The Stranger in Us

Last updated
The Stranger in Us
The Stranger in Us poster.jpg
Film poster
Directed byScott Boswell
Written byScott Boswell
Produced byCheryl Simas Valenzuela
StarringRaphael Barker
Adam Perez
Scott Cox
CinematographySpenser Nottage
Laura Valladao
Edited byMatt Hale
Music byTrue Margrit
Distributed byBreaking Glass Pictures
TLA-UK
GM Films
Optimale
Bounty Films
Mi2N
Release date
  • June 23, 2010 (2010-06-23)(Frameline) [1]
Running time
106 minutes
CountryUnited States
LanguageEnglish
Budget$50 thousand

The Stranger in Us is a 2010 American dramatic feature film written and directed by Scott Boswell. The film premiered at Frameline Film Festival [2] and went on to screen at U.S. and international film festivals, winning audience awards at Reeling Chicago and Pikes Peak Lavender Film Festivals. [3] [4] The film was later licensed for global distribution and online viewing, and released to DVD in December 2010. [5] [6] [7] [8] [9]

Contents

The story centers on Anthony (Raphael Barker, Shortbus), an eager small-town newcomer to San Francisco dealing with an abusive ex-lover, who strikes up an unlikely friendship with Gavin, a teenage homeless street hustler. Anthony uses his poetry to try to make sense of his situation. Using a non-chronological style, the vérité-style drama explores youthful impulsivity and perilous street life.

Plot

The film explores isolation and loss in the urban landscape of San Francisco. The story unfolds through the non-sequential memories of its central character, Anthony. Taking a bus to an undisclosed destination, he grapples with the loss of the only two meaningful relationships he established since arriving in the city.

He relives telltale moments with his volatile lover, Stephen. Having met Stephen only briefly in Virginia, Anthony decides to leave his rural life and head west to California for a domestic urban life. His exciting new life quickly sours as Anthony encounters Stephen's anger and manipulative behaviors. As he relies on Stephen financially and emotionally, Anthony does not know where to turn when their arguments evolve to physical violence.

He quickly slips into social and spiritual-paralysis. Unable to pursue his dream of writing poetry, Anthony goes out night after night, encountering a number of other drifters, including a crooning transgender woman, homeless youth, and drug dealers.

Eventually he meets Gavin, a runaway teen hustler living on the streets. Almost effortlessly, Gavin comes and goes, unexpectedly becoming a playful and nurturing force in Anthony's life, even taking on a parental role at times. Anthony comes to rely on Gavin's friendship until Stephen reemerges and asks Anthony to come back to him. Gavin's street life becomes progressively more impossible for him to handle, and though Anthony tries to help him, he disappears without warning. Hitting bottom in his emotional spiral, Anthony attempts to turn his life around by embarking on a mission to find his young friend.

Cast

Production

Funded with private financing and small investments, the film was executive-produced by Scott Boswell through Paperback Films. [10] Originally conceived as a hybrid documentary-fiction portrait about San Francisco's Tenderloin district, writer-director Boswell wrote the 108-page script only after casting lead actor Raphael Barker. Boswell acknowledges that Barker's interest in the project altered his approach, causing him to opt instead to create an autobiographical narrative: “I credit him [Barker] indirectly for the trajectory that the process of making the film took….It became more and more traditional in its scope…the lead character is more or less a surrogate for my own story.” [11]

Reception

The Stranger in Us received critical praise during its festival run. Dennis Harvey of Variety called the film a "modest but affecting drama" that is "engrossing by leisurely degrees." [12] Michael Guillen of The Evening Class wrote, “Scott Boswell's first feature The Stranger In Us faces the street with considerable compassion, observing the youthful exploration of urban night life with generous honesty and tact.” [13] And Seán Martinfield of the San Francisco Sentinel wrote that the film "stands high in best screenplays at this year’s Frameline Film Festival….The film is fabulously crafted, its subjects are challenging and hard, and the performances are true.” [14]

Rich Cline of Shadows on the Wall gave the film a more critical review, noting the film is “artfully made…but by fracturing the chronology, it ends up feeling rather long and repetitive. And it lacks the emotional punch it could have had with a more forceful dramatic arc.” [15]

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References

  1. ↑ "The Spinning Platters Guide to Frameline34 San Francisco International LGBT Film Festival". spinningplatters.com. 15 June 2010. Retrieved 24 June 2020.
  2. ↑ "Frameline34: Local drama "The Stranger in Us"" . Retrieved 24 June 2020.
  3. ↑ "The Stranger in Us". Archived from the original on 2016-04-04.
  4. ↑ "TSIU Screenings Awards". scottboswell.com.
  5. ↑ "DVD Review: The Stranger in Us". www.wboc.com. Retrieved 24 June 2020.
  6. ↑ "Nothing found for the Stranger in Us 853637002513 ?Categoryid= 1". Breaking Glass Pictures.
  7. ↑ "TLA Releasing UK - The Stranger in Us". tlareleasing.co.uk.
  8. ↑ "Suche". www.gmfilms.de.
  9. ↑ "Stranger In Us | Bounty Films". bountyentertainment.com.au. Archived from the original on 2016-03-04.
  10. ↑ "Sf360.org". www.sf360.org. Archived from the original on August 18, 2010.
  11. ↑ "The Stranger In Us – Hollywood Jesus Live". www.hollywoodjesus.com. Archived from the original on 2016-04-04. Retrieved 2016-03-23.
  12. ↑ Harvey, Dennis (29 June 2010). "The Stranger in Us".
  13. ↑ Guillen, Michael (31 March 2010). "The Evening Class: THE STRANGER IN US—The Evening Class Interview With Scott Boswell".
  14. ↑ "SF Sentinel". www.sanfranciscosentinel.com.
  15. ↑ "Shadows on the Wall - films on video". www.shadowsonthewall.co.uk.
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