A Virus Knows No Morals | |
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Directed by | Rosa von Praunheim |
Screenplay by | Rosa von Praunheim |
Starring |
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Cinematography | Elfi Mikesch |
Edited by |
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Music by | Maran Gosov and the Bermudas. |
Production company | Rosa von Praunheim Filmproduktion |
Release date |
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Running time | 84 minutes |
Country | West Germany |
Language | German |
A Virus Knows No Morals (German : Ein Virus kennt keine Moral) is a 1986 German film directed, written and produced by Rosa von Praunheim. It was one of the first feature films about AIDS worldwide. [1] [2]
The film also received much attention abroad and is still screened today. A Virus Knows No Morals premiered at the 1986 Berlin International Film Festival and was also shown, for example, at the International Film Festival Rotterdam in the same year. [3] [4]
A group of contrasting characters share one thing in common: They all have to do with the subject of AIDS. There is Rüdiger, a conservative gay man who runs a sex sauna. Christian is a devout man who sacrificially cares for his partner who has AIDS. A curious blood doctor tries to find out the origin of HIV and shares the positive test results with her patients, not without gloating. A reporter, disguised as a man, tries to spy on the gay scene. Finally, the government decides to isolate the infected people on the island of Helgoland in order to contain the epidemic, but the outcasts put up a brave fight.
"A Virus Respects No Morals, a Brechtian-like allegory set largely in a gay bath, was one of the early and more provocative attacks on the hypocrisy, ignorance, politics and economics surrounding the AIDS crisis." (Los Angeles Times) [1] Critic Jerry Tallmer, founder of the Obie Award, wrote: "Rosa (originally Holger) von Praunheim, the brilliant, acerbic director of such breakthrough gay-revolutionist works as Silence = Death and A Virus Knows No Morals." [5]
"New queer cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.
Michael Callen was an American singer, songwriter, composer, author, and AIDS activist. Callen was diagnosed with AIDS in 1982 and became a pioneer of AIDS activism in New York City, working closely with his doctor, Dr. Joseph Sonnabend, and Richard Berkowitz. Together, they published articles and pamphlets to raise awareness about the correlation between risky sexual behaviors and AIDS.
Hella Kemper, known by her stage name Hella von Sinnen, is a German entertainer and television presenter. She has been a regular on several TV shows on German private channels, mainly RTL. Von Sinnen has been socially committed to people with HIV for many years and played the nurse Rita in Rosa von Praunheim 's film A Virus Knows No Morals (1986), one of the first feature films about AIDS.
The Einstein of Sex is a 1999 German film by Rosa von Praunheim. The plot follows the life of the Jewish doctor, sexologist, and gay socialist Magnus Hirschfeld.
Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, producer, professor of directing and one of the most influential and famous queer activists in the German-speaking world. A pioneer of Queer Cinema and gay activist from the very beginning, von Praunheim was a key co-founder of the modern lesbian and gay movement in Germany and Switzerland. He was an early advocate of AIDS awareness and safer sex. His films center on queer-related themes and strong female characters, are characterized by excess and employ a campy style. They have featured such personalities as Keith Haring, Larry Kramer, Diamanda Galás, William S. Burroughs, Allen Ginsberg, Judith Malina, Jeff Stryker, Jayne County, Divine, Charlotte von Mahlsdorf and a row of Warhol superstars. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ movements worldwide.
I Am My Own Woman is a 1992 German semi-documentarian film directed by Rosa von Praunheim. The film attracted international attention and was shown at the Berlin International Film Festival and the Toronto Film Festival in 1993, for example.
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives is a 1971 German avant-garde film directed by Rosa von Praunheim.
Neurosia: 50 Years of Perversity is a 1995 German film directed by Rosa von Praunheim.
Positive is a 1990 documentary film directed, written and produced by Rosa von Praunheim. The film received international resonance.
Silence = Death is a 1990 documentary film directed, written, and produced by Rosa von Praunheim. The film received international resonance.
Anita: Dances of Vice is a 1987 German avant-garde film directed by Rosa von Praunheim.
City of Lost Souls is a 1983 German musical film directed by Rosa von Praunheim and performed by drag queens, travesty artists and transgender people. The film received international attention and became a cult movie beyond the LGBT community.
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim, centring around the career of Tally Brown.
Fassbinder's Women is a 2000 German documentary film directed by Rosa von Praunheim. The film was shown at the Locarno Festival in 2000 and at the Outfest in Los Angeles in 2001.
Army of Lovers or Revolt of the Perverts is a 1979 German documentary film directed by Rosa von Praunheim.
Horror Vacui (German: Horror Vacui - Die Angst vor der Leere) is a 1984 German avant-garde film directed by Rosa von Praunheim.
Rent Boys is a 2011 German documentary film directed, written and produced by Rosa von Praunheim. The film was shown at the Berlin International Film Festival and the Queer Lisboa International Film Festival in 2011, for example.
Affengeil is a 1990 German semi-documentarian film by Rosa von Praunheim. The film was shown at the 1991 Toronto International Film Festival and 1992 at the Frameline Film Festival in San Francisco, among others.
Dolly, Lotte and Maria is a 1987 German documentary film directed by Rosa von Praunheim. The film recounts the lives of Lotte Goslar, Dolly Haas and Maria Ley-Piscator, three German women performers who achieved success in Berlin in the 1930s. All left Nazi Germany for reasons of conscience, and eventually settled in the United States. After the war, all three remained in America and continued actively pursuing their careers, with mixed success. Each discusses her beginnings as a performer, her achievements in Europe, the reasons that motivated her to leave Germany, her decision to move to the U.S., and her current activities.
Red Love is a 1982 German film directed by Rosa von Praunheim.