New German Cinema is a period in German cinema which lasted from 1962 to 1982, in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences. These filmmakers included Percy Adlon, Harun Farocki, Rainer Werner Fassbinder, Peter Fleischmann, Werner Herzog, Alexander Kluge, Ulli Lommel, Wolfgang Petersen, Volker Schlöndorff, Helma Sanders-Brahms, Werner Schroeter, Hans-Jürgen Syberberg, Margarethe von Trotta and Wim Wenders. As a result of the attention they garnered, they were able to create better-financed productions which were backed by the big US studios. However, most of these larger films were commercial failures and the movement was heavily dependent on subsidies. By 1977, 80% of a budget for a typical German film was ensured by a subsidy.
Werner Schroeter was a German film director, screenwriter, and opera director known for his stylistic excess. Schroeter was cited by Rainer Werner Fassbinder as an influence both on his own work and on German cinema at large.
The Einstein of Sex is a 1999 German film by Rosa von Praunheim. The plot follows the life of the Jewish doctor, sexologist, and gay socialist Magnus Hirschfeld.
Holger Bernhard Bruno Mischwitzky, known professionally as Rosa von Praunheim, is a German film director, author, painter and one of the most famous gay rights activists in the German-speaking world. In over 50 years, von Praunheim has made more than 150 films. His works influenced the development of LGBTQ+ rights movements worldwide.
Tally Brown was a singer and actress who was part of the New York underground performance scene, particularly Andy Warhol's "Factory" and who appeared in or was the subject of films by Andy Warhol and Rosa von Praunheim. She was born and died in New York City.
I Am My Own Woman is a 1992 German semi-documentarian film directed by Rosa von Praunheim. The film attracted international attention and was shown at the Berlin International Film Festival and the Toronto Film Festival in 1993, for example.
It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives is a 1971 German avant-garde film directed by Rosa von Praunheim.
Neurosia: 50 Years of Perversity is a 1995 German film directed by Rosa von Praunheim.
Positive is a 1990 documentary film directed, written and produced by Rosa von Praunheim. The film received international resonance.
Silence = Death is a 1990 documentary film directed, written, and produced by Rosa von Praunheim. The film received international resonance.
Anita: Dances of Vice is a 1987 German avant-garde film directed by Rosa von Praunheim.
City of Lost Souls is a 1983 German musical film directed by Rosa von Praunheim and performed by drag queens, travesty artists and transgender people. The film received international attention and became a cult movie beyond the LGBT community.
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim, centring around the career of Tally Brown.
A Virus Knows No Morals is a 1986 German film directed, written and produced by Rosa von Praunheim. It was one of the first feature films about AIDS worldwide.
Army of Lovers or Revolt of the Perverts is a 1979 German documentary film directed by Rosa von Praunheim.
Affengeil is a 1990 German semi-documentarian film by Rosa von Praunheim. The film was shown at the 1991 Toronto International Film Festival and 1992 at the Frameline Film Festival in San Francisco, among others.
Dolly, Lotte and Maria is a 1987 German documentary film directed by Rosa von Praunheim. The film recounts the lives of Lotte Goslar, Dolly Haas and Maria Ley-Piscator, three German women performers who achieved success in Berlin in the 1930s. All left Nazi Germany for reasons of conscience, and eventually settled in the United States. After the war, all three remained in America and continued actively pursuing their careers, with mixed success. Each discusses her beginnings as a performer, her achievements in Europe, the reasons that motivated her to leave Germany, her decision to move to the U.S., and her current activities.
Red Love is a 1982 German film directed by Rosa von Praunheim.
Joaquín La Habana is a queer singer, dancer, actor and drag artist.
Rosa von Praunheim's The Bed Sausage is a German camp film from 1971 that became a cult film and was followed in 1975 by the sequel Berlin Bed Sausage.
