Do Revenge | |
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Directed by | Jennifer Kaytin Robinson |
Written by |
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Produced by |
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Starring | |
Cinematography | Brian Burgoyne |
Edited by |
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Music by |
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Distributed by | Netflix |
Release date |
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Running time | 119 minutes [1] |
Country | United States |
Language | English |
Budget | $10 million [2] |
Do Revenge is a 2022 American teen black comedy film directed by Jennifer Kaytin Robinson, who co-wrote the screenplay with Celeste Ballard. It stars Camila Mendes, Maya Hawke, Austin Abrams, Rish Shah, and Sarah Michelle Gellar, and it is loosely inspired by Alfred Hitchcock's Strangers on a Train (1951) and Patricia Highsmith's novel Strangers on a Train , which Hitchcock's film was based on. It was released on Netflix on September 16, 2022, and received generally positive reviews from critics.
Robinson pays homage to several 1990s high school films and other teen classics such as Heathers (1989) and Mean Girls (2004). [3] [4]
Drea is a popular student attending Rosehill Country Day High School, an elite private school in Miami, on a scholarship. A "conniving, selfish sociopath" who uses people to get what she wants, Drea becomes a social outcast after an intimate video she sent to her equally popular boyfriend, Max, is leaked online. Max claims he was hacked, but Drea blames Max for the video's release and they break up.
That summer, Drea works at a tennis camp where she meets Eleanor, a shy tomboy from a wealthy background who is transferring to Rosehill in September. Eleanor tells Drea about also becoming an outcast when a false rumor spread that she forcibly kissed Carissa, another Rosehill student, at a summer camp years earlier.
Realizing they will not get justice on their own, the two plan to exact revenge on each other's enemy: Drea on Carissa and Eleanor on Max. After a makeover, Eleanor slowly infiltrates Drea's old clique of popular students, while Drea tries to get close to Carissa by working at the school farm, also befriending Russ, an unpopular student and Carissa's friend.
Eleanor is invited to a party thrown by Max, where she discovers he is cheating on his new girlfriend, Tara –Drea's former best friend. Drea steals Carissa's keys to the farm's locked greenhouse, finding the marijuana and magic mushrooms that Carissa is storing.
At the school's Senior Ring Ceremony, Drea places the drugs from the greenhouse in their classmates' dinner so she can steal Max's phone to obtain evidence of his wrongdoings. She anonymously tips off the headmaster about the greenhouse, getting Carissa expelled and sent to rehab. While searching through Max's texts messages, Drea and Eleanor find photos and messages from other girls at school stretching back years.
At a school assembly, Eleanor shares Max's texts to the entire student body, but Max and Tara then pretend to be a polyamorous couple, which in turn becomes the school's latest trend. Drea is rejected from Yale (due to her declining schoolwork). Spiraling emotionally, she concocts a new plan to destroy all her popular former friends at the upcoming Admissions Party, which can only be attended by those accepted by Ivy League schools.
Eleanor enjoys her new popularity and Drea's old friends, beginning a relationship with Max's twin sister Gabbi. When Max and his friends surprise Eleanor for her birthday, Drea crashes the party and nearly jeopardizes their revenge scheme. They fight, going their separate ways after Eleanor asserts that there is no evidence that Max leaked Drea's video. Gabbi overhears this and breaks up with Eleanor for taking Max's side.
Learning someone sabotaged her car at tennis camp, Drea, suspicious of Eleanor, visits Carissa at the rehab facility. Carissa reveals that Eleanor is actually "Nosey" Nora Cutler, the girl at summer camp whom Drea spread the false rumor about and outed as a lesbian; an event she had selfishly forgotten, which prompted Eleanor to change her name and undergo a rhinoplasty. Drea confronts Eleanor, who reveals she had been playing her all along, aiming to cause the same pain she endured from the rumor. Eleanor threatens to frame Drea's mother, a nurse, for drug possession if she refuses to expose her old friends at the Admissions Party. Eleanor T-bones Drea's car, sending her to the hospital, to create a sob story that earns Drea access to the Admissions Party, and tells Russ Drea's involvement in Carissa's expulsion and the mass text leaks, ending their budding relationship.
During the party, Drea reveals Eleanor to be "Nosey Nora" to Max and friends, but immediately regrets it and apologizes to Eleanor, who in turn apologizes to her. Their emotional reconciliation is interrupted when Max confesses to releasing Drea's video, as he found her selfish behavior a risk to his own sociopathy. Eleanor secretly films the confession, quickly sharing the video at the party, turning everyone against Max.
As a result, Max is expelled from Rosehill and his spot at Yale is offered to Drea, who rejects it. Drea apologizes to Russ and they kiss, while Eleanor reconciles with Gabbi, and Max joins a support group to address his toxic masculinity.
On October 14, 2020, it was reported that Netflix was developing the film, then titled Strangers. Jennifer Kaytin Robinson co-wrote and directed the film, citing inspiration from Alfred Hitchcock's film Strangers on a Train (1951) and Taylor Swift's album Reputation (2017). [6] [7] In November 2020, Camila Mendes and Maya Hawke were reported to star. [8] Additional cast members were announced in early 2021. [9] [10] [11]
Principal photography was scheduled to take place in Los Angeles in early 2021, [12] [13] but was changed to Atlanta, Georgia, with the story taking place in Miami following a rewrite in order to accommodate Hawke's schedule, who was shooting Stranger Things , as director Robinson did not want to lose either of the main actresses. [14] Filming initially wrapped on August 7, 2021, [15] with later stages of production occurring in August 2022 in Miami, Florida. [16] Much of the filming took place at Oglethorpe University in suburban Atlanta.
No. | Title | Writer(s) | Performer(s) | Length |
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1. | "for the girls" | Haley Kiyoko, Oliver Peterhof, Marcus Lomax, Michelle Buzz | Haley Kiyoko | 2:38 |
2. | "Do You Know (What It Takes)" | Robyn, Denniz Pop, Max Martin, Herbie Crichlow | Robyn | 3:41 |
3. | "CYBAH" | Syd, Lucky Daye, Michael McGregor, Brandon Shoop | Syd, Lucky Daye | 4:04 |
4. | "brutal" | Olivia Rodrigo, Dan Nigro | Olivia Rodrigo | 2:24 |
5. | "The Impression That I Get" | Dicky Barrett, Joe Gittleman | The Mighty Mighty Bosstones | 3:15 |
6. | "How's It Going to Be" | Kevin Cadogan, Stephan Jenkins | Third Eye Blind | 4:13 |
7. | "I Eat Boys" | chloe moriondo, David Pramik, Steph Jones | chloe moriondo | 2:43 |
8. | "Milionària" | ROSALÍA, El Guincho | ROSALÍA | 2:18 |
9. | "Celebrity Skin" | Courtney Love, Eric Erlandson, Billy Corgan | Hole | 2:43 |
10. | "Deceptacon" | Kathleen Hanna, Johanna Fateman, Sadie Benning | Le Tigre | 3:05 |
11. | "Blondes" | Anna Hartley, Blu DeTiger, Rex DeTiger, Eskeerdo, Teddy Geiger, Julian Bunetta, Scott Harris, Jenna Andrews | Blu DeTiger | 2:46 |
12. | "MOVE" | TOBi, Jessica Lee Hansell, Robin Hannibal Mølsted Braun, Alex Goose, Jon Bap, Tyler Demorest, Tavon Thompson | TOBi | 3:17 |
13. | "dumb dumb" | Elie Rizk, mazie | mazie | 2:05 |
14. | "So Hot You're Hurting My Feelings" | Caroline Polachek, Teddy Geiger, Dan Nigro | Caroline Polachek | 3:04 |
15. | "Easy Going" | Kacy Hill, Jim-E Stack, Ethan Gruska | Kacy Hill | 2:43 |
16. | "How Bizarre - Orchestral Version" | Alan Jansson, Pauly Fuemana | The Symphonic Pops | 3:47 |
17. | "Kids in America (cover)" | Ricky Wilde, Marty Wilde | Maude Latour | 3:15 |
18. | "Pretend" | Juliana Madrid, DJ Ben Roc, Simon Oscroft, Ross Clark | Juliana Madrid | 3:07 |
19. | "Flagpole Sitta" | Aaron Huffman, Jeff J. Lin, Sean Nelson, Evan Sult, | Harvey Danger | 3:37 |
20. | "Silk Chiffon" | Naomi McPherson, Katie Gavin, Josette Maskin, Ian Fitchuk, Daniel Tashian | MUNA, Phoebe Bridgers | 3:27 |
21. | "Bitter Bitch" | Helen | Helen | 2:17 |
22. | "she's all i wanna be" | Tate McRae, Greg Kurstin | Tate McRae | 3:27 |
23. | "Shame Reactions" | Shelby Keller, Mia Berrin | Pom Pom Squad | 1:33 |
24. | "Happier Than Ever" | Billie Eilish, FINNEAS | Billie Eilish | 4:59 |
25. | "Dead to Me" | Chloe Adams, Matthew Lonsdale | Chloe Adams | |
26. | "Praise You" | Fatboy Slim, Camille Yarbrough | Fatboy Slim | 5:23 |
27. | "Bitch" | Meredith Brooks, Shelly Peiken | Meredith Brooks, Maya Hawke (uncredited), Camila Mendes (uncredited) | 4:13 |
28. | "Dreams" | Noel Hogan, Dolores O'Riordan | The Cranberries | 4:32 |
The film was released on Netflix on September 16, 2022. [18]
On the review aggregator website Rotten Tomatoes , 86% of 84 critics' reviews are positive, with an average rating of 6.5/10.The website's consensus reads: "Do Revenge could have used a bit more bite, but Maya Hawke and Camila Mendes make this a sweet dish best served to viewers who understand that high school can be hell." [19] Metacritic , which uses a weighted average , assigned the film a score of 66 out of 100, based on 17 critics, indicating "generally favorable" reviews. [20]
Coleman Spilde of The Daily Beast called the film a "generation defining masterpiece", saying that "once a decade, there comes a high school comedy so stylish, so witty, and so instantly influential that it cannot be topped. Netflix's colorful new romp is that movie."; Spilde subtitled his review "Cruel Intentions", acknowledging the relationship to the 1999 film of that name and the presence of actress Sarah Michelle Gellar –who played the teen antagonist in that earlier film, tormenting the daughter of her school's headmaster, and appears as the headmaster in Do Revenge. [21] Amy Nicholson of The New York Times gave the film a B and described it as "a playful, sharp-fanged satire that feels like the '90s teen comedy hammered into modern emojis: crown, knife, fire, winky face." [22] Matt Zoller Seitz of RogerEbert.com gave the film 3 out of 4 stars and said, "The film manages to blend all of its influences into a distinctive movie that is fully committed to its vision of high school as a handsomely costumed, art-directed snake pit filled with sadists who get off on other people's pain and embarrassment." [23]
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