Dolly, Lotte und Maria | |
---|---|
Directed by | Rosa von Praunheim |
Screenplay by | Rosa von Praunheim |
Produced by | Rosa von Praunheim |
Starring | Dolly Haas Lotte Goslar Maria Ley-Piscator |
Cinematography | Jeff Preiss |
Edited by | Mike Shephard Rosa von Praunheim |
Production companies | Norddeutscher Rundfunk (NDR) Rosa von Praunheim Filmproduktion |
Release date |
|
Running time | 60 minutes |
Country | West Germany |
Language | German |
Dolly, Lotte and Maria (German: Dolly, Lotte und Maria) is a 1987 German documentary film directed by Rosa von Praunheim. The film recounts the lives of Lotte Goslar, Dolly Haas and Maria Ley-Piscator, three German women performers who achieved success in Berlin in the 1930s. All left Nazi Germany for reasons of conscience, and eventually settled in the United States. After the war, all three remained in America and continued actively pursuing their careers, with mixed success. Each discusses her beginnings as a performer, her achievements in Europe, the reasons that motivated her to leave Germany, her decision to move to the U.S., and her current activities. [1]
For example, the film was shown at the Museum of Modern Art in New York City in 1988 and at the 1989 San Francisco International Film Festival. [2] [3]
Portrait of three remarkable women who were once celebrated figures in the German cultural scene: film star Dolly Haas, dancer Lotte Goslar and artist Maria Ley, Erwin Piscator's widow. [1]
"Von Praunheim ( A Virus Knows no Morals ) allows his subjects to reveal themselves and their histories through their own words and works — a fitting tribute to lives of integrity and talent." (George Eldred, film critic and program director of the Aspen Shortsfest) [3]
Judith Malina was a German-born American actress, director and writer. With her husband Julian Beck, Malina co-founded The Living Theatre, a radical political theatre troupe that rose to prominence in New York City and Paris during the 1950s and 1960s.
Erwin Friedrich Maximilian Piscator was a German theatre director and producer. Along with Bertolt Brecht, he was the foremost exponent of epic theatre, a form that emphasizes the socio-political content of drama, rather than its emotional manipulation of the audience or the production's formal beauty.
Charlotte von Mahlsdorf was a well-known trans woman in East Germany and founded the Gründerzeit Museum in Berlin-Mahlsdorf. Later she became a LGBT-icon in Germany because of Rosa von Praunheim's biopic I Am My Own Woman (1992).
Hanna Schygulla is a German actress and chanson singer associated with the theater and film director Rainer Werner Fassbinder. She first worked for Fassbinder in 1965 and became an active participant in the New German Cinema. Schygulla won the 1979 Berlin Silver Bear for Best Actress for Fassbinder's The Marriage of Maria Braun, and the 1983 Cannes Film Festival Award for Best Actress for the Marco Ferreri film The Story of Piera.
Dorothy Clara Louise Haas was a German-American actress and singer who played in German and American films. After moving to the United States, she often appeared in Broadway plays. She became a naturalized US citizen and married Al Hirschfeld, a noted portraitist and caricaturist in New York City.
Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, producer, professor of directing and one of the most influential and famous queer activists in the German-speaking world. A pioneer of Queer Cinema and gay activist from the very beginning, von Praunheim was a key co-founder of the modern lesbian and gay movement in Germany and Switzerland. He was an early advocate of AIDS awareness and safer sex. His films center on queer-related themes and strong female characters, are characterized by excess and employ a campy style. They have featured such personalities as Keith Haring, Larry Kramer, Diamanda Galás, William S. Burroughs, Allen Ginsberg, Judith Malina, Jeff Stryker, Jayne County, Divine, Charlotte von Mahlsdorf and a row of Warhol superstars. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ movements worldwide.
Maria Ley-Piscator is best known as the wife of Erwin Piscator (1893–1966), Germany's famous left-wing theater director. Born on 1 August 1898 in Vienna, Austria-Hungary, Maria Ley sought to create a theatrical career for herself as a dancer in Paris and Berlin. Later, she turned to choreography and helped in several stage productions with Max Reinhardt, including A Midsummer Night's Dream.
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives is a 1971 German avant-garde film directed by Rosa von Praunheim.
Jeff Preiss is an American filmmaker, cinematographer, director and producer known for the documentaries Let's Get Lost (1988) and Broken Noses (1987).
Positive is a 1990 documentary film directed, written and produced by Rosa von Praunheim. The film received international resonance.
Silence = Death is a 1990 documentary film directed, written, and produced by Rosa von Praunheim. The film received international resonance.
Anita: Dances of Vice is a 1987 German avant-garde film directed by Rosa von Praunheim.
City of Lost Souls is a 1983 German musical film directed by Rosa von Praunheim and performed by drag queens, travesty artists and transgender people. The film received international attention and became a cult movie beyond the LGBT community.
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim, centring around the career of Tally Brown.
A Virus Knows No Morals is a 1986 German film directed, written and produced by Rosa von Praunheim. It was one of the first feature films about AIDS worldwide.
Army of Lovers or Revolt of the Perverts is a 1979 German documentary film directed by Rosa von Praunheim.
Horror Vacui (German: Horror Vacui - Die Angst vor der Leere) is a 1984 German avant-garde film directed by Rosa von Praunheim.
Affengeil is a 1990 German semi-documentarian film by Rosa von Praunheim. The film was shown at the 1991 Toronto International Film Festival and 1992 at the Frameline Film Festival in San Francisco, among others.
Red Love is a 1982 German film directed by Rosa von Praunheim.
Lotte Goslar was a German-American dancer.