Bartok is a 1964 British television film about Béla Bartók. It was directed by Ken Russell. [1]
Béla Viktor János Bartók was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology.
Henry Kenneth Alfred Russell was a British film director, known for his pioneering work in television and film and for his flamboyant and controversial style. His films in the main were liberal adaptations of existing texts, or biographies, notably of composers of the Romantic era. Russell began directing for the BBC, where he made creative adaptations of composers' lives which were unusual for the time. He also directed many feature films independently and for studios.
The Concerto for Orchestra in F minor, Sz. 116, BB 123, is a five-movement orchestral work composed by Béla Bartók in 1943. It is one of his best-known, most popular, and most accessible works.
The String Quartet No. 5, Sz. 102, BB 110 by Béla Bartók was written between 6 August and 6 September 1934. It is one of six string quartets by Bartok.
The String Quartet No. 6 in D minor, Sz. 114, BB 119, was the final string quartet that Béla Bartók wrote before his death in 1945.
Zoltán Kocsis was a Hungarian pianist, conductor and composer.
The Viola Concerto in A minor, Sz. 120, BB 128 was one of the last pieces written by Béla Bartók. He began composing his viola concerto while living in Saranac Lake, New York, in July 1945. The piece was commissioned by William Primrose, a respected violist who knew that Bartók could provide a challenging piece for him to perform. He said that Bartók should not "feel in any way proscribed by the apparent technical limitations of the instrument"; Bartók, though, was suffering from the terminal stages of leukemia when he began writing the viola concerto and left only sketches at the time of his death.
In music, polymodal chromaticism is the use of any and all musical modes sharing the same tonic simultaneously or in succession and thus creating a texture involving all twelve notes of the chromatic scale. Alternately it is the free alteration of the other notes in a mode once its tonic has been established.
In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
A clarinet-violin-piano trio is a standardized chamber musical ensemble made up of one clarinet, one violin, and one piano participating in relatively equal roles, or the name of a piece written for such a group.
Bartók usually refers to Béla Bartók, Hungarian composer.
The Wooden Prince, Op. 13, Sz. 60, is a one-act pantomime ballet composed by Béla Bartók in 1914–1916 to a scenario by Béla Balázs. It was first performed at the Budapest Opera on 12 May 1917 under the conductor Egisto Tango.
Cantata Profana is a work for double mixed chorus and orchestra by the Hungarian composer Béla Bartók. Completed on 8 September 1930, it received its premiere in London on 25 May 1934, with the BBC Symphony Orchestra and Wireless Chorus conducted by Aylmer Buesst. Tenor Trefor Jones and baritone Frank Phillips were the featured soloists. The work was presented in an English translation by M. D. Calvocoressi.
Contrasts is a 1938 composition scored for clarinet-violin-piano trio by Béla Bartók (1881–1945). It is based on Hungarian and Romanian dance melodies and has three movements with a combined duration of 17–20 minutes. Bartók wrote the work in response to a letter from violinist Joseph Szigeti, although it was officially commissioned by clarinetist Benny Goodman.
Herzog Blaubarts Burg (1963) is a film of the opera Bluebeard's Castle by the Hungarian composer Béla Bartók, written in 1911 to a symbolist libretto by the poet and later film theorist Béla Balázs. The film was made for West German television, Süddeutscher Rundfunk, and was produced by Norman Foster, who also performs the lead role. The designer was Hein Heckroth who brought in his old friend Michael Powell, for whom he had designed a number of films, to direct it. The film, which was shot at Dürer Film Ateliers in Salzburg, Austria, was out of circulation for decades because of legal problems.
The Suite, Op. 14, Sz. 62, BB 70 is a piece for solo piano written by Béla Bartók. It was written in February 1916, published in 1918, and debuted by the composer on April 21, 1919, in Budapest. The Suite is one of Bartók's most significant works for piano, only comparable with his 1926 Piano Sonata. Though much of Bartók's work makes frequent use of Eastern European folk music, this suite is one of the few pieces without melodies of folk origin. However, Romanian, Arabic, and North African rhythmic influences can still be found in some movements. Originally intending the suite to be a five-movement work, Bartók later decided against the idea and discarded the second movement, the Andante, which was published only posthumously in the October 1955 issue of Új Zenei Szemle.
Bence Szabolcsi was a Hungarian music historian. Along with Ervin Major, "he can be considered the founder of scholarly study of the history of Hungarian music, and he was primarily responsible for creating an establishment for musicology in Hungary."
Hungarian Nights or Night Is Whispering is a 1929 German silent drama film directed by Victor Janson and starring Lil Dagover, Hans Stüwe and Alexander Murski.
Eight Hungarian Folksongs, Sz. 64, BB 47 is a song cycle for high voice and piano by Hungarian composer Béla Bartók. It was composed between 1907 and 1917.
The Bartók Quartet is a Hungarian string quartet ensemble, founded in 1963 in Budapest as the successor ensemble of the Komlós Quartet (1957–63).