opus.
The 21st Cannes Film Festival was to have been held from 10 to 24 May 1968, before being curtailled due to the turmoil of May 1968 in France.
Détective is a 1985 French crime film directed by Jean-Luc Godard. It was entered into the 1985 Cannes Film Festival. The film won the Georges Delerue Award for Best Soundtrack/Sound Design at Film Fest Gent in 1985.
Goodbye to Language is a 2014 French-Swiss narrative essay film written and directed by Jean-Luc Godard. It stars Héloïse Godet, Kamel Abdeli, Richard Chevallier, Zoé Bruneau, Jessica Erickson and Christian Grégori and was shot by cinematographer Fabrice Aragno. It is Godard's 42nd feature film and 121st film or video project. In the French-speaking parts of Switzerland where it was shot, the word "adieu" can mean both goodbye and hello. The film depicts a couple having an affair. The woman's husband discovers the affair and the lover is killed. Two pairs of actors portray the couple and their actions repeat and mirror one another. Godard's own dog Roxy Miéville has a prominent role in the film and won a prize at the Cannes Film Festival. Like many of Godard's films, it includes numerous quotes and references to previous artistic, philosophical and scientific works, most prominently those of Jacques Ellul, Aleksandr Solzhenitsyn and Mary Shelley.
Fabrice Aragno is a Swiss director, producer, and cinematographer.
Letter in Motion to Gilles Jacob and Thierry Frémaux is a 2014 short film directed by Jean-Luc Godard.
3x3D is a 2013 anthology film comprising three short 3D films directed by French/Swiss filmmaker Jean-Luc Godard, British filmmaker Peter Greenaway and Portuguese filmmaker Edgar Pêra. It was released in France April 30, 2014 after being presented at the closing night of Critics' Week of the 2013 Cannes Film Festival in May. It also screened at the 2013 Vancouver International Film Festival.
The Image Book is a 2018 Swiss avant-garde essay film directed by Jean-Luc Godard. Initially titled Tentative de bleu and Image et parole, in December 2016 Wild Bunch co-chief Vincent Maraval stated that Godard had been shooting the film for almost two years "in various Arab countries, including Tunisia" and that it is an examination of the modern Arabic world. Godard told Séance magazine that he was shooting without actors but the film would have a storyteller. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. The film was positively received by film critics. It was the final film directed by Godard before his death in 2022.
Redoubtable, released in the United States as Godard Mon Amour, is a 2017 French biographical comedy-drama film written and directed by Michel Hazanavicius about the affair of filmmaker Jean-Luc Godard with actress Anne Wiazemsky in the late 1960s, during the making of his film La Chinoise (1967). It was selected to compete for the Palme d'Or in the main competition section at the 2017 Cannes Film Festival.
The 71st annual Cannes Film Festival was held from 8 to 19 May 2018. Australian actress Cate Blanchett acted as president of the jury. The Japanese film Shoplifters, directed by Hirokazu Kore-eda, won the Palme d'Or.
3 Faces is a 2018 Iranian drama film directed by Jafar Panahi and starring Behnaz Jafari and Panahi as themselves. The film was produced despite a ban on filmmaking imposed on Panahi. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival, winning the award for Best Screenplay.
Yomeddine is a 2018 Egyptian drama film directed by Abu Bakr Shawky based on friendship relations. It was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. At Cannes, it won the François Chalais Prize. It was selected as the Egyptian entry for the Best Foreign Language Film at the 91st Academy Awards, but it was not nominated.
Sofia is a 2018 Belgian drama film written and directed by Meryem Benm'Barek-Aloïsi. It was screened in the Un Certain Regard section at the 2018 Cannes Film Festival. At Cannes, Meryem Benm'Barek-Aloïsi won the Un Certain Regard Award for Best Screenplay.
Huang Jue is a Chinese actor. He gained fame for his roles in Baobei in Love (2004), Falling Flowers (2012), and Fallen City (2013). In 2018, Jue had also starred in the films Long Day's Journey into Night, which was screened in the Un Certain Regard section at the 2018 Cannes Film Festival.