It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives

Last updated
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives.jpg
Book cover
Directed by Rosa von Praunheim
Written by
  • Rosa von Praunheim
  • Martin Dannecker
  • Sigurd Wurl
Produced byWerner Kließ
Starring
  • Berryt Bohlen
  • Bernd Feuerhelm
  • Ernst Kuchling
CinematographyRobert van Ackeren
Edited byJean-Claude Piroué
Production
company
Release dates
  • Germany
  • 1971
  • United States
  • 1972
Running time
67 minutes
Country West Germany
LanguageGerman

It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (German : Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt) is a 1971 German avant-garde film directed by Rosa von Praunheim.

Contents

The film was an emancipatory call for homosexuals to organize and fight for their freedom. It Is Not the Homosexual Who Is Perverse ... triggered the modern gay rights movement in Germany and Switzerland and also found great resonance internationally. The film became a media scandal because conservative homosexuals and heterosexuals alike rejected the demands for equality in all areas of life and the call for public solidarity. [1]

The film premiered at the 1971 Berlin International Film Festival. The US premiere took place in 1972 at the Museum of Modern Art in New York City, the British premiere in the same year at the National Film Theatre in London. [2]

Plot

Young Daniel from the province comes to Berlin and meets Clemens. Both experience great love, move in together and try to copy the bourgeois marriage. After four months they separate, as Daniel has meanwhile met an older, rich man, into whose villa he moves. A little later, his older friend cheats on him with another man at a music evening. For him, Daniel was only an object of lust.

Daniel starts working in a gay café, dresses in the latest fashion and quickly adapts to the ideals of the gay subculture. He likes to spend his free time at the lido and lets other gays admire him dressed only in a skimpy bathing suit. At night he goes to trendy bars and becomes more and more addicted to constantly changing partners and fleeting sex adventures. After a while, he also discovers the charms of cruising in parks and public toilets, where he also notices older homosexuals being beaten up.

Once Daniel ends up in a drag queen bar late at night, where many men meet at this time who have not yet found a partner for a sex adventure. Here he meets Paul, who takes him to his gay flat-sharing community.

The residents discuss the challenges and problems of gay life with him and make it clear that he leads a superficial life. His task as an emancipated gay man, they say, is to publicly acknowledge his gayness and actively stand up for other values and contents of homosexual life than just chasing fashion trends and fast, mostly anonymous sex. The group suggests that he get involved socially and politically with them, create networks and fight together with others for a fairer society in which homosexuals can develop freely and without discrimination.

Gay emancipatory, socially critical and provocative comments were placed under the plot. [3]

Reception

The film was attacked both by German conservatives, progressives and gay activists. Despite not being a very good film, according to Samuel Clowes Huneke, it was revolutionary by conceiving homosexuality as a political identity. [4] The film also spawned dozens of homosexual activism groups, to the left of older homophile organizations. [5]

"Rosa von Praunheim is one of the world's most prolific gay filmmakers. His 1970 [1971] film It's Not the Homosexual Who is Perverse, But the Society in Which He Lives (Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt) established him as the public trailblazer for the modern gay rights movement." (Academy of Arts) [6] "It is a personal liberation for Holger Mischwitzky [Rosa von Praunheim] - and a wake-up call for all homosexual men. [...] With this film, Rosa von Praunheim becomes the icon of the gay and lesbian movement in Germany almost overnight." (Deutsche Welle) [7] "Rosa von Praunheim's film made an epoch." (Frankfurter Rundschau) [8] "Praunheim became the speaksperson of moved gays. Hardly any program which was concerned about the gay cause did not want to be without his presence." (Gay Museum) [9] The American film critic Joe Hoeffner wrote in an article about the twelve most important queer films: "Many films have been called revolutionary, but It Is Not the Homosexual… truly earns that description. The breakout film by director and activist Rosa von Praunheim (aka Holger Mischwitzky) became a foundational text of the German gay rights movement, and its call for liberation reverberated through the history of queer cinema.“ [10]

The American LGBT activist and film historian Vito Russo wrote in a public letter to Rosa von Praunheim on the occasion of the film's upcoming US premiere: "[…] Your film deserves to be shown here in America. The gay and straight community alike here must be made aware that these things are being discussed and presented elsewhere in the world. It is only through constant exposure and expression that we can ever hope to overcome what has for so many years, for too many years, been an irrational taboo. When people spend their lives fighting for a cause in which they believe, it gives them immeasurable comfort to know that there are others fighting for freedom of expression both in their lives and in their art." (Signed February 18, 1972, kept in the MoMA Archive)

Notes

  1. "Germany's most famous gay rights activist: Rosa von Praunheim". Deutsche Welle . Retrieved 2019-02-21.
  2. The Ambivalence of Gay Liberation. The Ambivalence of Gay Liberation: Male Homosexual Politics in 1970s West Germany, Craig Griffiths, Oxford University Press, 2021, p. 80. 25 February 2021. ISBN   978-0-19-263977-6 . Retrieved 2022-04-28.
  3. "QUEER HISTORY - The Last Hundred Queer Years in Germany". Goethe-Institut . Retrieved 2022-04-28.
  4. Huneke 2022, pp. 125–126.
  5. Huneke 2022, pp. 126–127.
  6. "Rosa von Praunheim". Academy of Arts, 2018. Retrieved 2022-04-28.
  7. "Rosa von Praunheim wird 75". Deutsche Welle, 2017. Retrieved 2022-04-28.
  8. "Schwulendemo: Das bis dahin Selbstverständlichste wird in Frage gestellt". Frankfurter Rundschau . 28 April 2022. Retrieved 2022-04-28.
  9. "Rosa is retiring – Tribute to the 65th birthday of Rosa von Praunheim". Gay Museum, 2007. Retrieved 2022-04-28.
  10. "12 Films that Chart the History of New Queer Cinema". Joe Hoeffner, collider.com. 20 August 2022. Retrieved 2022-08-31.

Related Research Articles

<span class="mw-page-title-main">Pink triangle</span> Nazi concentration camp badge, later international symbol of gay pride and the gay rights movements

A pink triangle has been a symbol for the LGBT community, initially intended as a badge of shame, but later reclaimed as a positive symbol of self-identity and love for queerness. In Nazi Germany in the 1930s and 1940s, it began as one of the Nazi concentration camp badges, distinguishing those imprisoned because they had been identified by authorities as gay men. In the 1970s, it was revived as a symbol of protest against homophobia, and has since been adopted by the larger LGBT community as a popular symbol of LGBT pride and the LGBT movements and queer liberation movements.

New German Cinema is a period in German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. Rosa von Praunheim, who formed the German lesbian and gay movement with his film It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (1971), also plays an important role. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical German film was ensured by a subsidy.

<span class="mw-page-title-main">LGBT rights in Germany</span>

Lesbian, gay, bisexual and transgender (LGBT) rights in Germany rank among the highest in the world and have evolved significantly over the course of the last decades. During the 1920s and the early 1930s, lesbian and gay people in Berlin were generally tolerated by society and many bars and clubs specifically pertaining to gay men were opened. Although same-sex sexual activity between men was already made illegal under Paragraph 175 by the German Empire in 1871, Nazi Germany extended these laws during World War II, which resulted in the persecution and deaths of thousands of homosexual citizens. The Nazi extensions were repealed in 1960 and same-sex sexual activity between men was decriminalized in both East and West Germany in 1968 and 1969, respectively.

<span class="mw-page-title-main">Bayerischer Rundfunk</span> Public-service radio and television broadcaster based in Munich

Bayerischer Rundfunk is a public-service radio and television broadcaster, based in Munich, capital city of the Free State of Bavaria in Germany. BR is a member organization of the ARD consortium of public broadcasters in Germany.

<span class="mw-page-title-main">Rosa von Praunheim</span> German film director

Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, painter and one of the most famous gay rights activists in the German-speaking world. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ rights movements worldwide.

<span class="mw-page-title-main">Martin Dannecker</span> German sexologist and author

Martin Dannecker is a German sexologist and author.

The 21st annual Berlin International Film Festival was held from 26 June – 6 July 1971. The Young Filmmakers Forum section was introduced at the festival. The Golden Bear was awarded to the Italian film Il giardino dei Finzi-Contini directed by Vittorio De Sica.

<i>Neurosia: 50 Years of Perversity</i> 1995 German film

Neurosia: 50 Years of Perversity is a 1995 German film directed by Rosa von Praunheim.

<span class="mw-page-title-main">LGBT history in Switzerland</span>

Switzerland, a country which has long held a stance of neutrality in its relations with other nations, has not been immune to the movement of equality for lesbian, gay, bisexual and transgender citizens. Prior to the 20th century, sodomy and other types of sexual intercourse between people of the same sex was held in various levels of legal contempt. Today, the modern LGBT rights movement in Switzerland is related to the larger international movement which developed largely after 1969.

<i>Positive</i> (1990 film) 1990 American film

Positive is a 1990 documentary film directed, written and produced by Rosa von Praunheim. The film received international resonance.

<i>Silence = Death</i> (film) 1990 American documentary film

Silence = Death is a 1990 documentary film directed, written, and produced by Rosa von Praunheim. The film received international resonance.

<i>City of Lost Souls</i> (1983 film) Film

City of Lost Souls is a 1983 German musical film directed by Rosa von Praunheim and performed by drag queens, travesty artists and transgender people. The film received international attention and became a cult movie beyond the LGBT community.

<i>Army of Lovers or Revolt of the Perverts</i> 1979 film

Army of Lovers or Revolt of the Perverts is a 1979 German documentary film directed by Rosa von Praunheim.

<span class="mw-page-title-main">LGBT culture in Berlin</span>

Berlin was the capital city of the German Empire from 1871 to 1945, its eastern part the de facto capital of East Germany from 1949 to 1990, and has been the capital of the unified Federal Republic of Germany since June, 1991. The city has an active LGBT community with a long history. Berlin has many LGBTIQ+ friendly districts, though the borough of Schöneberg is widely viewed both locally and by visitors as Berlin's gayborhood. Particularly the boroughs North-West near Nollendorfplatz identifies as Berlin's "Regenbogenkiez", with a certain concentration of gay bars near and along Motzstraße and Fuggerstraße. Many of the decisive events of what has become known as Germany's second LGBT movement take place in the West Berlin boroughs of Charlottenburg, Schöneberg, and Kreuzberg beginning in 1971 with the formation of the Homosexuelle Aktion Westberlin (HAW). Where as in East Berlin the district of Prenzlauer Berg became synonymous with the East Germany LGBT movement beginning in 1973 with the founding of the HIB. Schöneberg's gayborhood has a lot to offer for locals and tourists alike, and caters to, and is particularly popular with gay men. Berlin's large LGBT events such as the Lesbian and Gay City Festival, East Berlin Leather and Fetish Week, Folsom Europe, and CSD center around Schöneberg, with related events taking place city-wide during these events. Nevertheless, with roughly 180 years of LGBTIQ+ history, and a very large community made up of members with very varied biographies, it is hard to find a place in Berlin completely without LGBT culture past or present. Berlin's present-day neighborhoods with a certain concentration of LGBTIQ+ oriented culture vary somewhat in terms of history, demography, and where the emphasis in each neighborhoods' queer culture falls along the LGBTIQ+ spectrum. Over the course of its nearly two centuries of queer history (herstory), definitions not with standing, Berlin's LGBTIQ+ culture has never ceased to change, not only in appearance and self-understanding, but also in where the centers of queer culture were located in the city. What is true about Berlin's "LGBT culture in Berlin" at one point in time, in a given place and from a given perspective, is almost certainly different the next.

It is Not the Pornographer That is Perverse... is a 2018 English and German language collection of four gay pornographic short films directed by Bruce LaBruce for CockyBoys studio. The title refers to Rosa von Praunheim's film It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives (1971).

The German Democratic Republic, a state in Central Europe that existed from 1949 to 1989 and was merged with the Federal Republic of Germany, was dominated by heterosexual norms. However, homosexual East Germans experienced decriminalisation during the 1960s, followed by increasing social acceptance and visibility.

<span class="mw-page-title-main">Lesbians in Nazi Germany</span>

In Nazi Germany, lesbians who were sent to concentration camps were often categorized as "asocial", if they had not been otherwise targeted based on their ethnicity or political stances. Female homosexuality was criminalized in Austria, but not other parts of Nazi Germany. Because of the relative lack of interest of the Nazi state in female homosexuality compared to male homosexuality, there are fewer sources to document the situations of lesbians in Nazi Germany.

Ursula Sillge is a German sociologist and LGBT activist. She organized the first national lesbian gathering in East Germany, and between 1970 and 1990 was one of the main lesbian activists in the country, pressing authorities to recognize the rights and allow visibility of the LGBT community. In 1986, she founded the Sunday Club in Berlin. It was the only secular association representing homosexuals in the 1980s, though it was not officially recognized. The organization became the first legal association to represent the LGBT community in East Germany when it was allowed to register in 1990. Sillge resigned as director of the Sunday Club in 1991 to found the LGBT archive known as the Lila Women's Archives. After the fall of the Berlin Wall, she was able to earn her doctorate. In addition to running the archives, she has published several works about homosexuality and women behind the Iron Curtain.

Vienna, the capital of Austria, has an active LGBTQIA+ community. Vienna is considered Austria's queer capital, with several LGBTQIA+ spaces, organisations and a history of LGBTQIA+ activism going back to the late 19th century.

The Sonntags Club, founded in 1987, was the first secular LGBT group in East Germany. The group originated out of the HIB which was banned in the late 1970s by the socialist regime. The group became the Sonntags Club in the 1980s when it went underground and began renting a meeting space only available on Sundays, hence the name. The Club was located in East Berlin, and though never officially recognized in the German Democratic Republic, its members continued to advocate for LGBT rights and freedoms in the years to follow.

References