Great Moments in Aviation

Last updated

Great Moments in Aviation (UK)
Shades of Fear (USA)
Shades of Fear.jpg
DVD cover
Directed by Beeban Kidron
Written by Jeanette Winterson
Produced byPhillippa Giles
Starring Rakie Ayola
Jonathan Pryce
John Hurt
Vanessa Redgrave
Dorothy Tutin
Cinematography Remi Adefarasin
Edited byJohn Stothart
Music by Rachel Portman
Production
company
Distributed by BBC Worldwide
Miramax Films
Release date
  • May 17, 1994 (1994-05-17)(France)
Running time
93 minutes
CountryUnited Kingdom
LanguageEnglish

Great Moments in Aviation is a 1994 British romantic drama film set on a 1950s passenger liner. The film follows Gabriel Angel (Rakie Ayola), a young Caribbean aviator who falls in love with the forger Duncan Stewart (Jonathan Pryce) on her journey to England. Stewart is pursued by his nemesis Rex Goodyear (John Hurt), and the group are supported by Dr Angela Bead (Vanessa Redgrave) and Miss Gwendolyn Quim (Dorothy Tutin), retired missionaries who become lovers during the voyage.

Contents

The film was written by Jeanette Winterson, directed by Beeban Kidron and produced by Phillippa Gregory, the same creative team that collaborated on Winterson's Oranges Are Not the Only Fruit in 1990. Winterson intended the screenplay to be reminiscent of a fairy tale, and was unhappy at being asked to write a new ending for its American release.

The film was shown at the 1994 Cannes Film Festival and broadcast on British television in 1995. Although originally intended for theatrical release, it failed to find a theatrical distributor, and was released straight to video in the United States in 1997 under the title Shades of Fear. The film received mixed to negative reviews from critics, and while the lesbian sub-plot in particular was generally well received, Winterson's scripting was a focal point of criticism.

Plot

Set in 1957, Great Moments in Aviation follows Gabriel Angel (Rakie Ayola), a young Caribbean woman from Grenada who embarks on a cruise to England with the intention of becoming an aviator. Upon boarding the ship, Gabriel finds herself assigned shared sleeping quarters with fellow passenger Duncan Stewart (Jonathan Pryce). The rest of the ship's passengers, including missionaries Angela Bead (Vanessa Redgrave) and Gwendolyne Quim (Dorothy Tutin) assume the two are married, and when Professor Rex Goodyear (John Hurt) appears to recognise Duncan as his old acquaintance Alasdair Birch, Duncan fosters the assumption to maintain his cover. It transpires that Duncan is a forger, who many years ago stole a Titian painting from Goodyear and had an affair with his wife. Goodyear believes that his painting is on board the ship, and leads Gabriel to believe that Duncan was responsible for his wife's death. She is furious with Duncan for lying to her, but the two go on to reconcile and later make love. Their romance is complicated by the fact Gabriel professes to have a husband waiting for her in England. She explains that he has been there for two years working, and she is joining him so that she can fulfil her lifelong dream of becoming a pilot — inspired by her grandfather Thomas (Oliver Samuels) who flew off into a storm and never came home. They begin a relationship nonetheless, supported by Angela and Gwendolyne, who also come to realise that they have feelings for one another. They each confess to having secretly been in love with the other for years, and become lovers, vowing to live together in their retirement. It comes to light that the death of Goodyear's wife was an accident, caused as he and Duncan fought over her. Duncan returns his painting, and goes on to burn all his forged documents and papers in front of Gabriel. She confesses that her marriage to Michael is over, and she and Duncan resolve to begin a life together. The film ends with Gabriel's grandmother Vesuvia (Carmen Munroe) reading her family a letter from England, informing them that Gabriel and Duncan are happy together, and are expecting a child. As the family express their delight, Gabriel flies overhead, having finally attained her pilot licence and become an aviator.

Cast

John Hurt plays Rex Goodyear, a non-typical villain who "may not be a villain at all". John Hurt 20080304 Fnac 1.jpg
John Hurt plays Rex Goodyear, a non-typical villain who "may not be a villain at all".

Production

Jonathan Pryce stars as Duncan Stewart: "a forger, a fantasist, a most compelling man." JonathanPryce.jpg
Jonathan Pryce stars as Duncan Stewart: "a forger, a fantasist, a most compelling man."

Great Moments in Aviation was written by Jeanette Winterson, directed by Beeban Kidron and produced by Phillippa Giles, the same creative team who, in 1990, adapted Winterson's novel Oranges Are Not the Only Fruit for television. [3] Giles, for whom Great Moments was her first feature film, believes that it was the success of Oranges which lead the British Broadcasting Corporation (BBC) to approve the film so easily. [3] The screenplay is inspired by the emigration story of the mother of actress Vicky Licorish, a close friend of Winterson. [4] It is adapted from a short story Winterson wrote entitled "Atlantic Crossing", [5] published in 1999 in her anthology The World and Other Places. [6] The central themes of the story are "race, Hemingway, colonialism, love, lust, the [and the] '50s", [7] adapted into the screenplay in a manner Winterson intended to be reminiscent of a fairytale. [8] She ascribes the roles of hero and heroine to Duncan and Gabriel, fairy godmothers to Miss Quim and Dr Bead, and non-archetypal villain to Rex Goodyear. [2] Setting the film on a passenger liner, with brief scenes in Gabriel's native Grenada were intended to contribute towards this fairytale atmosphere, with Winterson explaining that the opening sequence in the Caribbean is "designed to draw the audience out of the world of their own concerns and into a world whose customs are strange. In the new world, objects are unfamiliar and events do not follow the usual rules. The coincidence of colour and language, each more vivid than normal, pull the viewer forward with fairytale immediacy." [8] Of the passenger liner aspect, she explains that it provides the film with: "a sealed and contained world with its own identity and rituals, at once both recognisable and odd. Fairytale never leaves the reader in a familiar spot, we are whisked away to a wood or a lake or a castle or an island, each a law unto itself made all the more uncomfortable because it isn't as weird as, say, planet Mars. We think we will be able to cope just by using out usual tool kit, how disconcerting it is when we can't." [9]

The film originally had a different ending to the one later released in America under the title Shades of Fear. Miramax co-founder Harvey Weinstein requested that the ending be reworked prior to distribution, and Winterson was highly unhappy at being asked to write an additional conclusionary scene. [10] Winterson's preferred ending sees Rex Goodyear burn the painting he believes to be fraudulent, only to discover he actually had the genuine item in his possession all along, and has now destroyed it. [11] This ties in with the major theme of the film in Winterson's eyes, whereby "Duncan, Gabriel, Miss Bead and Miss Quim all find something valuable where they least expected it, Rex Goodyear finds that the things we value are very often worthless." [12] Winterson has called Weinstein "a bully who knows the gentle touch", [10] referring to the new ending as "the most expensive words I will ever write". [12] While she believes that the new ending is satisfying, she feels the film has lost some dimensions which were important to her and concludes: "It is a good movie but it is not the movie I thought we could make. [...] I do like Great Moments but there is another film in there somewhere that has got lost." [13]

Of the starring cast, Pryce, Hurt, Redgrave and Tutin were already established screen actors, while Ayola had previously only acted theatrically. She appraised of her screen debut: "it was a wonderful experience for me to be appearing alongside so many established names. It was very exciting although I must admit at first I was a bit daunted by the prospect." [14] The film featured several minor black characters, either as members of Gabriel's family, or as workers aboard the ship. When these roles were cast, complaints were made by black members of the British actors' union to the BBC and the Department of Employment at having been "passed over" in favour of overseas artists. [15] The film was shot from 23 September to 6 November 1992. [16] It was funded in the most part by the BBC, though a quarter of the budget came from the American company Miramax. [10] While Kidron had previously come to dislike directing for major studios when filming My Cousin Vinny for Fox, she found the low budget of Great Moments in Aviation "just as horrendous a compromise". [17] Though originally intended for theatrical release, [18] the film failed to find theatrical distribution. [19] It was first screened at the Cannes Film Festival in 1994, [20] [21] then broadcast in Britain on BBC Two on 11 November 1995. [22] It was released on video in the United States under the alternative title Shades of Fear two years later, on 11 November 1997. [16]

Reception

Jeanette Winterson's screenplay attracted negative reviews from critics. Jeanette Winterson 04.JPG
Jeanette Winterson's screenplay attracted negative reviews from critics.

The film received mixed to negative reviews from critics. Thomas Sutcliffe for The Independent wrote that: "while flight is the sustaining theme, the film never soars. The characterisation is Cluedo with pretensions, and the dialogue suspends the actors in that ungainly, undignified dangle which you associate with stage flying, the wires robbing them of all powers of independent movement." [23] While he describes the scene which culminates the lesbian storyline as "radiant" [23] and "beautifully acted by Vanessa Redgrave and Dorothy Tutin", [23] he opines of the acting in general that "for the most part, these people are simply Winterson's puppets, jerked around by the symbolic demands of the plot." [23] He deems Kidron's directing "a kind of surrender, dutifully supplying visual equivalents for Winterson's sterile symmetries but despairing of any greater vivacity", [23] and is particularly critical of Winterson's screenplay, noting that: "everything unrolls at the same stately pace, a religious procession bearing the reliquaries of Winterson's prose. It's as though the author thinks every word is infinitely precious. She's right, though perhaps not in the way she imagines." [23] Variety′s David Rooney agreed the film's coming-out scene is a "potential jewel" [24] and "captivatingly played", [24] however, in line with Sutcliffe's criticisms, he opined that the film's pacing meant that "the scene is lobbed in and robbed of its impact". [24] He summarised the film as "a willfully theatrical, sporadically magical romantic comedy embracing three barely compatible narrative strands, not one of which ever gets full flight clearance". [24] Rooney deemed the film "damaged beyond repair by a mannered scripting style and evident recutting", [24] and opined that "Jeanette Winterson's preposterous dialogue and comic mistiming serves up more misses than hits". [24] Of the film's major themes, he wrote that: "Questions about the line between truth and falsehood, genuine and fake, are too flimsily voiced to mean much. Likewise, the intro of race issues in the closing voiceover only makes the haphazard mix even more lumpy". [24]

Vanessa Redgrave's performance as Angela Bead in the lesbian sub-plot was well received. Vanessa Redgrave by Elena Torre.jpg
Vanessa Redgrave's performance as Angela Bead in the lesbian sub-plot was well received.

More positively, Rooney praised Remi Adefarasin's cinematography and Rachel Portman's soundtrack, as well as Ayola's acting, writing: "In the film's most naturalistic turn, Ayola is a constant pleasure to watch. Unforced and appealing, she often succeeds in pulling the fanciful fireworks momentarily back down to Earth." [24] The Boston Herald's Paul Sherman agreed that Ayola gives "a winning performance", [25] and deemed the film "generally charming", [25] though he was critical of Miramax's decision to hold the film's release back until 1997, change its title and market it as a mystery rather than a romantic comedy-drama. [25] Lorien Haynes, writing for the Radio Times , also praised the acting in the film; however, she was critical of the cross-genre approach, opining: "Unfortunately, the mixture of romance and mystery doesn't work and even the combined acting talents of Vanessa Redgrave, Jonathan Pryce, John Hurt and Dorothy Tutin can't save it." [26] She deemed the film "disappointing", [26] and wrote that it fails to match the success of Oranges Are Not the Only Fruit. [26] Gilbert Gerard for The Independent selected the film as recommended viewing upon its BBC Two television debut, giving the mixed review: "So much acting talent, so little substance to play with - but the 1950s are authentically enough evoked." [27]

David Bleiler was more positive about the film, writing in his TLA Video & DVD Guide that it "isn't some third-rate, quick-paycheck hack job mystery which the advertising suggests." [28] He called it "an unusual, rewarding drama [...] Well-written by Jeanette Winterson and directed with just the right amount of sensitivity and humor by Kidron". Bleiler stated that the cast are "stellar", Ayola is "radiant", and the revelatory scene between Angela and Gwendolyne is "wonderful", asserting: "Although slight, this is a perfect film for a nice, quiet evening at home". Alison Darren in her Lesbian Film Guide was also positive, asserting that: "Great Moments in Aviation is a little gem of a British film". [29] She described the resolution of the lesbian storyline as "a golden scene, beautifully photographed and exceptionally well paced", [29] and asserted that "For women of a certain age, this may be the most heart-rending (not to say, inspirational) depiction of a coming-out moment ever seen on screen. Whimsical, comic, dramatic and gentle." [29]

Soundtrack

A Pyromaniac's Love Story
Soundtrack album by
Released28 April 1995
Genre Soundtrack
Length59:28
Label Varèse Sarabande

While the soundtrack to Great Moments in Aviation was not released independently, nine tracks from the film appear on the album A Pyromaniac's Love Story, which also features music from the film of the same name and Ethan Frome . Variety 's David Rooney praised Rachel Portman's compositions as "stirring". [24]

All music is composed by Rachel Portman

No.TitleLength
1."End Titles"3:49
2."Gabriel Explores Ship"2:01
3."Safe Walls Are Falling"3:16
4."Montage"1:24
5."The Hope Is In Me"2:08
6."Icarus"1:46
7."We Both Killed Her"0:53
8."Vesuvia's Feast"4:36
9."Nothing To Hide"2:51

Related Research Articles

<span class="mw-page-title-main">Vanessa Redgrave</span> British actress (born 1937)

Dame Vanessa Redgrave is an English actress. Throughout her career spanning over six decades, Redgrave has garnered numerous accolades, including an Academy Award, a Tony Award, two Primetime Emmy Awards and an Olivier Award, making her one of the few performers to achieve the Triple Crown of Acting. She has also received various honorary awards, including the BAFTA Fellowship Award, the Golden Lion Honorary Award, and an induction into the American Theatre Hall of Fame.

<span class="mw-page-title-main">Lynn Redgrave</span> British-American actress (1943–2010)

Lynn Rachel Redgrave was a British-American actress. She won two Golden Globe Awards during her career.

<i>Isadora</i> (film) 1968 biographical film by Karel Reisz

Isadora is a 1968 biographical drama film directed by Karel Reisz from a screenplay written by Melvyn Bragg, Margaret Drabble, and Clive Exton adapted from the books My Life by Isadora Duncan and Isadora, an Intimate Portrait by Sewell Stokes. The film follows the life of American pioneering modern contemporary dance artist and choreographer Isadora Duncan, who performed to great acclaim throughout the US and Europe during the 19th century. A co-production between the United Kingdom and France, it stars Vanessa Redgrave as Duncan and also features James Fox, Jason Robards, and John Fraser in supporting roles.

<span class="mw-page-title-main">Jeanette Winterson</span> English writer

Jeanette Winterson is an English author.

Natalie Clein is a British classical cellist. Her mother is a professional violinist. Her sister is the actress Louisa Clein.

<i>Prick Up Your Ears</i> 1987 British film

Prick Up Your Ears is a 1987 British film, directed by Stephen Frears, about the playwright Joe Orton and his lover Kenneth Halliwell. The screenplay was written by Alan Bennett, based on the 1978 biography by John Lahr. The film stars Gary Oldman as Orton, Alfred Molina as Halliwell, Wallace Shawn as Lahr, and Vanessa Redgrave as Peggy Ramsay.

<span class="mw-page-title-main">Natasha Richardson</span> English actress (1963–2009)

Natasha Jane Richardson was an English actress. A member of the Redgrave family, Richardson was the daughter of actress Vanessa Redgrave and director/producer Tony Richardson and the granddaughter of Michael Redgrave and Rachel Kempson. Richardson met future husband, Liam Neeson, in 1991 while filming Shining Through.

<span class="mw-page-title-main">Deborah Warner</span> British theatre director (born 1959)

Deborah Warner is a British director of theatre and opera, known for her interpretations of the works of Shakespeare, Bertolt Brecht, Benjamin Britten and Henrik Ibsen.

<span class="mw-page-title-main">Jemma Redgrave</span> British actress (born 1965)

Jemima Rebecca "Jemma" Redgrave is a British actress, and a member of the Redgrave family. She is known for her roles as the title character in Bramwell (1995–1998) and as Kate Lethbridge-Stewart in Doctor Who and its upcoming spin-off, The War Between the Land and the Sea. As well as a career in television, she has appeared in many stage productions and on film, including her portrayal of Evie Wilcox in the Merchant Ivory film Howards End.

<span class="mw-page-title-main">Charlotte Coleman</span> English actress (1968–2001)

Charlotte Ninon Coleman was an English actress best known for playing Scarlett in the film Four Weddings and a Funeral, Jess in the television drama Oranges Are Not the Only Fruit, and her childhood roles of Sue in Worzel Gummidge and the character Marmalade Atkins.

<i>Oranges Are Not the Only Fruit</i> 1985 novel by Jeanette Winterson

Oranges Are Not the Only Fruit is a novel by Jeanette Winterson published in 1985 by Pandora Press. It is a coming-of-age story about a lesbian who grows up in an English Pentecostal community. Key themes of the book include transition from youth to adulthood, complex family relationships, same-sex relationships, organised religion and the concept of faith.

<i>Oranges Are Not the Only Fruit</i> (TV serial) 1990 British TV series or programme

Oranges Are Not the Only Fruit is a 1990 BBC television drama miniseries, directed by Beeban Kidron. Jeanette Winterson wrote the screenplay, adapting her semi-autobiographical first novel of the same name. The BBC produced and screened three episodes, running to a total of 2 hours and 45 minutes. A 145 minute continuous version was screened at the London Film Festival on 25 November 1989. The series was released on DVD in 2005.

<span class="mw-page-title-main">Lindsay Duncan</span> Scottish actress

Lindsay Vere Duncan is a Scottish actress. She is the recipient of three BAFTA nominations and one Scottish BAFTA nomination, as well as two Olivier Awards and a Tony Award for her work on stage. She has starred in several plays by Harold Pinter. Duncan's film credits include Prick Up Your Ears (1987), The Reflecting Skin (1990), City Hall (1996), An Ideal Husband, Star Wars: Episode I – The Phantom Menace, Mansfield Park, Under the Tuscan Sun, AfterLife, Starter for 10 (2006), Tim Burton's Alice in Wonderland (2010), About Time (2013), Birdman (2014), and Blackbird (2019).

<i>Scarlett</i> (miniseries) American TV miniseries

Scarlett is a 1994 American six-hour television miniseries loosely based on the 1991 book of the same name written by Alexandra Ripley as a sequel to Margaret Mitchell's 1936 novel Gone with the Wind. The series was filmed at 53 locations in the United States and abroad, and stars Joanne Whalley-Kilmer as Scarlett O'Hara, Timothy Dalton as Rhett Butler, and Sean Bean as Lord Richard Fenton. The miniseries was broadcast in four parts on CBS on November 13, 15, 16, and 17, 1994.

<span class="mw-page-title-main">Beeban Kidron</span> British film director and politician (born 1961)

Beeban Tania Kidron, Baroness Kidron,, is a British politician. She is an advocate for children's rights in the digital world and has played a role in establishing standards for online safety and privacy across the world.

<span class="mw-page-title-main">Kyla Tyson</span> Fictional character from Holby City

Kyla Tyson is a fictional character from the BBC medical drama Holby City, portrayed by actress Rakie Ayola. She appeared from 7 February 2006 to 9 December 2008, from the series eight episode "I'll Be Back" to the series eleven episode "Sweet Bitter Love". Ayola had made a former minor appearance in the show several years prior to being cast as Kyla, and was later asked to return in a more permanent role. She departed from the show after becoming pregnant with her second child.

Rakie Olufunmilayo Ayola is a Welsh actress known for her work in theatre and television and radio. In 2023 Rakie Ayola was the 18th recipient of the prestigious BAFTA CymruSiân Phillips Award. At the same ceremony she also won the Bafta CymruBest Actress Award for her performance in BBC1 series The Pact Season 2 on which she was an Executive Producer. In 2021 Rakie Ayola won BAFTABest Supporting Actress for BBC1 film Anthony by Jimmy McGovern. Ayola has appeared in television shows including Kaos, The Pact Season 1, Grace, Shetland, No Offence, Midsomer Murders, Black Mirror, Noughts + Crosses, Doctor Who, Silent Witness and EastEnders, a number of Shakespearean theatrical performances and feature films such as Been So Long, Now Is Good, Great Moments in Aviation, The i Inside, Dredd, and Sahara. She appeared as Kyla Tyson in the BBC medical drama Holby City from its eighth to eleventh series.

<span class="mw-page-title-main">Susie Orbach</span> British psychotherapist and author

Susie Orbach is a British psychotherapist, psychoanalyst, writer and social critic. Her first book, Fat is a Feminist Issue, analysed the psychology of dieting and over-eating in women, and she has campaigned against media pressure on girls to feel dissatisfied with their physical appearance. She was married to the author Jeanette Winterson. She is honoured in BBC'S 100 Women in 2013 and 2014. She was the therapist to Diana, Princess of Wales during the 1990s.

<span class="mw-page-title-main">Shelagh Delaney</span> English dramatist and screenwriter (1938–2011)

Shelagh Delaney FRSL was an English dramatist and screenwriter. Her debut work, A Taste of Honey (1958), has been described by Michael Patterson as "probably the most performed play by a post-war British woman playwright".

<i>Now Is Good</i> 2012 film by Ol Parker

Now Is Good is a 2012 teen romantic drama film written and directed by Ol Parker, based on the 2007 novel Before I Die by Jenny Downham. The film, which stars Dakota Fanning, Jeremy Irvine and Paddy Considine, centres on Tessa, a teenage girl who is dying of leukaemia and tries to enjoy her remaining life as much as she possibly can.

References

  1. Winterson, Jeanette (23 June 1994). "Introduction". Great Moments in Aviation and Oranges are Not the Only Fruit: Two Filmscripts. Random House. p. xii. ISBN   0-09-928541-X.
  2. 1 2 Winterson, Jeanette, Great Moments in Aviation, p. xii.
  3. 1 2 Keighron, Peter; Walker, Carol (1994). "Working in Television: Five Interviews". In Hood, Stuart (ed.). Behind the Screens: The Structure of British Broadcasting in the 1990s. London: Lawrence & Wishart. pp. 190–2. ISBN   0-85315-774-X . Retrieved 31 March 2009.
  4. Jaggi, Maya (29 May 2004). "Redemption songs". The Guardian . Retrieved 31 March 2009.
  5. Onega Jaén, Susana (2006). Jeanette Winterson. Manchester University Press. pp. 105–6. ISBN   0-7190-6839-8 . Retrieved 3 April 2009.
  6. Winterson, Jeanette (4 March 1999). "Atlantic Crossing". The World and Other Places . Random House. pp.  15–28. ISBN   978-0-09-927453-7.
  7. Schulman, Sara (8 April 1995). "Dual identity". The Boston Phoenix . Stephen M. Mindich. Archived from the original on 25 April 2009. Retrieved 3 April 2009.
  8. 1 2 Winterson, Great Moments in Aviation, pp. x-xi.
  9. Winterson, Great Moments in Aviation, p. xi.
  10. 1 2 3 Winterson, Great Moments in Aviation, p. xiv.
  11. Winterson, Great Moments in Aviation, p. 67.
  12. 1 2 Winterson, Great Moments in Aviation, p. xiii.
  13. Winterson, Great Moments in Aviation, pp. xiv-xv.
  14. Tibballs, Geoff (1993). Soldier Soldier. London: Boxtree. pp. 74–6. ISBN   1-85283-480-3.
  15. del Mar Asensio Arostegui, Maria (2008). "Recurrent Structural and Thematic Traits in Jeanette Winterson's The Passion and Sexing the Cherry: Time, Space and the Construction of Identity". Universidad de la Rioja Servico de Publicaciones: 27–8. ISBN   978-84-691-3991-2.
  16. 1 2 "Misc Notes for Shades of Fear (1994)". Turner Classic Movies . Retrieved 3 April 2009.
  17. Johnston, Sheila (9 April 1993). "The view from across the Pond". The Independent . Independent News & Media . Retrieved 31 March 2009.
  18. Murphy, Robert; Brown, Geoff; Burton, Alan (2006). Directors in British and Irish cinema: a reference companion. British Film Institute. p. 343. ISBN   1-84457-126-2.
  19. Petrie, Duncan J.; Pettigrew, Nick (1996). Inside stories: diaries of British film-makers at work. British Film Institute. p. 18. ISBN   0-85170-584-7.
  20. Lay, Samantha (2001). Cullen, Del; Patterson, Hannah (eds.). Contemporary British and Irish Film Directors: a wallflower critical guide. Wallflower Press. p. 182. ISBN   1-903364-21-3 . Retrieved 30 March 2009.
  21. Goster, Gwendolyn Audrey (1995). Women Film Directors: an international bio-critical dictionary. Greenwood Publishing Group. p. 208. ISBN   0-313-28972-7 . Retrieved 3 April 2009.
  22. "TV Transmission - Great Moments in Aviation". British Film Institute. Archived from the original on 24 April 2009. Retrieved 3 April 2009.
  23. 1 2 3 4 5 6 Sutcliffe, Thomas (13 November 1995). "Review". The Independent . Independent News & Media. Archived from the original on 25 April 2009. Retrieved 30 March 2009.
  24. 1 2 3 4 5 6 7 8 9 Rooney, David (13 June 1994). "Great Moments in Aviation". Variety . Reed Business Information. Archived from the original on 25 April 2009. Retrieved 30 March 2009.
  25. 1 2 3 Sherman, Paul (16 November 1997). "Good movies". Boston Herald . Patrick J. Purcell. Archived from the original on 25 October 2012. Retrieved 30 March 2009.
  26. 1 2 3 Haynes, Lorien. "Shades of Fear". Radio Times . BBC Magazines. Archived from the original on 25 April 2009. Retrieved 30 March 2009.
  27. Gilbert, Gerard (11 November 1995). "Television preview: Recommended viewing this weekend". The Independent. Independent News & Media. Archived from the original on 25 April 2009. Retrieved 30 March 2009.
  28. Bleiler, David (2003). TLA Video & DVD Guide 2004: The Discerning Film Lover's Guide (5 ed.). St Martin's Press. p.  541. ISBN   0-312-31686-0.
  29. 1 2 3 Darren, Alison (2000). Lesbian Film Guide. Continuum International Publishing Group. pp. 95–6. ISBN   0-304-33376-X . Retrieved 30 March 2009.

Bibliography