The Blossoming of Maximo Oliveros | |
---|---|
Directed by | Auraeus Solito |
Written by | Michiko Yamamoto |
Starring | Nathan Lopez JR Valentin Soliman Cruz Neil Ryan Sese Ping Medina |
Production companies | UFO Pictures Cinemalaya |
Distributed by | Unitel Pictures (Philippines) GMA Films (Philippines) Peccadillo Pictures (UK) Unico Entertainment (US) Cathay-Keris Films (Singapore) MNC Media (Indonesia) |
Release dates |
|
Running time | 100 minutes |
Country | Philippines |
Language | Filipino |
Box office | $38,691 (worldwide) |
The Blossoming of Maximo Oliveros (Filipino : Ang Pagdadalaga ni Maximo Oliveros) is a 2005 Filipino coming-of-age comedy-drama film directed by Aureaus Solito in his directorial debut, based on a screenplay by Michiko Yamamoto. Set in the slums of Manila, the film is about a gay teen who is torn between his love for a young cop and his loyalty to his family. The film stars Nathan Lopez in the title role, with JR Valentin, Soliman Cruz, Neil Ryan Sese, and Ping Medina in supporting roles.
The film premiered at the 1st Cinemalaya Film Festival in 2005 and was the official entry of the Philippines to the 79th Academy Awards. [1] [2] It has been included in various lists of best LGBTQ films. [3] [4]
Maxi (Nathan Lopez) is a 12-year-old effeminate gay boy who lives in the slums with his father and brothers who are petty thieves. The story primarily revolves around the conflict between his love for handsome young police officer Victor (JR Valentin), and his family's illegal livelihood. Neo-realist in orientation, the film is a tale of lost innocence and redemption amidst the poverty of Manila's slums.
Maxi behaves like a girl, wearing clips or hairband in his hair and bangles on his wrists and even wearing lipstick. He is teased by neighbors and former school friends. His sexuality is, however, fully accepted by his two brothers and by his father. One night, he is accosted by two men who attempt to molest him, but is saved by the appearance of Victor. Victor does not have a girlfriend and his sexuality is kept ambiguous. However, he does rebuff Maxi's advances. In a key event, Maxi's father, his brother Bogs, and Bogs' friends hatch a plan to teach Victor a lesson for snooping into their business. They leave him bloodied and beat up. Just as Victor saved him, it was Maxi who arrived to clean Victor's wounds and cook breakfast for him. Maxi felt sorry and felt somehow responsible for his injuries. Victor then affectionately stroked Maxi's hair and Maxi gives him a kiss on the cheek.
After Maxi's father is killed by Victor's boss which Maxi witnesses, Maxi resists Victor's attempts to renew their friendship. The closing scene shows Maxi walking past Victor who has parked by the roadside on Maxi's way to school. He ignores Victor as he passes him, hesitates momentarily as he crosses the road, then goes on his way. This last scene is a homage to the final scene of "The Third Man".
The Blossoming of Maximo Oliveros premiered at the 1st Cinemalaya Independent Film Festival on July 13, 2005, and was released theatrically in the Philippines on November 30, 2005. The film was screened at the 56th Berlin International Film Festival in Germany on February 11, 2006, and the 2006 Las Palmas de Gran Canaria International Film Festival in Spain on March 28, 2006. It was also screened in film festivals in Canada, Singapore, United States, Spain, Hong Kong, Italy, Greece, India, France, United Kingdom, Japan, Estonia, Thailand, Hungary, Switzerland, and South Korea. [5]
The Blossoming of Maximo Oliveros grossed $28,041 in United States and Canada, and $10,650 in other territories, for a worldwide total of $38,691. [6]
The Blossoming of Maximo Oliveros received mostly positive reviews. V.A. Musetto of New York Post praised Solito's direction, noting that, "Preteen sexuality is a sensitive subject, but director Auraeus Solito handles it with dignity, never becoming exploitative." [7] Critics also praised Lopez' performance. Nathan Lee of The New York Times wrote, "The newcomer Nathan Lopez delights as the flamboyantly gay Maxi." [8] Tom Dawson of BBC wrote, "Newcomer Lopez is wholly convincing in the lead role." [9]
On review aggregator website Rotten Tomatoes, the film has an approval rating of 89% based on 19 reviews. [10] On Metacritic the film has a score of 70% based on reviews from 7 critics. [11] Kevin Thomas of Los Angeles Times described the film as "one of the finest Filipino film, shimmering with folkloric charm without softening its view of the harshness and injustice of a life of poverty." [12] Ernest Hardy of LA Weekly wrote "One of those all-too-rare films that handle preadolescent queerness with intelligence and unflinching honesty." [13]
Many critics categorized The Blossoming of Maximo Oliveros as a neo-realist film. Keith Uhlich of Slant Magazine described the film as "a neorealist homo noir." [14] Dennis Harvey of Variety wrote, "an unusually low-key Filipino drama whose neo-realist air generally triumphs over the script's violent, fearful contrivances." [15]
In June 2021, Slant Magazine included the film in its list of 100 Best LGBTQ Films of All Time. [3] It was also included in British Film Institute's 10 Great Gay Films from East and Southeast Asia. [4]
The Blossoming of Maximo Oliveros received several awards and nominations. In the Philippines, the film was named Best Picture during the 2006 Gawad Urian Awards and was also named Best Filipino Film of the Decade at the 2010 Gawad Urian Awards. During the 2005 Cinemalaya Independent Film Festival, the film received the Balanghai Trophy for Best Production Design for Clint Catalan. It also received a Special Jury Prize for Solito and Special Citation for Lopez.
The film also made the rounds of international film festivals. [8] It received the Teddy Award (Feature Film) and Glass Bear-Special Mention (Feature Film) at the 56th Berlin International Film Festival. During the 2006 Las Palmas de Gran Canaria International Film Festival, the film received the Golden Lady Harimaguada and Lopez was named as Best Actor. The film was recipient of the Golden Zenith Award for Best Picture at the 2005 Montreal World Film Festival in Canada. The film was also given the NETPAC Award at the 2006 International Film Festival Rotterdam in the Netherlands "for the human portrayal of life on the margin and the touching performance of Nathan Lopez who plays 'Maxi.' [16]
The film was awarded Best Picture during the 2005 imagineNative Film+Media Arts Festival in Canada and Best Film at 2005 Asian Festival of First Films in Singapore.
In November 2013, eight years after its initial release, The Blossoming of Maximo Oliveros was adapted into a musical entitled Maxie the Musicale: Ang Pagdadalaga ni Maximo Oliveros by Bit by Bit Productions, in association with Philippine Educational Theater Association. [17]
Award | Date of ceremony | Category | Recipients | Result | Ref. |
---|---|---|---|---|---|
Asian Festival of First Films (Singapore) | November 30, 2005 | Best Film | The Blossoming of Maximo Oliveros | Won | [18] |
Berlin International Film Festival (Germany) | February 19, 2006 | Best Feature Film (Teddy) | The Blossoming of Maximo Oliveros | Won | [1] |
Best Feature Film (Crystal Bear-Special Mention) | The Blossoming of Maximo Oliveros | Won | |||
Deutsches Kinderhilfswerk Grand Prix | The Blossoming of Maximo Oliveros | Won | |||
Cinemalaya Independent Film Festival (Philippines) | July 17, 2005 | Best Film (Special Jury Prize) | The Blossoming of Maximo Oliveros | Won | [19] |
Best Performance of an Actor (Special Citation) | Nathan Lopez | Won | |||
Best Production Design | Lily Esquillon | Won | |||
Gawad Urian Award (Philippines) | 2005 | Best Picture | The Blossoming of Maximo Oliveros | Won | [20] |
Best Direction | Aureaus Solito | Nominated | |||
Best Actor | Nathan Lopez | Nominated | |||
Best Supporting Actor | Soliman Cruz | Nominated | |||
Best Cinematography | Nap Jamir | Won | |||
Best Editing | Clarence Sison, Aureaus Solito | Won | |||
Best Music | Pepe Smith | Nominated | |||
Best Production Design | Clint Catalan, Christina Dy, Lily Esquillon | Nominated | |||
Best Screenplay | Michiko Yamamoto | Won | |||
imagineNative Film + Media Arts Festival (Canada) | October 23, 2005 | Best Dramatic Feature | The Blossoming of Maximo Oliveros | Won | |
Independent Spirit Awards (United States) | February 4, 2007 | Best International Film | The Blossoming of Maximo Oliveros | Nominated | [21] |
International Film Festival Rotterdam (Netherlands) | February 5, 2006 | NETPAC Award (Ex Aequo) | The Blossoming of Maximo Oliveros | Won | [16] |
Las Palmas de Gran Canaria International Film Festival (Spain) | 2006 | Golden Lady Harimaguada | Auraeus Solito | Won | |
Best Actor | Nathan Lopez | Won | |||
Montreal World Film Festival (Canada) | September 5, 2005 | Golden Zenith Award for Best Picture | The Blossoming of Maximo Oliveros | Won | [22] |
The 56th Berlin International Film Festival was held from 9 to 19 February 2006. The festival opened with Snow Cake by Marc Evans. Digitally restored version of Sam Peckinpah's 1972 film Pat Garrett and Billy the Kid served as the closing film. British actress Charlotte Rampling was selected as the head of the jury.
Adolfo Borinaga Alix Jr., also known as Adolf Alix Jr., is a Filipino screenwriter and film director.
Nathan Lopez is a Filipino actor, who has worked in both film and television productions in the Philippines. He gained international exposure and acclaim as the title character in Ang Pagdadalaga ni Maximo Oliveros.
The Gawad Urian Awards are annual film awards in the Philippines presented since 1977 by the Manunuri ng Pelikulang Pilipino, a film critic organization composed of critics, writers, and scholars. It is the regarded as the highest award for a film given by critics in the Philippines and is seen as the counterpart of the United States' New York Film Critics Circle.
Tirso Silvano Cruz III is a Filipino actor, comedian, and singer. He was the Chairperson of the Film Development Council of the Philippines after one year and seven months for personal reasons. Regarded as a "matinee idol", Cruz is a FAMAS Award and Gawad Urian Award recipient.
Tribu is a 2007 Filipino crime drama film directed by Jim Libiran, released in its home country of the Philippines. It stars real life gang members from the film's setting in Tondo, Manila. The tagline is: "Every night, juvenile tribes prowl the streets of Tondo. An explosive hiphop, freestyle gangsta celebration of inner city Manila."
Frederick Charles Caballes Davao, professionally known as Ricky Davao, is a Filipino actor, television director and industrial management engineer. He is the ex-husband of actress Jackie Lou Blanco. He is the younger brother of Bing Davao and the son of Charlie Davao.
Auraeus Solito, also known as Kanakan-Balintagos, is a Palawán-Filipino filmmaker and indigenous peoples rights advocate who comes from a lineage of shaman-kings from the Palawán tribe. He was one of the first to be born outside of his tribal land of South Palawan. He was born in Manila and, after graduating from the Philippine Science High School, studied theater at the University of the Philippines, where he received a degree in Theater Arts. One of the leading independent filmmakers in the Philippines, he was chosen as part of in Take 100, The Future of Film in 2010. This book, published by Phaidon Press, New York, is a survey featuring 100 emerging film directors from around the world who have been selected by 10 internationally prominent film festival directors.
The 1st Cinemalaya Independent Film Festival was held from July 12 until 17, 2005 in Metro Manila, Philippines.
Florante "J.R." Valentin is a Filipino actor and model. He is best known for his role as Victor Perez, an idealistic police officer, in the 2005 drama The Blossoming of Maximo Oliveros.
The 10th Cinemalaya Independent Film Festival, also billed as Cinemalaya X was held from August 1–10 of 2014 in Metro Manila, Philippines. The achievements of Cinemalaya over the past ten years are summed up in the festival's theme: A Decade of Connecting Dimensions. The theme highlights Cinemalaya as a flourishing network of individuals, groups and institutions with a common goal of developing and promoting Filipino independent filmmaking.
Michiko Yamamoto is a Filipina screenwriter of Japanese ancestry. Her screenwriting credits include Magnifico (2003), The Blossoming of Maximo Oliveros (2006), Remington and the Curse of the Zombadings (2013), On the Job (2013), and Honor Thy Father (2015).
Jade Francis Castro is a Filipino film director, screenwriter, and producer. He is best known for writing and directing Endo (2007), and Zombadings 1: Patayin sa Shokot si Remington (2011).
April Rose Dizon Matienzo–Aquino, better known by her screen name Charlie Dizon, is a Filipino actress. Her acting breakthrough came in the 2020 Metro Manila Film Festival entry Fan Girl. Her accolades include a Gawad Urian Award, a Metro Manila Film Festival Award, a Star Award and two EDDYS Awards.
The Commitment is a 2014 Filipino film by director Joselito Altarejos. It was premiered as an entry to the Directors Showcase during the 10th Cinemalaya Philippine Independent Film Festival held in 2014. The film went on to win the Best Film title in the festival.
Oliver Aquino is a Filipino actor, singer and dancer.