Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin.
Glenda May Jackson was an English actress and politician. She was one of the few performers to achieve the American Triple Crown of Acting, having won two Academy Awards, three Emmy Awards and a Tony Award. A member of the Labour Party, she served continuously as a Member of Parliament (MP) for 23 years, initially for Hampstead and Highgate from 1992 to 2010, and Hampstead and Kilburn from 2010 to 2015, following boundary changes.
Henry Kenneth Alfred Russell was a British film director, known for his pioneering work in television and film and for his flamboyant and controversial style. His films were mainly liberal adaptations of existing texts, or biographies, notably of composers of the Romantic era. Russell began directing for the BBC, where he made creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios.
Women in Love is a 1969 British romantic drama film directed by Ken Russell and starring Alan Bates, Oliver Reed, Glenda Jackson, and Jennie Linden. The film was adapted by Larry Kramer from D.H. Lawrence's 1920 novel Women in Love. It was the first film to be released by Brandywine Productions.
Antonina Ivanovna Miliukova was the wife of Russian composer Pyotr Ilyich Tchaikovsky from 1877 until his death in 1893. After marriage she was known as Antonina Tchaikovskaya.
Nadezhda Filaretovna von Meck was a Russian businesswoman who became an influential patron of the arts, especially music. She is best known today for her artistic relationship with Pyotr Ilyich Tchaikovsky, supporting him financially for thirteen years, so that he could devote himself full-time to composition, while stipulating that they were never to meet. Tchaikovsky dedicated his Symphony No. 4 in F minor to her. She also gave financial support to several other musicians, including Nikolai Rubinstein and Claude Debussy.
Pyotr Ilyich Tchaikovsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878. Its first performance was at a Russian Musical Society concert in Moscow on February 22, 1878, with Nikolai Rubinstein as conductor. In Middle Europe it sometimes receives the nickname "Fatum", or "Fate".
Lisztomania is a 1975 British surreal biographical musical comedy film written and directed by Ken Russell about the 19th-century composer Franz Liszt. The screenplay is derived, in part, from the book Nélida by Marie d'Agoult (1848), about her affair with Liszt.
Salome's Last Dance is a 1988 British film written and directed by Ken Russell. Although most of the action is a verbatim performance of Oscar Wilde's 1891 play Salome, which is itself based on a story from the New Testament, there is also a framing narrative that was written by Russell.
Capriccio italien, Op. 45, is a 15-minute fantasy for orchestra by Pyotr Ilyich Tchaikovsky. Composed between January and May 1880, it premiered on 18 December that year in Moscow with Nikolay Rubinstein conducting the Orchestra of the Imperial Russian Musical Society. The dedicatee was cellist Karl Davydov. The work's initial name was Italian Fantasia, after Mikhail Glinka's Spanish pieces.
In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.
The Liturgy of St. John Chrysostom is an a cappella choral composition by Pyotr Ilyich Tchaikovsky, his Op. 41, composed in 1878. It consists of settings of texts taken from the Divine Liturgy of St. John Chrysostom, the most celebrated of the eucharistic services of the Eastern Orthodox Church. Tchaikovsky's setting constitutes the first "unified musical cycle" of the liturgy.
Orchestral Suite No. 1 in D minor is an orchestral suite, Op. 43, written by Pyotr Ilyich Tchaikovsky in 1878 and 1879. It was premiered on December 20, 1879 at a Russian Musical Society concert in Moscow, conducted by Nikolai Rubinstein. The piece is dedicated to Tchaikovsky's patroness, Nadezhda von Meck.
This article lists appearances of the composer Pyotr Ilyich Tchaikovsky in popular media.
Pyotr Ilyich Tchaikovsky struggled with sonata form, the primary Western principle for building large-scale musical structures since the middle of the 18th century. Traditional Russian treatment of melody, harmony and structure actually worked against sonata form's modus operandi of movement, growth and development. Russian music—the Russian creative mentality as a whole, in fact—functioned on the principle of stasis. Russian novels, plays and operas were written as collections of self-contained tableaux, with the plots proceeding from one set-piece to the next. Russian folk music operated along the same lines, with songs comprised as a series of self-contained melodic units repeated continually. Compared to this mindset, the precepts of sonata form probably seemed as alien as if they had arrived from the moon.
Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.
Iosif Iosifovich Kotek, also seen as Josef or Yosif, was a Russian Empire violinist and composer remembered for his association with Pyotr Ilyich Tchaikovsky. He assisted Tchaikovsky with technical difficulties in the writing of the solo part in his Violin Concerto in D. He was also probably his lover at some point, although he was not exclusively homosexual, making him bisexual.
Władysław Pachulski was a Polish violinist, pianist and amateur composer who was the secretary to and later son-in-law of Nadezhda von Meck, the patroness for 13 years of Pyotr Ilyich Tchaikovsky. Pachulski was often the intermediary between composer and patroness, who had agreed never to meet face to face but to conduct an epistolary relationship. He played a significant role in the events surrounding the sudden break between them in 1890, and probably even instigated it.
The opus Six Romances was composed in 1878 by Pyotr Ilyich Tchaikovsky for voice and piano, and was published as Opus 38 later that year. Of these six songs, "Don Juan's Serenade" was the most successful, becoming one of the best-known works among the approximately 100 romances that Tchaikovsky composed during his lifetime.
The Secret Life of Arnold Bax is a 1992 British TV movie directed by Ken Russell, who also stars in the title role as composer Arnold Bax. It was one of eight musical drama documentaries directed by Russell for The South Bank Show on London Weekend Television between 1983 and 2002. The film focuses on the composer's complicated relationship with pianist Harriet Cohen while at the same time seeking inspiration for his music from the dancer Annie. As with all of Russell's films on composers the drama serves as a showcase for the music. Set in 1948, when the film Oliver Twist had just been released, the film mostly uses earlier compositions such as The Garden of Fand, Tintagel and the Symphony No 2 as its soundtrack. Lewis Foreman was musical adviser.
