Mano Destra (Italian for "right hand") is a 1986 Italian-language Swiss art film written, directed by and starring Cleo Uebelmann. In black and white, Mano Destra is a study of lesbian erotic objectification which depicts Uebelmann as a dominatrix.tying a woman in a lengthy series of acts of consensual bondage. The film dwells at length on the bound woman tied in each of her positions, in a series of extended almost static shots.
Images from the film were later published in 1988 as part of a book, The Dominas - Mano Destra by the Cleo Übelmann-Group. [1]
The music is by the Swiss electro-wave group The Vyllies . [2]
In Women and the New German Cinema, Julia Knight describes it as a film which explores the liberating possibilities of sadomasochism, subverting audience expectations of what sadomasochism is like. [3] In New Queer Cinema , B. Ruby Rich described it as "deserving of instant cult status". [4]
In The Pleasure Threshold: Looking at Lesbian Pornography on Film, Cherry Smyth states that its imagery is "beyond sex", and that "like being offered an ice-cold, luscious fruit drink on a hot day, which you are forbidden to taste, this film encapsulates desire as death, as nothingness, and yet utter completeness". [5] [6]
The director Peter Strickland has cited the film as a favourite [7] and one of his sources of inspiration for his film The Duke of Burgundy . [8]
{{cite book}}
: CS1 maint: location missing publisher (link)